HK and Cult Film News's Fan Box

Friday, September 29, 2017

"DISCOVERING BIGFOOT" -- Latest Info and Trailer




GRAVITAS VENTURES PRESENTS

"DISCOVERING BIGFOOT"

In these theaters and ON DEMAND October 27

10/27 | Denver - Alamo Drafthouse Denver/Sloan's Lake
10/28 | Los Angeles - Arena Cinelounge, Sunset
10/29 | Portland - Clinton Street Theater

DIRECTED BY: Todd Standing
PRODUCED BY: Warren Croyle

WATCH THE TRAILER:


OFFICIAL SYNOPSIS
What we think we know of human origins and evolution is about to change forever as we discover the truth about a species that has remained elusive by outwitting and evading modern man for decades despite his best efforts. 

Journey into the heart of Sasquatch Country and experience three incredible days in the field with bigfoot experts.

This unprecedented feature film includes extraordinary never before seen Sasquatch footage that will shock the world. Witness a terrifying altercation between Sasquatch Researcher Todd Standing and three Sasquatch creatures in the wild.

Preorder on iTunes








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The Evolution of Olive Signature -- Plus November Blu-ray Releases "Operation Petticoat" and "Father Goose"




- The Evolution of Olive Signature -

Last year, with the launch of Olive Signature, we brought you a product of exceptional quality. Featuring superior restorations, entertaining and informative bonus content, and beautiful packaging, our intent was to bring you a product that achieves nothing short of what you should expect from us—the best.

Since the premiere of our initial Olive Signature titles—High Noon, Johnny Guitar, The Quiet Man, The Night of the Grizzly, Macbeth, and Hannie Caulder—Olive Signature has undergone an evolution. Our focus has not only been how to continue to bring to you the highest quality versions of your favorite Olive Films titles, but also how to ensure the sustainability of Olive Signature.

After careful consideration, we have concluded that the only way for Olive Signature to remain viable is to release these titles in Blu-ray-only limited pressings of 3,500 units. Fans can rest easy knowing that these Blu-rays will still be available to them through our website and the same sellers as before, though as always, the only store that we can guarantee timely fulfillment through is our own, olivefilms.com.

To reaffirm our commitment to you as our top priority, we are taking added precautions to combat the scalping of these exclusive Blu-rays by capping the units sold through our website at five per person. Effective immediately, you will see these changes with our highly anticipated November debuts of Olive Signature Operation Petticoat and Father Goose.

This also means that our past Olive Signature DVDs and Blu-rays will be going out of print, so act now to purchase your own.

Thank you for allowing us to explain our perspective. We know you will endorse our decision because, as fellow film fans, you recognize the importance of our shared mission to create amazing new editions of some of your favorite movies. Olive Films looks forward to continuing the work we started last year with Olive Signature, and your steadfast commitment remains essential to that effort. With your help, Olive Signature is not going anywhere -- it’s only getting better.
 
Olive Films proudly presents the following Olive Signature titles:

OPERATION PETTICOAT - BD only
FATHER GOOSE - BD only
LIMITED TO 3,500 BLU-RAY UNITS




OPERATION PETTICOAT – OLIVE SIGNATURE

CARY GRANT
(Father Goose, The Grass is Greener, That Touch of Mink)
TONY CURTIS
(Houdini, The Great Race, Some Like It Hot)
DINA MERRILL
(The Sundowners, The Player, BUtterfield 8)
JOAN O’BRIEN
(It Happened at the World’s Fair, The Alamo, The Comancheros)
GENE EVANS
(Shock Corridor, Pat Garrett and Billy the Kid, The Steel Helmet)

Directed by
BLAKE EDWARDS (The Pink Panther, Victor Victoria, 10)

YEAR: 1959
GENRE: COMEDY
LANGUAGE: ENGLISH (with optional English subtitles)
LABEL: OLIVE FILMS
TOTAL RUNNING TIME: 120 mins
RATING: N/R
VIDEO: 1.85:1 Aspect Ratio; COLOR
AUDIO: MONO



