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Friday, June 24, 2016
With THE GUERNICA TREE, aka L'arbre de Guernica (1975), surrealist filmmaker Fernando Arrabal takes the Spanish Civil War head on with his most ambitious work to date.
He shows us how the war affects the small village of Villa Ramiro, which is lorded over by Count Cerralbo (Bento Urago) and his fascist nephews. The count's only son, a liberal artist named Goya (Ron Faber), refuses to side with him against the common people and retreats to the nearby town of Guernica, where liberty is cherished.
Vandale (Mariangela Melato, FLASH GORDON), a beautiful but very eccentric woman regarded as a witch by the people of Villa Ramiro, also flees to Guernica on her donkey after the count's nephews attempt to rape her and runs into Goya. As they dance during the town's celebration of its renowned "freedom tree" the fascist military attack Guernica from the air and bomb it to smithereens.
Vandale and Goya return to Villa Ramiro to fight with the peasants, who have stormed the count's castle and are preparing for the coming siege by Franco's forces. Arrabal's anti-Catholic imagery here is some of his strongest stuff yet--a church is desecrated as a man gleefully urinates on a religious statue while a midget rapes another statue of the Virgin Mary and smears her face with his semen.
A priest, who represents the Vatican's support of the fascists, has the large crucifix (which is shot to pieces) wrested from his hands and replaced with a shovel. Later, another priest will demonstrate his support of the military by ceremoniously licking a general's face and then passionately French-kissing him.
The battle scenes are infused with the same energy and scope of Sergio Leone's depiction of the American Civil War in THE GOOD, THE BAD, AND THE UGLY. Black-and-white newsreel footage is inserted throughout, somehow fitting right into the mood of Arrabal's footage without any jarring effect.
Vandale rises to the occasion as her innate courage and determination make her a leader of the revolt, with the brave Goya fighting by her side, both discovering qualities they weren't even aware they possessed. Arrabal explores Mariangela Melato's highly-photogenic face with an artist's joy.
While the usual surrealism continues to appear, these scenes interrelate more with the story rather than commenting on it from a distance. As the film progresses, the absurdity of the more fanciful images barely surpasses that of the historical events, until the difference between the two becomes almost indistinguishable. It's as though Arrabal's creative zest in depicting the actual atrocities of the war matches his desire to express himself symbolically.
When we see a bullfighter elegantly slaying helpless midgets in the ring as the jaded nobility look on, it fits almost seamlessly into the rest of the narrative, as do the horrific executions which take on a carnival-like atmosphere. And with such strong material to work with, Arrabal no longer needs to expand his imagery so far into the realm of the fantastic in order to express himself.
During the military tribunal which follows the fascist victory, a teacher is sentenced to death by firing squad for the murder of Count Cerralbo. When the count shows up to prove that he's alive and to testify on the teacher's behalf for hiding him during the fighting, the teacher's death sentence is revoked--to be replaced by another one, death by garrotting, for having enough influence with the Communists to ensure the count's protection in the first place.
The mass executions which follow are a free-for-all of depravity. (It's no wonder that after such an exhausting study of injustice and inhumanity, Arrabal would next choose to make a children's film with Mickey Rooney.)
The DVD is in 1.78:1 widescreen with a French soundtrack and English subtitles. Extras include a lobbycard gallery, theatrical trailer, a six-page foldout booklet with liner notes by Rayo Casablanca, and an amusing featurette with Arrabal hanging around outside Grauman's Chinese Theater asking passersby if they've ever heard of Guernica.
With two lovers' passionate embrace amidst the shimmering rays of a setting sun, the film ends with optimism and hope in the face of bitter defeat. The music swells grandly as we're left with a stirring image of romantic beauty that is one of Arrabal's most heartfelt and triumphant moments. A work of crude magnificence and fierce conviction, THE GUERNICA TREE secures Arrabal's place as one of the most fascinating and intriguing directors of all time.
Read our review of THE FERNANDO ARRABAL COLLECTION
Disney's BEAUTY AND THE BEAST 25th Anniversary Edition on Digital HD Sept 6 & Blu-ray Sept 20
Celebrate the 25th Anniversary of Disney's Beloved Animated Classic
Relive the magic and the music with four versions of the film plus all-new bonus features! With the Release of the Walt Disney Signature Collection Edition on Digital HD Sept. 6 and Blu-ray™ Sept. 20
Twenty-five years ago, Disney's "Beauty and the Beast" broke ground as the first animated feature film to receive an Academy Award® nomination for best picture, and now this tale as old as time joins the Walt Disney Signature Collection on Sept. 6 on Digital HD and Disney Movies Anywhere, and on Sept. 20 on Blu-ray™ and DVD.
