HK and Cult Film News's Fan Box

Sunday, March 13, 2022

ZAAT -- Blu-Ray/DVD Review by Porfle




 (Originally posted in 2012)

If the idea of being attacked by a giant walking catfish has ever given you sleepless nights, you may not be able to handle ZAAT (aka "Blood Waters of Dr. Z"), a 1972 indy horror flick made on a shoestring in and around Jacksonville, Florida.  But if thoughts of catfish simply make you hungry, and you don't have anything more exciting to do for the next hour and a half, then this good-natured, pleasantly boring little fish story should go down pretty easy.

The film opens with stock footage of various predatory fish as we hear mad scientist Dr. Leopold (Marshall Grauer) chuckling to himself about his scheme to take over the universe by creating catfish people.  Like a poor man's Vincent Price, he gloats:  "They'll have fish a size they've never seen before...walking fish!  Heh, heh...they'll like human flesh."

After the exciting main titles sequence, which shows the doctor slowly making his way from the ocean shore to his laboratory in the basement of an abandoned building, we see his decades-long experiments reach fruition when he injects himself with a special formula--"Z, sub a, and A, sub t"--and climbs into a water tank.  (The sight of him removing his shirt and pants is probably the most horrifying thing in the entire picture.)  What emerges from the tank is Zaat, an eight-foot-tall human catfish. 


Played by 6'8" actor Wade Popwell in a suit which consists of mounds of painted silicon over a scuba outfit and an oversized monster head, Zaat then begins his reign of terror by swimming around in Silver Springs (where Tarzan and the Creature From the Black Lagoon once frolicked) spraying radioactive waste out of a squirt bottle.  The color photography of the monster moving about these crystal-clear waters is actually quite nice. 

Director Don Barton stages a pretty cool attack sequence when Zaat stumbles upon one of the scientists who once ridiculed his experiments, overturning his fishing boat and killing him and his family.  Later, he kidnaps a woman camper (Nancy Lien, who looks terrific in a yellow bikini) and unsuccessfully tries to turn her into his catfish bride.  These and a few other acts of violence fail to generate much fear--Zaat is such a goofy-looking and clumsy creature (Popwell couldn't see too well in that big monster head and frequently stumbles over things as he galumphs around just trying not to fall over) that my main reaction was to feel sorry for him.

Meanwhile, the typical "comical redneck sheriff", Sheriff Krantz (Paul Galloway) and a young marine biologist named Rex (Gerald Kruse) are checking out some watery fauna when two agents show up from INPIT (Inter-Nations Phenomenon Investigations Team) just in time to get in on the monster action.  Blonde cutie Sanna Ringhaver and studly hero-type Dave Dickerson supply the film's cursory romantic element as the mismatched foursome try to track down Zaat before he can kill again.


While we may laugh at much of ZAAT's dumber dialogue and visuals, at least it's an earnest attempt to be a real monster movie and doesn't poke fun at itself with a lot of coy self-awareness.  The film's only deliberate humor comes from Sheriff Krantz and his gangly deputy, especially in a curious sequence in which the sheriff, Pied Piper-like, leads a ragtag group of hippie Jesus freaks down the street to jail (for safety from the monster) as one of them croons an earbending folk song (he inflicts the titles tune upon us as well). 

Even Zaat himself is only the second funniest thing about the movie.  The hands-down funniest has to be the sight of actual walking catfish flopping around on a miniature set that makes THE GIANT GILA MONSTER look like JURASSIC PARK. That aside, the notion of Barbie and Ken INPIT agents on the "weird science" beat in their specially-equipped RV is pretty comical in itself.

Technically, the film has little to be ashamed of for such a low-budget effort.  Direction and editing are well-done, while the photography and lighting, especially in the nighttime and underwater scenes, look pretty good for a drive-in flick that just turned forty.  None of the actors do an outstanding job (although Galloway is pretty good) but they're not really too awful, either.  With the abduction by Zaat of the female INPIT agent for the purpose of turning her into his mate, the story builds to a surprisingly somber finish that shows some imagination. 


The 2-disc Blu-Ray/DVD combo from Film Chest's Cultra and HD Cinema Classics labels is in 16x9 widescreen and standard Dolby audio.  Spanish subtitles only.  Extras consist of a genial cast and crew commentary, outtakes, trailer and TV spots, a before-and-after restoration demo, and a radio interview with Ed Tucker and Wade Popwell.