OLIVE SIGNATURE FEATURES
 
New High-Definition digital restoration
Audio commentary by critic Adrian Martin
“That’s What Everybody Says About Me” – with Jennifer Edwards and actress Lesley Ann Warren
“The Brave Crew of the Petticoat” – with actors Gavin MacLeod and Marion Ross
“The Captain and His Double: Cary Grant’s Struggle of the Self” – with Marc Eliot, author of Cary Grant: A Biography
Universal Newsreel footage of Cary Grant and the opening of Operation Petticoat at the Radio City Music Hall
Archival footage of the submarine USS Balao, which doubled as the USS Sea Tiger in Operation Petticoat
Essay by critic Chris Fujiwara

Cary Grant (Father Goose) and Tony Curtis (Some Like It Hot), two of cinema’s most celebrated stars, provide the comedic pivot point in director Blake Edwards’ (The Pink Panther) Operation Petticoat. It’s hijinks on the high seas when revered Lt. Cmdr. Matt T. Sherman (Grant) and the somewhat unethical Lt. JG Nicholas Holden (Curtis) team to upright the USS Sea Tiger, a flagging submarine that’s seen better days.

With some dubious maneuvering (and scavenged parts), things begin to look up for the old war horse until the ship and its crew are forced out to sea by a surprise attack. Limping along and barely held together with its borrowed parts, the Sea Tiger gets some unexpected company when five stranded Army nurses are brought aboard. The game gals will prove that necessity is indeed the mother of invention, initiating a series of renovations to make life aboard the Sea Tiger livable — with the exception of the sub’s accidental pink paint job. Not only is the ship now an eyesore, but a target for both the Japanese and American forces.

Adding to the fun, both fore and aft, are a talented cast of supporting players that include Joan O’Brien (The Alamo), Dina Merrill (The Sundowners), Gene Evans (Shock Corridor), Dick Sargent (TV’s Bewitched), Arthur O’Connell (April Love), Gavin MacLeod (TV’s The Love Boat), Madlyn Rhue (A Majority of One) and Marion Ross (TV’s Happy Days). Operation Petticoat’s Academy Award® nominated screenplay (Best Original Screenplay, 1959) was written for the screen by Stanley Shapiro and Maurice Richlin (suggested by a story by Paul King and Joseph Stone) and photographed by the great Russell Harlan (Red River, Rio Bravo).

US+CANADA
PREBOOK:  10/10/17
STREET:  11/7/17
CAT:  OS014
UPC:  887090601405
SRP:  $39.95
LIMITED TO 3,500 BLU-RAY UNITS
 



FATHER GOOSE – OLIVE SIGNATURE
 
CARY GRANT
(That Touch of Mink, The Grass is Greener, Operation Petticoat)
LESLIE CARON
(Gigi, An American in Paris, Daddy Long Legs)
TREVOR HOWARD
(Brief Encounter, The Third Man, Mutiny on the Bounty)

Directed by
RALPH NELSON
(Lilies of the Field, Charly, Requiem for a Heavyweight)

YEAR: 1964
GENRE: COMEDY
LANGUAGE: ENGLISH (with optional English subtitles)
LABEL: OLIVE FILMS
TOTAL RUNNING TIME: 117 mins
RATING: N/R
VIDEO: 1.85:1 Aspect Ratio; COLOR
AUDIO: MONO



OLIVE SIGNATURE FEATURES 

New restoration from 4K scan of original camera negative
Audio commentary by film historian David Del Valle
“Unfinished Business: Cary Grant’s Search for Fatherhood and His Oscar” – with Marc Eliot, author of Cary Grant: A Biography
“My Father” – internet pioneer Ted Nelson discusses director Ralph Nelson
Universal Newsreel footage featuring Leslie Caron
Essay by Village Voice critic Bilge Ebiri

In what would be his second-to-last film appearance, screen legend Cary Grant (Operation Petticoat) is paired with the enchanting Leslie Caron (Gigi) in Father Goose, and the battle of the sexes has never been as funny or as romantic.

When boozy beachcomber Walter Eckland (Grant) is blackmailed into service as a lookout by the Allied Forces during World War II, little does he realize that his idyllic island getaway will soon become a haven for seven schoolgirls and their prim and proper teacher. Rescued by Eckland from a nearby island following an enemy attack, Catherine Freneau (Caron) and her seven mischievous charges will turn the life of the grumpy, whiskey-soaked Eckland on its ear. Adding to the fun is Trevor Howard (The Third Man) as Commander Frank Houghton, the proverbial thorn in Eckland’s side.