See the new Blu-ray trailer here:
Posted by Porfle Popnecker at 9:39 AM
Thursday, June 23, 2016
'Olive Films Releases Acclaimed “Lost” Film, Controversial Film about the Troubles, and Angie Dickinson’s First Major Role'
Chicago, IL – Olive Films, a boutique theatrical and home entertainment distribution label dedicated to bringing independent, foreign, and classic films to DVD and Blu-ray, is excited to announce that July 19th will be the Blu-ray debut of six films. Among these are The Ratings Game, Danny Devito’s acclaimed directorial debut that has been lost for over thirty years; The Outsider, a film about the Troubles that sparked controversy; and Gun the Man Down, an underrated but intriguing Western that features debuts of several talents.
The Ratings Game (1984)
Commemorating the 30th anniversary of Showtime’s first original movie, The Ratings Game actor-director Danny DeVito and producer David Jablin sought to finally bring their passion project to the home video market. ”Being collectors of Special Edition discs of our favorite films, we decided that if we were going to do it at all, we’d want to give our ‘baby’ the same kind of loving treatment and do it in a way that would appeal to comedy fans and video collectors like ourselves,” said DeVito.
“In looking for a distributor, we specifically wanted a filmmaker-friendly company that would recognize and respect that this was a passion project for Danny and I and still is” said Jablin. It’s been great dealing with everyone at Olive who have truly cared about getting all the details right as much as we have. Danny had the one print ever made of the film for its 1984 big screen premier party in storage all this time and Olive Films has done a absolutely beautiful job restoring it in full HD,” said Jablin.
In 1984, Showtime Networks made their first foray into original movies with The Ratings Game starring Danny DeVito and Rhea Perlman, which also marked DeVito’s feature directing debut. The hilarious and biting take-down of the ratings-obsessed network television industry was greeted with love-letter reviews from critics and fans alike. The feature also boasts an eclectic comedy ensemble with performances from Gerrit Graham, George Wendt, Vincent Schiavelli, Ronny Graham, Steve Allen, Huntz Hall, Michael Richards, and Jerry Seinfeld. Unfortunately, after its premiere, the film slipped through the cracks of the network’s slowly evolving distribution channels and fell into obscurity as a result, “except with its many fans who continue to hound us for copies to this day” said Jablin.
With some notoriously bad, foreign-made bootleg versions floating around under the name The Mogul, the film has remained essentially lost for over 30 years. ”The mere existence of those totally crap bootleg copies really stuck in our craw and definitely motivated us to set the record straight and put out our film in all of its original glory” said DeVito.
In addition to the film itself, the DVD and Blu-ray will come with a liner notes booklet with photos and art from the film as well as a rare collection of four early short films directed by DeVito. Producer David Jablin said, “The bonus materials we included have also never been distributed on disc and were fan favorites from our early work. Altogether they tell the story of Danny’s journey as a film director of distinction.”
The Outsider (1980)
Olive Films continues previous months’ history of releasing forgotten controversial films of with The Outsider, a film about the Irish Troubles. The story of a disillusioned American Vietnam veteran who goes to fight for the I.R.A. only to discover he’s their pawn, the film received praise for its depiction of the moral murkiness of the Troubles. By all accounts, it is a war film with no heroism, glory, or ideals. Moreover, residents of Belfast frequently identify the movie’s portrayal of 1973 working class Belfast as one of cinema’s most realistic.
The Outsider became the subject of controversy at its release due to its depiction of a British officer torturing an Irish prisoner. The film proved so controversial, in fact, that it was actually dropped from the 1979 London Film Festival. Having never been on disc before in the United States, Olive Films will be giving it its Blu-ray and DVD debut on July 19th.
Gun the Man Down (1956)
Gun the Man Down is a relatively obscure but entertaining Western. It is also a film of firsts. It was Angie Dickinson’s first starring role and the first Western directed by Andrew V. McLaglen, who went on to direct McLintock!, 116 episodes of Have Gun – Will Travel, and 96 episodes of Gunsmoke. McLaglen’s direction isn’t the only thing Gunsmoke fans will recognize, because James Arness, known for playing Marshal Matt Dillon on the show for 20 years, stars in the film. In fact, it was John Wayne (producer of Gun the Man Down through Batjac Productions), who recommended Arness for the Gunsmoke part. Besides being an intriguing installment in the Western genre, it should also be of interest to fans because of how many future icons contributed to it.
