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Showing posts with label mob. Show all posts
Showing posts with label mob. Show all posts

Saturday, July 22, 2023

THE UNTOUCHABLES: SEASON 3, VOLUME 1 -- DVD review by porfle

 

Originally posted on 8/19/09

 

If you've only seen the nostalgia-hued, touchy-feely DePalma film, you might be surprised to find that the classic TV series on which it was based was way more powerful and dark. As THE UNTOUCHABLES: SEASON 3, VOLUME 1 demonstrates, it was one of the most hardboiled, violent, adult crime series that ever hit the airwaves.


Robert Stack is perfectly cast as the four-square lawman Eliot Ness and seems to revel in playing one of TV's toughest and most incorruptible characters. As much as I like Kevin Costner's interpretation, the physically-imposing Stack looks much more hardcore and intimidating to the typical cowardly underworld figure.

We don't get to find out much if anything about his personal life or those of his crew--their job is to take down the bad guys, and their lives revolve around that job. It's as though they exist only to tirelessly battle organized crime in Chicago. As for comedy relief or lighthearted banter, the dead-serious nature of the show leaves precious little room for such things. This is further emphasized by famed radio newscaster Walter Winchell's distinctively straight-faced narration and a somber musical score (some of the same cues were used in George Romero's NIGHT OF THE LIVING DEAD).

The Desilu backlot is the perfect backdrop for the show's self-contained film noir fantasy world populated by hardbitten cops (both honest and dirty), cowering civilians, and an endlessly fascinating rogue's gallery of ruthless crime bosses and their trigger-happy gunsels. Bruce Gordon glowers and growls as the imprisoned Al Capone's surly surrogate, Frank Nitti, who rules Chicago's underworld with an iron hand. Several episodes involve Nitti's attempts to import and distribute illegal booze and narcotics while Ness and his men work to cut off his supply or nab his top capos. Gambling in various forms is another major crime enterprise infesting the city.

Gordon seems to relish playing the role of a gangland kingpin, as do most of the guest stars who portray underbosses, upstart competitors, or soldiers. In "The Death Tree", Charles Bronson takes control of a gypsy ruling council through assassination and terror. Peter Falk is "The Troubleshooter", rising quickly in the crime ranks by eliminating problems and targeting Ness for a frame-up. "The Matt Bass Scheme" features a grinning Telly Savalas as an enterprising thug who plans to transport whiskey into the city via a sewer pipeline.

Ruth Roman is outstanding as a homicidal female criminal in "Man Killer." Herschel Bernardi, Don Gordon, and Robert Emhardt are a trio of crime specialists who decide to combine their talents while hasbeen ex-boss Jay C. Flippen is duped into serving as their "Fall Guy." In "Power Play", Albert Salmi gives one of his best-ever performances as a fugitive harbored by a lonely spinster (Mary Fickett) who has deadly designs on him.


"The Gang War" is an exciting tale of rival crime boss Victor Buono's airborne smuggling racket which draws the ire of both Nitti and Ness, with lethal results. And in the suspenseful "The Whitey Steele Story", Ness himself goes undercover as a surly thug in order to expose a gambling racket, while Henry Silva and Murray Hamilton threaten to expose his true identity.

Other noteworthy guest stars appearing in this collection include James Gregory, Cloris Leachman, Vincent Gardenia, Carroll O'Connor, Bing Russell, Marc Lawrence, Antony Carbone (CREATURE FROM THE HAUNTED SEA), Arlene (Sax) Martel, Wendell Corey, Milt Seltzer, Michael Constantine, Joe Turkel, Paul Richards, Mike Kellin, Theodore Marcuse, Vic Perrin, Harold J. Stone, Joan Staley (THE GHOST AND MR. CHICKEN), John Larch, Barbara Luna, Vaughn Taylor, George Tobias, Dabbs Greer, Arthur Hill, Simon Oakland, Gavin MacLeod, Ed Nelson, Paul Birch, Herbie Faye, Frank Cady, Phillip Pine, Ed Asner, Bert Convy, and Dyan Cannon. Peter Coe of such films as THE MUMMY'S CURSE and HOUSE OF FRANKENSTEIN even turns up as a two-bit thug named "Flipper."

More than just showing up to collect a paycheck, these guest stars give solid performances that reflect the feature-film quality of the writing and production values of the show. Each episode has the look and feel of a classic-era Warner Bros. gangster picture, with exquisite black-and-white cinematography and stylish direction by the likes of Paul Wendkos, Bernard L. Kowalski, and Abner Biberman.


This is one of the most violent shows of its era. The body count mounts quickly as characters are brutally rubbed out in various nasty ways, usually after crossing Frank Nitti or squealing to the cops, and the lethal action is always well-staged. Nowhere is this more evident than in the episode entitled "Loophole", in which crooked lawyer Jack Klugman flaunts the law to keep vicious criminal Martin Landau out of jail. A drive-by hit on a potential witness outside the courtroom explodes into a chaotic, bullet-riddled street battle filled with blazing Tommy guns and crashing cars. The sequence is beautifully directed and thrilling, rivaling similar scenes in the GODFATHER films.

The four discs in this DVD set contain 16 episodes which originally aired 1961-1962. Picture is 4:3 full-screen and looks great. Sound is Dolby Digital English and Spanish mono. Subtitles are available in English, Spanish, and Portuguese. No bonus features.

If you get a bang out of vintage gangster flicks, THE UNTOUCHABLES: SEASON 3, VOLUME 1 is a great collection of hard-hitting, action-packed entertainment from one of the best crime shows ever produced. This noirish and violent show doesn't pull any punches.