Father Goose, directed by Ralph Nelson (Lilies of the Field) from an Academy Award® winning screenplay (Best Original Screenplay, 1964) by Peter Stone and Frank Tarloff based on a story by S.H. Barnett, was photographed by Academy Award winner Charles Lang Jr. (A Farewell to Arms) and features a score by Cy Coleman (Sweet Charity), which includes the Father Goose theme song, “Pass Me By.”

US+CANADA
PREBOOK:  10/10/17
STREET:  11/7/17
CAT:  OS013
UPC:  887090601306
SRP:  $39.95

Buy them at Olive Films

Copyright © 2017 Olive Films, All rights reserved.




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Thursday, September 28, 2017

Universal Pictures' "HAPPY DEATH DAY" Opens in Theaters October 13th




UNIVERSAL PICTURES Presents

"HAPPY DEATH DAY"


A BLUMHOUSE Production
A CHRISTOPHER LANDON Film


Release date: October 13, 2017

Blumhouse (Split, Get Out, Whiplash) produces an original and inventive rewinding thriller in Happy Death Day, in which college student Tree Gelbman (JESSICA ROTHE, La La Land) relives the day of her murder with both its unexceptional details and terrifying end until she discovers her killer’s identity. 

Tree is a blissfully self-centered co-ed whose world revolves around just one person.  When she hazily wakes up on the morning of her birthday in the bed of supposed one-night stand Carter (ISRAEL BROUSSARD, The Bling Ring), she soon discovers that today is anything but ordinary.
    
Stumbling back to her sorority—and into the expected judgment of roommate Lori (RUBY MODINE (TV’s Shameless) and house president Danielle (newcomer RACHEL MATTHEWS)—Tree rushes through the routine of an average student.  But as she experiences everything from the typical activists on the quad to her office-hours fling with professor Gregory (CHARLES AITKEN of TV’s The Knick), she can’t help but feel that she has seen and lived this day before.


Just when Tree is ready to say goodnight to this bizarre birthday, she is brutally murdered by a masked stranger…only to wake up back in the room of the one person alive who also believes she’s experiencing something eerily impossible.  

As Tree daily finds herself daily getting closer to her real killer, she must shed her inhibitions in order to face everyone’s biggest fear.  If she succeeds in unmasking her murderer and stopping this madness, she will hopefully end what has become her personal hell.  If she can’t, she will be stuck in an insane loop, reliving a ghoulish nightmare that has become her death day.

Joining director CHRISTOPHER LANDON (Paranormal Activity: The Marked Ones) and producer JASON BLUM (Split, Get Out) behind the camera are a talented group of collaborators, including writer SCOTT LOBDELL, director of photography TOBY OLIVER (upcoming Insidious: The Last Key), production designer CECELE M. DE STEFANO (TV’s Empire), editor GREGORY PLOTKIN (Paranormal Activity series), costume designer MEAGAN MCLAUGHLIN LUSTER (10 Cloverfield Lane) and composer BEAR MCCREARY (10 Cloverfield Lane).

The executive producers of Happy Death Day are ANGELA MANCUSO, JOHN BALDECCHI (Point Break), COUPER SAMUELSON (Get Out), JEANETTE VOLTURNO (The Purge series) and SETH WILLIAM MEIER (The Bye Bye Man).

Executive Producers ANGELA MANCUSO JOHN BALDECCHI COUPER SAMUELSON JEANETTE VOLTURNO SETH WILLIAM MEIER
Produced by JASON BLUM, p.g.a.
Written by SCOTT LOBDELL
Directed by CHRISTOPHER LANDON


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Tuesday, September 26, 2017

The Film Detective Announces October "31 DAYS OF HORROR" Movie Scare-a-Thon



The Film Detective Announces

October ‘31 Days of Horror’ Movie Scare-a-Thon

Featuring Iconic Horror Stars Bela Lugosi, Boris Karloff, Vincent Price, Lon Chaney & More!

ROCKPORT, Mass. — Sept. 26, 2017 — For Immediate Release — Giant leeches, a flesh-eating plant, vampire bats, zombies and a host of chills and thrills. The Film Detective has hand-selected frightful film classics from its extensive archive to share with horror movie buffs all month long. Each day in October, a new title will be added, leading up to 31 films available for binge-watching on Halloween.