Other July Titles
Blu-ray debut of Hoodlum (1997), directed by Bill Duke, starring Laurence Fishburne, Tim Roth, Andy Garcia, Vanessa Williams, Cicely Tyson, and Queen Latifah.
Blu-ray debut of Gang Related (1997), directed by Jim Kouf, starring James Belushi, Tupac Shakur, Lela Rochon, Dennis Quaid, James Earl Jones, and David Paymer.
Blu-ray debut of Gun the Man Down (1934), directed by Harry L. Fraser, starring John Wayne, Sheila Terry, Shirley Jean Rickert, Yakima Canutt, Jay Wilsey, Jack Rockwell, and George “Gabby” Hayes.
About Olive Films
Olive Films is a Chicago-based boutique theatrical and home entertainment distribution label dedicated to bringing independent, foreign, documentary, and classic films to life. Its catalog boasts over 500 titles ranging from Hollywood classics to contemporary titles. More information about Olive Films may be found at olivefilms.com or by contacting PR/Marketing Director Bradley Powell by email at Publicity@olivefilms.com or by phone at 630.444.1757.
Posted by Porfle Popnecker at 10:48 AM
Wednesday, June 22, 2016
MAGGIE GRACE, RYAN KWANTEN JOIN TOBY KEBBELL IN ROB COHEN'S "CATEGORY 5" FOR FORESIGHT UNLIMITED
Ralph Ineson, Randy Couture, Melissa Bolona and Jamie Andrew Cutler are also Joining the Cast, with Principal Photography set to Begin August 1, 2016
LOS ANGELES (June 22, 2016) – Coinciding with the 15 Year Anniversary of Rob Cohen’s 2001 blockbuster hit, The Fast and the Furious, Foresight Unlimited announced today that Maggie Grace (Taken, Twilight), Ryan Kwanten (“True Blood”) and Ralph Ineson (The Witch, The Huntsman: Winter's War) will star in Rob Cohen' new action/thriller alongside previously set lead, Toby Kebbell (Ben-Hur, Fantastic Four).
Randy Couture (The Expendables, “Hawaii Five-0”), Melissa Bolona (Dog Eat Dog, I Am Wrath) and Jamie Andrew Cutler (Kick-Ass 2) have also joined the cast.
Pre-production is fully underway with the recent hires of D.O.P. Shelly Johnson (Captain America), production designer Barry Robison (Hacksaw Ridge), VFX supervisor Adam Howard (Titanic), and SFX Coordinator, Elia Popov (Mission Impossible: Rogue Nation). Casting directors are Nancy Foy (U.S.) and Kate Dowd (U.K.).
With a script written by Rob Cohen, Scott Windhauser, Jeff Dixon, Anthony Fingleton, and Carlos Davis, Category 5 follows a team of tech hackers embarking on a $600 million robbery from a coastal U.S. Mint facility the same time a disastrous Category 5 storm is set to strike. The remaining people left in the deserted beach town are a meteorologist (Kebbel), a treasury agent (Grace), and the meteorologist’s ex-marine brother (Kwanten). Together they must not only survive the storm, but also stop the mastermind thieves, headed by Inneson, from accomplishing the heist of the century.
Grace is best known for her riveting performance in the Taken trilogy alongside Liam Neeson, as well as her award-winning performance in the TV series "Lost" directed by J.J. Abrams. Her upcoming projects include the Darren Aronofsky produced 478, where she stars opposite Arnold Schwarzenegger & Scoot McNairy, and A Scent of Rain & Lightning that she produced and stars opposite Maika Monroe. Grace is represented by UTA and Zero Gravity Management.
Kwanten is best known for his lead role in HBO’s “True Blood” alongside Academy Award-winner Anna Paquin, and most recently joined fellow Aussie Toni Collette in voice for Australian hit Blinky Bill the Movie and starred in Kidnapping Mr. Heineken opposite Jim Sturgess and Sam Worthington. He is represented by CAA, LINK Entertainment, The Artists Partnership and RGM Artists.
Ineson most recently appeared in The Huntsman: Winter's War alongside Chris Hemsworth, Jessica Chastain, and Charlize Theron. Six-time world heavyweight and light heavyweight UFC champion Randy Couture most recently starred in ”Hawaii Five-0” as well as The Expendables franchise alongside Sylvester Stallone, Jason Statham, Arnold Schwarzenegger and Harrison Ford. Bolona recently starred alongside Nicholas Cage in Paul Schrader’s Dog Eat Dog, which made its World Premiere at the Cannes Film Festival. Cutler is best known for the CW series “Legends of Tomorrow”.
