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Showing posts with label Bandai. Show all posts
Showing posts with label Bandai. Show all posts

Thursday, January 25, 2024

K-ON! VOL. 1 -- DVD Review by Porfle


 

Originally posted on 4/20/11

 

Four bubbly high school girls join the Light Music Club and provide light entertainment in K-ON! VOL. 1 (2009), Bandai Entertainment's first DVD volume of the Japanese anime series based on a popular manga. 

Yui, a clumsy, scatterbrained girl who's easily distracted, freaks out on her first day of high school because she can't decide what club to join.  Meanwhile, Mio and Ritsu are crushed to find the Light Music Club is disbanding since it lacks the minimum four members.  They persuade pretty blonde rich girl Tsumugi, a talented keyboardist, to join, but are still one member short.  Desperate, they cajole a reluctant Yui to complete the foursome as lead guitarist of their band even though she can't play a note, and afterwards spend most of their time in the music room gorging themselves on gooey pastries and cakes. 

That pretty much describes the first episode, "Disband the Club!"  K-ON! (from the Japanese word keiongaku, meaning "light music") is a frenetic series of mildly comic situations done in a colorful, breezy style that doesn't place all that much emphasis on plotlines.  Basically, it's a "hang-out" show--once you get to know these characters and their particular quirks, it's fun just to hang out with them, enjoy their girlish antics, and groove to the eye-pleasing artwork and animation.



The four lead characters are your standard cute young anime schoolgirls.  Bass-player Mio is, in Yui's words, "tall and pretty, and gives off a real 'cool, grown woman vibe'."  Before long, however, we discover that she's a bundle of debilitating phobias and neuroses and often goes blank from fear of things like strange people and barnacles.  Her friend Ritsu, the band's drummer, is "a cheerful girl who's full of energy" but is also a hyperactive ditz.  Much of the show's slapstick humor comes from anger-prone Mio whacking Ritsu over the head and raising cartoony egg-shaped knots.  Mild-mannered Tsumugi, the pampered princess, is funny because of her inexperience and is thrilled when asked if she "wants fries with that" during her first trip to a fastfood restaurant.

The simple plots take a single idea and follow it to the end with all the light-comedy embellishments, screwball physical humor, and sight gags, with frequent use of fantasy interludes and flashbacks.  The second episode, "Instruments!", is all about finding an affordable guitar for Yui, with the girls taking temp jobs to help pay for it.  At first, the motivational message here is about being selfless and helping others, but eventually it becomes "you can afford that expensive guitar if your rich friend's dad owns the store." 

"Cram Session!" finds Yui barred from membership in a club after failing mid-term exams.  The girls urge her to study for her makeup test, but she just can't keep her mind on her books and off her cool new guitar.  Dropping by to help out, the girls have their usual sugary snacks and meet Yui's little sister Ui, amazed to find her vastly more polite and mature than Yui. 

The episode gets off to a weird start as Yui becomes hypnotically fascinated by how squishy Mio's string-hardened fingertips are.  Meanwhile, the easily-annoyed Mio manages to raise at least two ostrich egg-sized knots on Ritsu's head this time out.  Typical of the series, the relatively realistic design of the characters becomes exaggeratedly cartoonish whenever they experience extreme emotions, resulting in some pretty funny-looking reactions. 

The most visually-pleasing episode, "Training Camp!", boasts some gorgeous artwork as Mio organizes a trip to the country so the band can practice for the upcoming Fall Festival.  They end up at one of Tsumugi's luxurious family vacation homes on the beach where Yui and Ritsu spend most of their time romping around in the surf while Mio tries in vain to get them to concentrate on their music.
 


Mio's first appearance in a bikini leads to a strangely comical moment with the two girls being stunned to discover that she has--BOOBS!  Later, a nighttime fireworks display adds even more visual interest to the episode while inspiring fantasies of the girls' most cherished ambition--to perform at Budokan before high school is over.

Mio is at her most freaked-out and violent in this episode, repeatedly whacking Mitsu over the head and going nuts after accidentally touching some barnacles.  In the last shot, she hoists Yui off her feet by the neck and strangles her for taking an uncomplimentary photo of her during their vacation.  The lesson here, I assume, is that even the pretty and seemingly self-assured girls in your school can be dangerously unbalanced.