“31 Days of Horror” will be available in a dedicated playlist on The Film Detective App – which has been downloaded nearly 50,000 times to date – available on Roku, Amazon Fire TV, Apple TV and iOS devices.

With select titles fully restored from original film elements for an HD-enhanced viewing experience, enjoy such classics as Night of the Living Dead, Dementia 13, The Bat, Little Shop of Horrors, Voodoo Black Exorcist and The Terror—Like you’ve never seen them before!


Also highlighted will be Roger Corman with such classics as A Bucket of Blood and Attack of the Giant Leeches for fans who can’t get enough of the B-movie and horror king’s low-budget, cult films; and the long-lost TV pilot “Final Curtain,” written and directed by Ed Wood, now restored in HD from a rare, surviving film print.

This thrilling film collection with something for everyone – from slashers to comedy and everything in between – is grouped by theme, including: Supernatural Sunday, Murder Monday, Creature Feature Tuesday, Not-so-Scary Wednesday, Thriller Thursday, Frightful Friday and Slasher Saturday.  (Check out the live links for our own reviews!)

Supernatural Sunday
Oct. 1 – Phantom of the Opera (1925)
Oct. 8 – "Final Curtain" (1957) HD
Oct. 15 – Invisible Ghost (1941)
Oct. 22 – Voodoo Black Exorcist (1974) HD
Oct. 29 – Carnival of Souls (1962)

Murder Monday
Oct. 2 – The Fatal Hour (1940)
Oct. 9 – Murder by Television (1935)
Oct. 16 – A Bucket of Blood (1959) HD
Oct. 23 – House on Haunted Hill (1959)
Oct. 30 – The Bat (1959) HD

Creature Feature Tuesday
Oct. 3 – The Gorilla (1939)
Oct. 10 – Attack of the Giant Leeches (1959)
Oct. 17 – The Giant Gila Monster (1959)
Oct. 24 – The Killer Shrews (1959)
Oct. 31 – Night of the Living Dead (1968) HD

Not-so-Scary Wednesday
Oct. 4 – Topper Returns (1941)
Oct. 11 – The Ape Man (1943)
Oct. 18 – Ghosts on the Loose (1943)
Oct. 25 – Little Shop of Horrors (1960) HD

Thriller Thursday
Oct. 5 – The Cat and the Canary (1927)
Oct. 12 – Bluebeard (1944)
Oct. 19 – The Beast of Yucca Flats (1961)
Oct. 26 – The Terror (1963) HD

Frightful Friday
Oct. 6 – The Brain That Wouldn't Die (1962) HD
Oct. 13 – Dementia 13 (1963) HD
Oct. 20 – White Zombie (1932)
Oct. 27 – The Vampire Bat (1933) HD

Slasher Saturday
Oct. 7 – Sisters of Death (1976) ww
Oct. 14 – Hands of a Stranger (1962)
Oct. 21 – Don't Look in the Basement (1973)
Oct. 28 – Drive-In Massacre (1976)


The Film Detective app refreshes monthly for timely programming around themes, holidays and anniversaries, offering a variety of digitally restored classic films, trailers and original, supplemental content. Enjoy a free trial period with subscriptions starting as low as $3.99 per month or $34.99 annually. Three films stream free each month. To download and start watching, visit www.TheFilmDetective.tv

About The Film Detective:
Founder Philip Elliott Hopkins – who has been a fixture in the entertainment industry since 1999 –  has channeled his life-long passion for collecting classic films into The Film Detective, a leading purveyor of restoration and distribution of broadcast-quality, digitally-remastered programming, including feature films, television, foreign wimports, documentaries, special interest and audio. Since launching in 2014, the Massachusetts-based company has distributed its extensive library of 3000+ hours on DVD, Blu-ray and through such leading digital and television broadcast platforms as Turner Classic Movies, American Movie Classics, NBC, Bounce TV, Hulu, Amazon, EPIX HD, MeTV, PBS and more. In 2016, the Film Detective launched its OTT classic movies channel streaming on Amazon Fire TV, Roku, Apple TV and iOS. Visit us online at www.TheFilmDetective.com


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Monday, September 25, 2017

ALL THE SINS OF SODOM/ VIBRATIONS -- Blu-ray Review by Porfle



Hardly as lurid as the title suggests, ALL THE SINS OF SODOM (Film Movement Classics) is pioneering sexploitation filmmaker Joe Sarno's visually seductive offering of forbidden sex-infused drama to inquisitive film audiences in the still-restrictive world of 1968 adult cinema. 