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Sunday, January 1, 2023

KILL THE IRISHMAN -- DVD review by porfle


 Originally posted on 5/27/11

 

It's not every day you get a mob movie as raw and violent as one of Martin Scorcese's gangster epics, but the fact-based KILL THE IRISHMAN (2010) will do until the next one of those comes along.  It's like GOODFELLAS Lite, but with its own vigorous, roughhouse charm. 

The first half of the story recounts burly Irish dock worker Danny Greene's "come-up", beginning with his brash, decisive handling of a sadistic Union boss (SHAWSHANK REDEMPTION'S Bob Gunton), whose position he usurps until corruption lands him in hot water with the Feds.  Danny goes free after agreeing to become an informant, then he and his gang of hardy Irish chums go into business as enforcers for a Jewish loan shark named Shondor Birns (Christopher Walken as his usual creepy-cool self) who has Mafia connections.

A meeting with current mob boss Jack Licavoli (gang-movie legend Tony Lo Bianco) lands him an even more lucrative deal that begins his ill-fated association with the Italians.  Eventually, he rebels against the greedy, controlling mobsters while also clashing with Birns over money, leading to a feud with none other than "Fat Tony" Salerno (an inevitable Paul Sorvino) of New York's Gambino family.  They put out a $25,000 contract on him and for the rest of the film Danny is forced to evade bullets and car bombs at every turn.



Unlike the typical cutthroat Mafia hood embodied by the likes of Joe Pesci or Robert DeNiro, Danny Greene comes off as a guy you could hang out with and not worry about getting whacked for looking at him wrong.  He's admirable (relatively speaking, anyway) because he goes after what he wants and doesn't back down to anybody while remaining loyal to his friends and gaining their undying loyalty in return.

I have to hand it to someone who can tell self-important Mafia kingpins to stuff it to their astonished faces.  In fact, it's pretty exhilarating to watch this two-fisted Irish galoot bustle his way through life and fearlessly take on anyone who wants to "dance", including a Union big shot's hulking bodyguard and a scary Hell's Angel whose rowdy gang is disrupting Danny's backyard barbecue (he thrashes them both within an inch of their lives). 

Director and co-scripter Jonathan Hensleigh has a lean, straightforward storytelling style unhampered by a lot of visual fluff.  He has assembled a hell of a cast here, with Ray Stevenson taking on the role of Danny as though born to it.  In addition to Walken, Lo Bianco, and Sorvino, Val Kilmer plays a Cleveland detective who has a love-hate relationship with Danny and Vinnie Jones appears as one of Danny's tough Irish cohorts.  Familiar faces such as Mike Starr (ED WOOD) and THE SOPRANOS' Steve Schirripa are on hand as well.

The female side of the cast is strong, with Linda Cardellini as Danny's long-suffering wife Joan, Laura Ramsey as his hot young girlfriend Ellie, and the venerable Fionnula Flanagan as a tough old Irishwoman who embodies Danny's Celtic roots and helps bring out his more human side.  Robert Davi (LICENSE TO KILL) plays the cold-blooded hitman hired to kill the Irishman once and for all.  FULL METAL JACKET's Vincent D'Onofrio is great as John Nardi, an Italian mob boss who partners with Danny after being screwed over by the Mafia.
 


While KILL THE IRISHMAN doesn't revel in violence, things get rough at times and some of the killings are pretty graphic.  The serial bombings that plagued Cleveland in the 70s are excitingly portrayed here--guys on both sides took their lives in their hands every time they started their cars as, in the words of a real-life news report, "the heirarchy of organized crime in Cleveland continues to violently realign."  The attempts on Danny's life keep things hopping in the second half, especially when a bundle of lit dynamite crashes through the window of his house while he's on the phone, building suspense until the film's inevitable conclusion. 

The DVD from Anchor Bay is in 1.78:1 anamorphic widescreen with Dolby Digital 5.1 sound.  Subtitles are in English and Spanish.  In addition to a trailer, the disc features an hour-long documentary, "Danny Greene: The Rise and Fall of the Irishman", which I found fascinating after viewing the fictionalized account.  Some of the images are quite graphic--car bombings tend to make for messy autopsy photographs.

More than just a succession of violent and depraved setpieces, KILL THE IRISHMAN is involving because its lead character is such a dynamic and complicated figure with enough humanity to make him sympathetic.  Danny Greene must've been a real force of nature, something that this solid film version of his life makes the most of.


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Tuesday, July 14, 2020

Netflix's "FEAR CITY: NEW YORK VS. THE MAFIA" Trailer Debut -- Watch It HERE!




NETFLIX'S

"FEAR CITY: NEW YORK VS. THE MAFIA"


OFFICIAL TRAILER DEBUT




Throughout the 1970s and ’80s, the “Five Families” of the New York mafia—Bonanno, Colombo, Gambino, Genovese and Luccese—held a powerful, and seemingly insurmountable, grip on the city.

In this three-part docuseries from RAW (Don’t F**K With Cats) and Brillstein Entertainment, award-winning documentarian Sam Hobkinson details the incredible story of the history-making organized crime investigation and prosecution case brought against New York’s most formidable mob bosses.

WATCH THE TRAILER:



Through interviews with dozens of law enforcement officials, ex-mafia associates and others, FEAR CITY: NEW YORK vs. THE MAFIA sheds light on how the mafia’s control of unions, high-rise construction and other industries netted billions for organized crime.

Previously unheard surveillance recordings, news footage and archival material alongside new interviews and reenactments paint a shocking and captivating portrait of this “Golden Era of the Mob.”

Release Date:
Wednesday, July 22nd

Format:
A Netflix Original Documentary Series

Director:
Sam Hobkinson

Executive Producers:
Dimitri Doganis, Bart Layton, Adam Hawkins, Jon Liebman


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