As with other "so bad it's good" cheapies, your reaction to ZAAT will depend entirely upon whether or not you decide to like it.  Some will find it unwatchable, while others have already embraced it as a beloved cult film.  Although actual excitement and suspense are non-existent, I found it so pleasant to watch in its own easygoing way that it rarely becomes painfully boring.  But it really did make me hungry for some catfish.  


Buy the Blu-Ray/DVD combo at Amazon.com
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Thursday, March 3, 2022

LISZTOMANIA -- Movie Review by Porfle



With one of the dumbest taglines of all time ("It out-TOMMY's TOMMY!"), this movie is a mass of calculated stupidity candy-coated with rampant extravagance.

Vulgar and witless, randomly surreal, utterly tasteless, and lacking any of the visual and musical charm of the film that it supposedly outdoes at its own game, LISZTOMANIA (1975) is a movie that seems determined to be "so bad it's good" without even trying to be good first.

With TOMMY, Ken Russell had Pete Townsend's compelling rock opera upon which to hang his glossy visual musings.  Here, all he has is the music of Franz Liszt and Richard Wagner channelled through a beer-addled Rick Wakeman at his worst and bastardized into some of the most pointless, rinky-dink rock songs imaginable.


Not to mention an incomprehensible storyline that features Liszt (Roger Daltrey) as a sex-crazed 19th-century rock star, Fiona Lewis as his long-suffering wife Marie, Sara Kestelman as his mistress, Princess Carolyn (who, in a fantasy sequence, is a Satanic dominatrix riding Liszt's giant, erect member like a bucking bronco before severing it in a guillotine), keyboard whiz Rick Wakeman as Thor, and TOMMY's "Cousin Kevin" himself, Paul Nicholas, as anti-Semitic political anarchist Richard Wagner, who steals Liszt's musical talent by literally sucking his blood like a vampire and then steals Liszt's daughter Cosima (Veronica Quilligan) away for his wife.    

Russell seems to have come to the conclusion that TOMMY was a surefire formula for getting stoners to come back to the theater over and over just to sit and go "wow" at goofy visuals mixed with rock music.  But there's a limit even to that dubious brand of entertainment, and LISZTOMANIA is it.


Now for the weird part--I was one of those gullible dopes who saw LISZTOMANIA two or three times on the big screen back in '75.  I had the soundtrack album on 8-track.  Not only that, but when I got my first VCR in 1981, it was one of the first movies I ever bought on videotape. 

And that was back when movies on videotape were, like, really expensive.  (I still have it, tucked snugly inside its special oversized cardboard container from Warner Home Video.)

Why? Because I love kitsch, and LISZTOMANIA is industrial-strength kitsch that's so utterly, irredeemably bad that it achieves a whole new level of horrible wonderfulness.


It's an all-out assault on art, on music, on film itself, and on our very senses.  And for all its badness, it doesn't even have the decency to be unwatchable even when Roger Daltry stops singing and starts talking.  In fact, I find it impossible not to revel in its absurd awfulness even as I'm repelled by it.

I don't know that much about the real lives of Franz Liszt and Richard Wagner, but I'm pretty sure Wagner didn't rise from the dead as a Nazi Frankenstein terrorizing WWII-era Europe with a machine-gun guitar, and that Liszt didn't pilot a woman-powered spaceship from Heaven with which to dive bomb Wagnerstein into oblivion. And I kinda doubt that the current Pope looked and sounded like Ringo Starr.

LISZTOMANIA, however, shows us exactly what it would've looked like if these things and more had actually happened, as interpreted by the fevered imagination of Ken Russell at his most dangerously unhinged.  And watching it is like taking a strange drug that gets you high and makes you sick at the same time.



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Thursday, February 17, 2022

GOODFELLAS (25TH ANNIVERSARY) -- Blu-ray Review by Porfle



 
(Originally posted May 2, 2015)

 

25 years later, I'm still ambivalent about Martin Scorsese's celebrated mob classic GOODFELLAS (1990). It's a masterpiece of cinema that's almost fiercely watchable even after many viewings--I've seen it at least thirty or forty times--and yet it's populated by an assortment of sordid characters that I wouldn't touch with a ten-foot pole.