It's the work of a filmmaker who's already a master of exceeding the limitations of his budget and resources by sheer talent and imagination alone, crafting a quietly gripping story that takes place almost entirely within the confines of a New York photographic studio with a cast you can count on your fingers and backdrops often consisting only of artfully-lit walls ("limbo sets" as he called them).

Sarno's story is simple, giving him plenty of room to flex his creative skills.  A photographer named Henning (Dan Machuen) seeks a female model who can convey a kind of primal seduction, both evil and hypnotically compelling.  He thinks he's found such a girl in Leslie (Maria Lease), but although her sweet, bubbly personality causes him to fall for her, she ultimately lacks the qualities as a model that he's so desperately seeking.


Enter dark, mysterious Joyce (Sue Akers)--sort of a cross between Raquel Welch and Gina Gershon--referred to Henning by his sisterly agent (Sarno's real-life wife Peggy Steffans) due to what she recognizes in Joyce as an inner core of wanton, narcissistic sexuality and irresistible animal magnetism. 

Henning will be ecstatic over what he comes to regard as the perfect model for his project, teaming her in steamy photo shoots with Leslie, but won't see it coming when Joyce eventually reveals herself to be a negative force in the lives of both him and everyone else she comes into sexual contact with--including the hapless Leslie and another female model, both helpless to resist Joyce's eerily seductive influence.

Much of this takes place in a shadowy world in which the simple studio often looks like something out of a David Lynch fantasy.  Sarno, who disliked hardcore porn, pushes the limits of what would be known as "softcore" or "hard R" while still making each erotic sequence a valid part of the narrative rather than a story-halting intrusion. 

Sex between Henning and Leslie early in the film is in his brightly-lit bedroom and is stark and functional.  Later, under Joyce's wild, earthy, and perhaps even evil influence, the action is strewn with inky shadows and emanates a sort of fever dream quality as various combinations of participants seem helplessly trapped within Joyce's web of desire.


Sarno displays an instinctive eye for shooting the most exquisite arthouse stuff, seemingly without even trying. His cameraman Steve Silverman's razor-sharp, low-budget black-and-white photography here is gorgeous--moody, evocative, dreamlike (the print is beautifully restored from an unearthed original negative)--and Sarno directs with both a confident expertise and a sublime simplicity.  Even when his scenes only involve two or three actors in a stark set, they're a visual indulgence.

He fully exploits the abilities of his actors, who perform their roles here with surprising subtlety, sensitivity, and depth.  This is especially true for likable Maria Lease ("Leslie"), who would go on to have quite a career in movies (DRACULA VS. FRANKENSTEIN, HORROR OF THE BLOOD MONSTERS) and TV on both sides of the camera.

Sarno's dialogue is terse, realistic, rarely overplayed.  He could definitely go big and loud (VAMPIRE ECSTASY, SIN YOU SINNERS) or comically colorful (CONFESSIONS OF A YOUNG AMERICAN HOUSEWIFE) when he wanted to, but this time it's all about taking in faces and moments and losing yourself in them. 

You'll see the ending of ALL THE SINS OF SODOM coming, but it's no less effective for its inevitability, nor is the journey there ever less than a rich cinematic treat for the adventuresome viewer.


Sarno's VIBRATIONS, made earlier the same year as ALL THE SINS IN SODOM (1968) and using the same interiors, isn't quite as dark and serious, but it's a delightfully engaging watch with plenty of sexual angst nonetheless.

Somewhat lighter and brighter (except for some lush bedroom scenes which give us that shadowy look with its stark contrasts and artful compositions), Steve Silverman's black-and-white photography is crisp and beautiful and positively gleaming with a nostalgic late-60s glow.  

Simplicity in set design and story is again the order of the day as Barbara (winsome Maria Lease again) moves into a small New York apartment to pursue her fading ambitions as a poet while earning money typing up manuscripts for other frustrated writers. 


Complications ensue when her irresponsible, oversexed sister Julie (Marianne Prevost) shows up looking for a place to stay as well as some action--including rekindling a long-ago incestuous relationship (a subject Sarno would revisit years later in CONFESSIONS OF A YOUNG AMERICAN HOUSEWIFE) that the reserved Barbara now wants no part of.