The four-episode DVD (approx. 100 minutes) from Bandai Entertainment is in 1.78:1 anamorphic widescreen with both Japanese and English Dolby 2.0 sound.  Subtitles are in English.  Extras include a ten-minute interview with Stephanie Sheh, the voice of Yui in the English dub, and trailers from other Bandai releases.  Three more volumes of the series are planned.

Yui and her friends don't get very far musically in this collection, but the opening and closing titles feature two catchy tunes, "Cagayake! Girls" and "Don't Say 'Lazy'", which indicate that by the series' end the band will finally be ready for Budokan.  Till then, K-ON! VOL. 1 catches them doing what they currently do best--eating snacks, being kooky, and having fun. 




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Saturday, September 17, 2022

TEKKEN: BLOOD VENGEANCE -- DVD review by porfle


Originally posted on 11/9/11

 

Sometimes a movie makes me really glad that CGI was invented, and TEKKEN: BLOOD VENGEANCE (2011) is one of those movies.  This photo-realistic digital action epic is the kind of sweet eye candy that makes my eyeballs feel good.

Xiaoyu and Alisa are two high school girls who both have a crush on introspective loner Shin, who's brawny and handsome but troubled, maybe even suicidal.  What the girls don't know is that Shin is the sole survivor of a genetic experiment and his rapidly mutating body is sought by two arch rivals, Mishima Zaibatsu and the sinister G Corporation.  What Shin doesn't know is that Xiaoyu is an unwilling agent of G Corporation and Alisa is a humanoid robot from Mishima Zaibatsu, and they're both under orders to locate him.

Behind all of this, as Tekken fans will have already guessed, is the blood-feuding Mishima clan.  Jin, the youngest, is the head of Mishima Zaibatsu while his father and mortal enemy Kazuya runs G Corporation.  Kazuya, with the help of evil warrior babe Anna Williams, hopes that isolating Shin's "Devil Gene" will help him control his own super powers, but Jin and his beautiful assistant Nina Williams (Anna's sister) are determined to thwart him by getting to Shin first.  Pulling everyone's strings in the background is mean old family patriarch Heihachi Mishima, whose intentions are even more insidious.



The film's opening, which resembles something out of AKIRA, thrusts us right into the action with a motorcycle vs. big rig collision on the freeway which leads to fierce hand-to-hand combat between the Williams sisters.  Here, we get an indication of how good the motion-capture animation is going to be in this movie, with the impossibly-stacked ladies literally looking like living dolls. 

It only gets better when Xiaoyu and Alisa meet on their high school campus and begin their friendly rivalry over Shin.  Sumptuously rendered backgrounds bursting with vivid color and detail are realistic yet fanciful at the same time, providing the backdrop for some gorgeous character design.  Faces and body language are highly expressive and nuanced, with little of the "uncanny valley" effect seen in other virtual characters. 

The direction, editing, and virtual camerawork are outstanding as well, as the filmmakers are able to meticulously construct fight scenes in a way that live action can rarely achieve.  The first really awesome example of this occurs when Alisa's programming forces her into battle against Xiaoyu in a thrilling and visually dazzling sequence.  A mix of lightning-fast moves and slow-mo are easy to follow even as the action rushes by almost in a blur.



The film climaxes with a half-hour series of bouts between the Mishimas as they assume their true beastly appearance and wreak all kinds of destruction, laying waste to the countryside.  Director Yoichi Mori keeps the action and suspense of this all-out war building until the blazing finish, with an appropriately grandiose musical score to propel things along. 

But just as important are the quieter scenes between Xiaoyu and Alisa, with Dai Sato's screenplay allowing them lots of charming interplay to offset the bad-girl posturing of the Williams sisters and the seething fury of the Mishimas.  Pink-haired robot Alisa is particularly endearing with her childlike innocence and wide-eyed fascination with human behavior, making it even more startling when her programming forces her into attack mode complete with chainsaw arms and rocket-powered wings.  Feisty and funny schoolgirl Xiaoyu is also a very likable and lifelike CGI creation. 

The DVD from Bandai Entertainment is in 16x9 widescreen with Japanese and English 5.1 soundtracks and English subtitles.  Extras consist of a movie trailer and a movie/videogame hybrid trailer.

Even if the story and characters weren't so compelling and the action so intense, TEKKEN: BLOOD VENGEANCE would be worth watching simply to bask in the strikingly good visuals.  You don't have to be a fan of "Tekken" or videogames in general to be entertained by this awesome example of superior digital animation.


Buy it at Amazon.com


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