The true story of low-level mobster Henry Hill as told to author Nicholas Pileggi in his book "Wiseguy", this adaptation is the pinnacle of what seems to have been Scorsese's ongoing exorcism of his own ambivalent feelings toward such characters around whom he himself grew up. His fascination with the crime-ridden (but colorful) hellhole that is the underbelly of New York begins with MEAN STREETS and continues onward through TAXI DRIVER and RAGING BULL until finally reaching its ultimate expression in this study of the typical gangster's everyday life in all its mundane horror.

As played by Ray Liotta (HANNIBAL, COMEBACK SEASON), the young Henry works his way into the ranks of boss Big Paulie Cicero's (Paul Sorvino) gang after admiring their way of life from afar. The first half of the film is Henry's "come-up" as he enjoys the glamour and freedom from traditional authority, constantly awash in easy cash and given the V.I.P. treatment wherever he goes. A night out at the Copacabana with his new girlfriend Karen (Lorraine Bracco), who, for better or worse, will become his wife, is brilliantly staged by the director to emphasize the elevated state of luxury and privilege through which Henry moves due to his mob connections.




That we don't find Henry utterly repulsive is due mainly to the fact that his closest cohorts are much worse than he is. Robert De Niro (RIGHTEOUS KILL) is at his best as Irish hood Jimmy "The Gent" Conway, a cunning, ruthless criminal who will do anything or kill anyone to get ahead, and Joe Pesci has his most career-defining role as the crazy, loose-cannon killer Tommy DeVito. Henry, with his comparatively mild dealings in drugs, racketeering, and mere physical violence, seems almost like a nice guy as his partners in crime murder their way through the rest of the cast.

Pesci has a field day as Tommy and gives the film its most memorable moments. Henry makes the mistake of describing Tommy as "funny" after a particularly humorous anecdote, to which Tommy appears to take offense in a big way. "Funny how?" he spits, suddenly becoming deadly serious. "I amuse you? I'm a clown?" Tommy's history as a psycho makes the situation unbearably tense until he finally breaks character and starts giggling at Henry's distress. When he guns down a gangly kid named Spider (Michael Imperioli of "The Sopranos") for back-talking him during a poker game, and then later brutally assassinates a made man over a verbal insult, we're shocked into seeing just how ugly and horrific is this life into which Henry has so inextricably entrenched himself.

After that, GOODFELLAS becomes a harrowing "express elevator to Hell" (as Hudson so eloquently puts it in ALIENS) for our seedy protagonist and his increasingly disillusioned mob wife Karen as things begin to fall apart around them. Following the wildly successful robbery of an airport for millions of dollars in cash, Jimmy decides he can't bear to part with any of it and starts killing off everyone else involved rather than have to divvy up the loot. 




Things really go to pot when Henry and the rest of the gang start getting pinched for their crimes and spending serious prison time, after which Big Paulie turns his back on Henry for dealing in drugs. Finally, even Henry begins to fear for his life under Jimmy's wary glare.

It all comes to a peak with Scorsese's most beautifully executed sequence in the film, Henry's day of coke-fueled paranoia as he juggles gun-running, coke-smuggling, and cooking a huge spaghetti dinner for his family under the watchful eye of a government helicopter. Rarely has this sort of raw, nerve-wracking anxiety ever been so accurately and so cinematically portrayed as it is here. Liotta really sells it as well, with Henry self-destructing before our eyes.

Scorsese's use of various camera and editing techniques is masterful, and much more smoothly integrated into the look and feel of the film than the more overtly experimental style used by Oliver Stone in NATURAL BORN KILLERS. Classical direction alternates with handheld camera, whip-pans, and abrupt editing as Scorsese sees fit, all skillfully integrated into the stylistic whole. If anything, this movie is a joy to watch simply for how exquisitely put together it is and how much pure craftsmanship Scorsese shows in its execution.


But most of all, GOODFELLAS somehow transcends its penny-dreadful setting and characters by being a fascinating freak show of extremes, one for which we can buy our ticket and observe from a safe vantage point while thinking, "There but for the grace of God go I." I wouldn't go near these vile monsters in real life, but like any other monster movie, watching them in action is the kind of perverse, voyeuristic thrill that only a showman like Scorsese can dish out.

--------------

The 2-disc Blu-ray from Warner Home Entertainment features a remastered version of the film in 1080p high definition 16 x 9 1:85:1 with Dolby Digital 5.1 English audio and French and Spanish 2.0 audio. Subtitles are in English, French, and Spanish. Disc one includes two invaluable commentary tracks, one consisting of cast and crew interviews and the other provided by Henry Hill himself.