Ineson is represented by Gordon and French, Couture by The Gersh Agency, Bolona by Mavrick Artists Agency and TWM Talent Agency and Cutler by Agency for the Performing Arts.
Foresight Unlimited is handling foreign sales and introduced Category 5 to foreign buyers at the Berlin International Film Festival in February where the film has practically sold out.
Damiano Tucci, Danny Roth, Karen Baldwin, Howard Baldwin, Michael Tadross Jr., and Rob Cohen are producing. Bill Immerman, Mark Damon, Tamara Birkemoe, Christopher Conover, and Allie Greenleaf Maldonado are executive producing.
Foresight most recently announced Todd Robinson’s The Last Full Measure starring Scott Eastwood and Ed Harris. The slate also includes: Peter Segal’s $130M sci-fi epic Inversion starring Travis Fimmel; Michael Mailer’s Blind starring Demi Moore and Alec Baldwin; and the Neil Bogart biopic Spinning Gold starring Emmy® and Grammy Award® Winner Justin Timberlake.
About Foresight Unlimited
Foresight Unlimited is one of the industry’s leading independent film production, sales, and distribution companies. With a pioneering entertainment career spanning over 50 years, CEO, Mark Damon is considered to be one of the leading authorities on international film financing, distribution and marketing strategies as well as being a successful independent producer. The company’s management group is helmed by President Tamara Birkemoe who oversees all aspects of the company’s slate.
Damon has produced and distributed such notable films as: Academy Award ® winner Monster, Academy Award® nominee Das Boot, Lone Survivor, 9 1/2 Weeks, Once Upon a Time in America, The Never Ending Story, Never Say Never Again, and The Lost Boys.
Tuesday, June 21, 2016
Raoul Bova wins the prize for Best Actor. Andrea Iervolino Receives IC Savings Award
The stars of Italian cinema shine in Canada’s Italian Contemporary Film Festival. This year the ICFF posted the highest attendance in history. The duo Nunziante-Zalone thrilled audiences and won the People’s Choice Award for “Quo Vado?”. The film “All Roads Lead to Rome” won two awards: Raoul Bova brought home the prize for best actor and producer Andrea Iervolino won the IC Savings Award. The Critics’ Prize was conferred upon “They Call me Jeeg Robot.”
TORONTO – Canada crowns Claudia Cardinale during the closing ceremony of the Italian Contemporary Film Festival presented by IC Savings. Ms. Cardinale won the Lifetime Achievement Award, the festival’s highest honour. Past winners of this recognition include Roberto Benigni, Al Pacino and Carlo Verdone. Audiences were treated to a grand gala at Toronto’s Bell Lightbox, where Ms. Cardinale’s latest film, “All Roads lead to Rome,” was presented. During the ceremony, the legendary actress was given a hearty standing ovation.
“I don’t know how many films I made – 130 or 140,” said Cardinale, holding the award created by sculptor Silvio Mastrodascio. “Cinema gave me the opportunity to live many lives. This was amazing to me and has spurred me to continue pursuing this profession. In this film I had the chance to play Raoul Bova’s mother. It was truly a special experience.”
At the Ritz-Carlton Hotel, upon receiving the best actor at the ICFF 2016, Raoul Bova replied to Cardinale’s comment. “I’m very excited about this award given to me by the Festival, especially since it is for a film that saw me work with this wonder, this force of nature, Claudia Cardinale.” The Roman actor also came to Canada to present Rewind and Reboot, the latest film from director Carlo Vanzina.
The winners of the People’s Choice Award were director Gennaro Nunziante and Checco Zalone. Their film, “Quo vado?” won the prestigious prize, confirming the fact that their comedy was successful with an international audience. The comedic duo won over a large portion of the Italian-Canadian audience. “We received a wonderful welcome,” said Checco Zalone. “The Italians in Canada have not stopped being Italian.” Director Gennaro Nunziante also expressed satisfaction: “It’s great to be here at the Festival. We’ve been welcomed by many fellow Italians who continue to believe – as we do – that Italian culture represents something important for the whole world.
The IC Savings Award for best Canadian Film went to Andrea Iervolino, whose tireless work as an Italian Canadian film producer were duly recognized. Mr. Iervolino, along with Ms. Monika Bacardi, founded AMBI/AIC and represents a veritable bridge between Italy and North American in the field of film production and distribution.