Hill's comments are especially interesting when he compares what we're seeing on the screen with how it happened in real life. Henry is joined by Ed McDonald, head of the organized crime strike force in New York who was intimately involved in the film's events and plays himself in one scene.


Disc two contains the half-hour documentary "Scorsese's Goodfellas", the feature-length documentary "Public Enemies: The Golden Age of the Gangster Film", and featurettes "Getting Made", "Made Men", "The Workaday Gangster", and "Paper is Cheaper Than Fiction." Also contained are four vintage Warner Brothers cartoons and the film's trailer. 


Finally, the set contains a 36-page hardbound photo book, a personal letter from Martin Scorsese, and instructions on how to download a digital HD ultraviolet copy of the film.

Buy it at WBShop.com

Street date: May 5, 2015

(Note: stills used are not taken from the Blu-ray discs.)




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Thursday, February 10, 2022

Classic Creature-Feature "MONSTER FROM GREEN HELL" on Special-Edition Blu-ray & DVD March 8th

 


 

Classic Creature-Feature Monster From Green Hell

On Special-Edition Blu-ray & DVD March 8th

Featuring New 4K Transfer, Exclusive Bonus Features &

Rare, Colorized Version of the Film’s Climax

Too Awesome to Describe! Too Terrifying to Escape!


 

LOS ANGELES — Feb. 9, 2022 — For Immediate Release: Cinedigm announced today that The Film Detective (TFD), the classic film restoration and streaming company, will release Kenneth G. Crane’s classic B-movie creature feature Monster From Green Hell (1957) on special-edition Blu-ray and DVD, March 8.

 

From the era of giant bugs and atomic testing comes this low-budget howler about mutant wasps. When scientists try to understand the effects of radiation on earth creatures, the result brings them to an area of Africa known as “Green Hell,” where wasps have mutated into monsters!

 




Jim Davis, who later starred in the TV series Dallas, plays Dr. Quent Brady, the scientist who starts the whole mess. The film also stars Vladimir Sokoloff (The Life of Emile Zola, Mission to Moscow) as the skeptical Dr. Lorentz and Joel Fluellen (Raisin in the Sun) as Arobi, who warns Brady to beware of the African location. The locals don't call it “Green Hell” for nothing! Monster From Green Hell was co-written by Louis Vittes, famed writer of the classic I Married a Monster From Outer Space.

 

The special-edition release features a stunning 4K transfer, including both widescreen (1.85:1) and full frame (1.33:1) versions of the film. Monster From Green Hell comes as the latest in a series of collaborations between TFD and The Wade Williams Collection.

 


BONUS FEATURES: Missouri Born: The Films of Jim Davis, an all-new career retrospective with author/film historian C. Courtney Joyner; The Men Behind the Monsters, an essay by author Don Stradley featured in a full-color booklet; and commentary with artist/author Stephen R. Bissette.

 

Monster From Green Hell will be available on Blu-ray ($24.95) and DVD ($19.95) March 8 or fans can secure a copy by pre-ordering now at: https://www.thefilmdetective.com/monster-from-green-hell

 

About The Film Detective:

The Film Detective (TFD) is a leading distributor of restored classic programming, including feature films, television, foreign imports and documentaries and is a division of Cinedigm. Launched in 2014, TFD has distributed its extensive library of 3,000+ hours of film on DVD and Blu-ray and through leading broadcast and streaming platforms such as Turner Classic Movies, NBC, EPIX, Pluto TV, Amazon, MeTV, PBS and more. With a strong focus on increasing the digital reach of its content, TFD has released its classic movie app on web, Android, iOS, Roku, Amazon Fire TV and Apple TV. TFD is also available live with a 24/7 linear channel available on Sling TV, STIRR, Plex, Local Now, Rakuten TV and DistroTV. For more information, visit www.thefilmdetective.com.

 

About Cinedigm:


For more than 20 years, Cinedigm has led the digital transformation of the entertainment industry. Today, Cinedigm entertains hundreds of millions of consumers around the globe by providing premium content, streaming channels and technology services to the world's largest media, technology and retail companies.