The Toronto Film Critics’ Association awarded their prize to “They called me Jeeg Robot,” by Gabriele Mainetti. The prize was announced to the public by Thom Ernst, representing the Jury, during the Festival’s closing ceremony at the prestigious TIFF Bell Lightbox.
The award for best short went to “Resce la Lune,” by Giulia Di Battista and Gloria Kurkik, while the Best Picture award at the ICFF Junior was conferred to Gabriele Salvatores’ “The Invisible Boy.”
“The films presented at the ICFF have proven to be an extraordinary reality that showcase modern-day Italy to North American audiences. Our goal is to show our cinema to Canadian hearts,” said ICFF’s artistic director Cristiano de Florentiis, commenting on the results of the Festival’s fifth edition.
“The ICFF has a history of great success: 70 films, over 130 screenings and – most importantly – 30,000 attendees. This proves that this festival is unique in its kind.
For the third consecutive year, the Festival dedicated a day to the film industry, aptly called Industry Day, presented by SIRT (Screen Industries and Training Centre, Sheridan College and Pinewood Toronto Studios) and by ETV Film Inc. at the historic Pinewood Studios. This year’s workshop focused on Virtual Reality and 360o films.
The ICFF has created an important meeting place where the masters of Italian, Canadian and American cinema were able to talk to each other and let audiences in on their trade secrets.
An important meeting took place with director Renzo Martinelli, who had a chance to interact with Toronto audiences. During the screening of his latest film, Ustica, which centers on one of the most newsworthy tragedies that struck Italy in the last few decades, the director was given the Award of Excellence for his investigative cinema.
However, it wasn’t all awards and accolades: the ICFF’s Italy is also a kind of “Dolce Vita”: Red carpets, flowing gowns and sequins: at Toronto’s Ritz-Carlton, over 1,000 guests celebrated the Festival’s success during the Closing Gala, which was hosted by noted actor Giacomo Gianniotti, star of TV’s “Grey’s Anatomy.” The soiree saw the stars of cinema, fashion and Italian cuisine shine bright. More importantly, once again, Italy was in the spotlight, a country that is recognized, loved and honoured abroad.
Film Chest Media Group Proudly Presents
Murder. Rage. Revenge.
Action-Packed ’80s Horror Drama Restored in HD from
Original 35mm Film Elements on DVD July 5th
BRIDGEPORT, Conn. — July 1, 2016 — A group of Nazi hunters must stop an evil doctor from getting his revenge for the fall of the Third Reich in the action-packed, ’80s, B-movie Hell Hunters – restored in HD from original 35mm film elements – on DVD July 5 from Film Chest Media Group.
Wanted for war crimes, Nazi zealot Dr. Martin Hoffmann (Stewart Granger, North to Alaska, Bhowani Junction, The Prisoner of Zenda, Scaramouche) has been hiding deep in the jungle of Paraguay for 40 years. Searching for a weapon powerful enough to restore his dream of Aryan domination, the evil scientist experiments with the venom of a poisonous spider and creates a mind-controlling serum.
With his cohort, Heinrich (George Lazenby, Gettysburg, Who Saw Her Die?, On Her Majesty’s Secret Service), Hoffmann forms a plan to test his concoction on the population of Los Angeles while a dedicated band of Nazi hunters, led by the beautiful Amanda (Maud Adams, Octopussy, The Man With the Golden Gun), is rapidly closing in on them. Who will win this deadly game of hide and seek?
Also starring Candice Daly (Liquid Dreams, After Death) and directed by Ernst R. von Theumer (Jungle Warriors, Red Heat), Hell Hunters is presented in full screen with an aspect ratio of 16 x 9 and Dolby Digital 2.0.
About Film Chest Media Group:
Founded in 2001, Film Chest Media Group offers high-quality content for a wide variety of production and distribution needs, boasting one of the world’s largest libraries (10,000+ hours) of classic feature films, television, foreign imports, documentaries, special interest and audio—much of it restored and digitized in HD. Headquartered in Bridgeport, Conn., with offices in New York City, the company also produces and distributes collector’s DVD sets. Visit us online: http://www.filmchestmediagroup.com
Film Chest Media Group
Original Release: 1986 (Color)
Running Time: Approx. 98 Minutes
Suggested Retail Price: $17.98
Pre-Order Date: June 14, 2016
Street Date: July 5, 2016
Catalog #: FC-529
UPC Code: #874757052991
Buy it at Amazon.com
In the very straightforward story of INTRUDER (2016), writer-director Travis Zariwny (CABIN FEVER remake, SCAVENGERS) takes us from A to Z and touches the expected bases along the way, in pretty much a textbook example of the "woman-in-peril" thriller.