 

Monster From Green Hell

The Film Detective


Genre: Horror/Sci-Fi

Original Release: 1957 (B&W)

Not Rated

Running Time: 61 Minutes

Language: English

Subtitles: English/Spanish

SRP: $24.95 (Blu-ray) / $19.95 (DVD)

Discs: 1

Release Date: March 8, 2022 (Pre-order Now)

UPC Code: 760137830887 (Blu-ray) / 760137831099 (DVD)

Catalog #: FB1019 (Blu-ray) / FD1019 (DVD)


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Friday, February 4, 2022

A Bunch Of Old-School Celebrities Introducing Themselves (Bob Hope Special: "Joys", 1976) (video)

 


Here's a big, goofy grab bag of names that were famous in the 70s...

...with the people who owned them introducing themselves.

Some you may not remember, others you just can't forget.

How many do you remember?


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Thursday, February 3, 2022

Great 3 Stooges Running Gag: "The Tongue Wars" (video)

 


It's not safe to stick your tongue out at Moe.

In fact, it's not safe to do anything around Moe...

...even if you ARE Moe!



(threestooges.net)



THREE SAPPY PEOPLE (1939)
CASH AND CARRY (1937)
CACTUS MAKES PERFECT (1942)
BACK FROM THE FRONT (1943)
DIZZY DETECTIVES (1943)
BUSY BUDDIES (1944)
BEER BARREL POLECATS (1946)
HALF-WITS HOLIDAY (1947)
HOKUS POKUS (1949)
STONE AGE ROMEOS (1955)
SCHEMING SCHEMERS (1956)
RUSTY ROMEOS (1957)
PIES AND GUYS (1958)


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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John Wayne's Coolest Scenes #69: He Won't Feel It, "EL DORADO" (1966) (video)

 


Ace gunman Cole Thornton returns to town to find...

...his friend the marshall (Robert Mitchum) has become the town drunk.

Their reunion is not a pleasant one!


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!

 


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Wednesday, February 2, 2022

Shemp's Stuntman Flips His Wig! (Three Stooges: "Blunder Boys", 1955) (video)

 


The Stooges are amateur detectives...

...going undercover in a health spa.

But when Shemp's exercise horse goes haywire...

...his stuntman has a very bad hair day!


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Great 3 Stooges Running Gag: "Anesthetic!" (video)

 


Who needs all those newfangled anesthetics?

Not the Three Stooges! For them, nothing puts a patient under...

...like a good old-fashioned mallet to the head!



MEN IN BLACK (1934)
DIZZY DOCTORS (1937)
CALLING ALL CURS (1939)
ALL THE WORLD'S A STOOGE (1941)
A GEM OF A JAM (1943)
HOT ICE (1955)
HAVE ROCKET -- WILL TRAVEL (1959)


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Tuesday, February 1, 2022

Small Town Monsters Explores the Dark Side of UFOs in Latest Doc "On the Trail of UFOs: Night Visitors" -- See Trailer HERE!

 


Small Town Monsters Explores the Dark Side of UFOs

First Trailer for On the Trail of UFOs: Night Visitors

Takes Viewers into the Most Disturbing Aspect of UFOlogy

 
Wadsworth, OH--Do cattle mutilations still plague the American West? According to the latest documentary from Small Town Monsters, the phenomenon, which was popularized through references in shows like "The X-Files" and "Unsolved Mysteries", continues to this day. 

On the Trail of UFOs: Night Visitors unveils a detailed look at the ongoing UFO activity occurring across the country through interviews with investigators and eyewitnesses. The feature-length documentary promises to take viewers on a journey into a side of the subject that they’ve never explored.

 


 

Small Town Monsters has released the first-look trailer for the new film which begins to hint at some of the incredible eyewitness accounts and mind-boggling nuggets of information contained therein.
Night Visitors is the follow-up to the wildly successful 2020 miniseries, On the Trail of UFOs, and 2021’s On the Trail of UFOs: Dark Sky. 

The film is directed by Small Town Monsters founder Seth Breedlove and follows investigator Shannon LeGro (host of Into the Fray podcast) as she searches for answers across the stunning mountains and prairie lands of Colorado. Her search takes her deep into often-overlooked and deeply disturbing sides of the UAP topic; cattle mutilations and human abductions. 

 

WATCH THE TRAILER:





Along with the teaser, Breedlove and company have announced their film production lineup for the year which includes three additional titles: On the Trail of Bigfoot: Last Frontier, American Werewolves and Bloodlines: The Jersey Devil Curse. 