Elizabeth (Louise Linton, LIONS FOR LAMBS) is apartment sitting for a friend over the weekend, unaware that another young woman was murdered there some time before and that the killer is still at large and is now focusing his attention on her.
What follows is so by-the-numbers that you might expect the script to begin with the words "It was a dark and stormy night..." Only in this case, make that weekend, because Zariwny manages to stretch the suspense out for two whole days and nights.
After the SCREAM-style opening shows us the fate of the killer's previous victim (and foreshadows what may happen to his current one), we're treated to extensive sequences of Elizabeth going about her business in the expansive two-storey apartment as her feeling that someone is watching her steadily grows.
The now-familiar "blurry figure in a black hoodie" keeps popping up everywhere--backgrounds, reflections, etc.--as though he enjoys playing hide-and-seek with his prey and gets a sick thrill out of invading her privacy in all sorts of insidious little ways.
Eventually we start to get used to the jump-scares and musical stings whenever he appears (Nathaniel Levisay's score is heavy on the cellos, which is fitting since Elizabeth is a concert cellist). In fact, much of INTRUDER is a big, extended tease; some parts may tend to drag for some viewers, depending on how invested they are in the story.
Still, it does a fairly good job of playing on our fears of being in a big dark house on a stormy night and suspecting that we're not alone. At times it even feels like an overextended version of one of those old "Alfred Hitchcock Presents" episodes that used to seem so eerie when I was a kid.
There's a lot of mainly negligible stuff about Elizabeth's personal life to fill out the running time, with Zach Myers as her boyfriend Justin trying to convince her to stay with him and get married instead of moving to England to pursue her musical career.
Red herrings abound. Is the killer Elizabeth's possessive, emotional music teacher, played by none other than Moby? Is it the comically obvious weirdo next door? Or John (John Robinson, LORDS OF DOGTOWN), the neighborhood nerd who seems a bit fixated on her?
The cast is okay (Moby plays an especially effective creep) and the film itself is beautifully photographed, with Zariwny's capable direction keeping the suspense sufficiently taut most of the time.
When the film finally does pay off on all that build-up at the very end, it's disappointingly abrupt. But don't leave yet, because about a minute into the end credits comes the actual ending, which still doesn't quite hit the mark.
All in all I found INTRUDER to be well-done and passably entertaining, though generally bland. If you're looking for something to give you nightmares, you might have better luck chowing down on a big meatball sub before going to bed.
Director/Writer: Travis Zariwny
Producers: Michael D. Jones, Louise Linton, and Tina Sutakanat
Cast: Louise Linton, John Robinson, and Moby
Release Date: June 24 in New York/Los Angeles/VOD.
Distributor: IFC Midnight
TRT: 91 minutes
Rating: The film is not rated.
Monday, June 20, 2016
Serve Up Her Directorial Debut Model Hunger
For July 12 DVD and Digital HD Release
"Lynn Lowry gives a career best turn" - Fangoria
"A solid story, a fantastic lead actress,
gross-outs, and tension along the way" - Dread Central
New York, NY - Wild Eye Releasing is honored to put legendary horror actress Debbie Rochon's directorial debut Model Hunger on the menu this summer. After nearly 300 films, Rochon (Return to Nuke 'Em High, Phobia, The Theater Bizarre) steps behind the camera to skewer audiences with her blood-curling take on an actress' response to forced retirement. She brings with her composer Harry Manfredini (The Friday the 13th franchise) and a cast of genre favorites.
B-movie legends Lynn Lowry (Shivers, The Crazies, Cat People) and Tiffany Shepis (Tales of Halloween, The Violent Kind, Sharknado 2) headline as two women on a deadly collision course. Supported by Brian Fortune ("Game of Thrones"), Suzi Lorraine (Wrath of the Crows) Carmine Capobianco (Galactic Gigolo) and Voltaire (ABCs of Death 2), the feeding frenzy begins July 12 nationwide on DVD and Digital HD.
Model Hunger (Official Trailer)
Order Model Hunger on Amazon
The DVD release of Model Hunger (SRP $19.95) will exclusively include a feature-length commentary with director Debbie Rochon, deleted scenes, a Babette Bombshell short, Voltaire interview and much more.
Posted by Porfle Popnecker at 3:56 PM