Bigfoot is a followup to last year's On the Trail of Bigfoot: The Discovery which spent over 8 weeks on Amazon Vdeo's best-selling overall titles list. American Werewolves explores the topic of upright canids in North America, while Jersey Devil seeks to blend narrative, fictional story elements with Small Town Monsters' tried and true documentary format.

 

 

All four titles are headed to Kickstarter on February 3rd where they will be seeking funding throughout the month. A slew of rewards sure to please the UFO, paranormal or cryptid enthusiast in your life are up for grabs for backers of the campaign.

On the Trail of UFOs: Night Visitors will debut on VOD this spring.



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Monday, January 31, 2022

Liam Neeson in "BLACKLIGHT" In Theatres on February 11 -- Watch The Trailer HERE!

 


From Briarcliff Entertainment

"BLACKLIGHT"

Coming To Theaters February 11, 2022

 

Trust, identity, and the danger of unchecked power push a covert operative to the edge in director Mark Williams’ intense action thriller Blacklight. 

Travis Block (Neeson) lives and fights in the shadows. A freelance government “fixer,” Block is a dangerous man whose assignments have included extracting agents out of deep-cover situations. 

When Block discovers a shadowy program called Operation Unity is striking down ordinary citizens for reasons known only to Block’s boss, FBI chief Robinson (Quinn), he enlists the help of a journalist (Raver-Lampman), but his past and present collide when his daughter and granddaughter are threatened. 

Now Block needs to rescue the people he loves and expose the truth for a shot at redemption. Nothing and no one is safe when secrets are hidden in Blacklight.


WATCH THE OFFICIAL TRAILER HERE:




 
Directed By: Mark Williams
Written By: Nick May and Mark Williams
Starring: Liam Neeson, Aidan Quinn, Emmy Raver-Lampman
Produced By: Mark Willams, Paul Currie, Myles Nestel, Alevé Loh, Coco Xiaqlu Ma





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DUCKWALK OF DEATH! ("THE KILLER SHREWS", 1959) (video)


 

 The good guys are surrounded by killer shrews, with no escape...

...except to hastily build a makeshift iron-barrel tank...

...and DUCKWALK through the Valley of Death!


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!


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Sunday, January 30, 2022

Did Moe Miss His Cue? ("Three Stooges" Intro w/Joe Besser) (video)

 


When Joe Besser replaced Shemp, a new intro was filmed...

...in which the boys sing their patented "Hello, hello, hello!"

But when it fades in, we see that Moe isn't quite ready.

He's still glancing from side to side...

...and clearing his throat.

But that's why we love him.


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Saturday, January 29, 2022

Great 3 Stooges Running Gag: "How To Cook Pancakes" (video)

 


Pancakes are a pretty simple thing to cook...

...until the Stooges get behind the stove.

When that happens, it's "batter up"!


MOVIE MANIACS (1936)
BUSY BUDDIES (1944)
SING A SONG OF SIX PANTS (1947)
RUSTY ROMEOS (1957)


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Wednesday, January 26, 2022

A POOR LITTLE RICH GIRL -- Movie Review by Porfle

 


Currently watching: Mary Pickford in A POOR LITTLE RICH GIRL (1917). 
 
Mary is at her best here, as the tiny (5'1") actress plays a sweetly rambunctious 11-year-old girl (Mary was actually 25) who craves love and attention while her wealthy parents have no time for her and household staff abuse her. 
 
Highlights include Mary inviting some street urchins in for a mud fight in the greenhouse, and a disastrous playdate with a snooty, spoiled rich girl. 
 
 
Silent Era : Home Video Reviews 


Very well made with a realistic setting that looks like an actual mansion, sharp direction and photography, and nice special effects and color tinting during the climactic dream sequence as Mary's character fights for life after an accidental "sleep medicine" overdose. 
 
She imagines herself on a fairyland quest for happiness that resembles "The Wizard of Oz", with three people from her real life--a plumber, an organ grinder, and a sympathetic servant--as her fantasy companions. 
 
 

 
The sequence contains some very surreal touches, some of which even have a David Lynch quality.
 
The print used for the Alpha Video DVD is of very good quality for a film made in 1917. A POOR LITTLE RICH GIRL is essential viewing for Mary Pickford fans.
 

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