Meanwhile, buzzing noises and moans of sexual pleasure emanate from the apartment next door, which, according to mousey landlady Edna (Sarno's wife Peggy Steffans again), an enigmatic young woman named Georgia (Rita Bennett) is renting to use as a storage room. 

But it turns out she's using it for intense sexual escapades (with the help of some fast friends including a big, noisy vibrator) which will just naturally come to include hot-to-trot Julie and then, after much agonizing and soul-searching, the timid but love-starved Barbara herself.


Acting honors once again go to Maria Lease as her sadly neurotic Barbara character is put through the emotional mill, no thanks to her perverted fun-girl sister.  She yearns for a normal love life, perhaps with her nice neighbor who's paying her to type up some of his literary tripe and has expressed romantic interest (which slutty sis promptly derails). 

She's pretty much matched by Marianne Prevost as reprehensible but perversely amusing sister Julie.  ALL THE SINS OF SODOM alumni Dan Machuen and Sue Akers return as two of the girl next door's adventurous sex partners, who end up treating the ever-willing Julie like a brand new ride at Disneyland. 

VIBRATIONS has more sex scenes than ALL THE SINS IN SODOM--a lot more--and they're way steamier.  Eventually, the bits of story between them become shorter and shorter until finally the sex scenes themselves become the story.  I'm not sure if the way things turn out constitutes a "happy ending" per se, but it's poetic justice for the sisters.  Especially Julie, who definitely gets quite a buzz out of it all.

Bonus features:
"All the Sins of Sodom" commentary by Peggy Steffans-Sarno
Interview with Director, Joseph W. Sarno
"Vibrations" commentary by film historian Tim Lucas
"Vibrations" mini-commentary by Peggy Steffans-Sarno
Collector's booklet featuring liner notes by Tim Lucas
Trailers from these and other Sarno films

www.filmmovement.com

All The Sins of Sodom Trailer

Vibrations Trailer




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Saturday, September 23, 2017

Slasher Horror Feature "CRAZY LAKE" Promises a Rip-Roaring Good Time



CRAZY LAKE

“What Doesn’t Kill You...Rips You Apart!”

West Hollywood, California (Tuesday, September 19th) - Directors Jason Henne and Christopher Leto were influenced by slashers, from the ‘80s. Now, they deliver their own slasher to horror fans, this October. Titled Crazy Lake, this film brings several friends together at a remote camping spot. It is all fun and good times, until an escaped convict enters the area. Rob Mello (Magnificent Seven), Skyler Joy (21 Jump Street), Libby Blanton, Marco DelVecchio and many more star in this brutal, new take on the genre.  Crazy Lake will be out this October!

Distributor Indican Pictures just released the official trailer and poster for Crazy Lake. The poster promises blood and terror, on the nearby docks. Meanwhile, the trailer shows more of the characters and their good times. But, the fun is replaced by tall tales of experiments and criminals, until a local legend is brought into the picture. Now, it is a struggle, for the friends, to just stay alive.

After its World Premiere at the Sunscreen Film Festival in Florida, the film is scheduled for an October home entertainment release. Indican will show the film through Video-on-demand and on DVD this October 3rd. Henne and Leto promise a rip roaring and bloody good time on the shores of Crazy Lake!

WATCH THE TRAILER:

The film’s official synopsis: A group of coeds looking for fun on spring break have their beach plans cancelled and opt for plan B – fun at a cabin on the lake. Sometimes plan b can be a real killer!
Release Date: October 3rd, 2017 (VOD, DVD).

Directors: Jason Henne, Christopher Leto.  Writer: Jason Henne.

Cast: Rob Mello, Skyler Joy, Libby Blanton, Marco DelVecchio, Tom Latimer and Ashley Nicole Allen.

More film details will be posted at Indican: http://www.indicanpictures.com/indicanpictures/crazy-lake/

Crazy Lake at Facebook: https://www.facebook.com/CrazyLake


About Indican Pictures
Indican Pictures acquires and distributes feature films to a broad range of entertainment outlets by providing a diverse selection of movies across: theatrical, home video, TV, VOD, PPV and streaming platforms.



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Friday, September 22, 2017

SOUL ON A STRING -- DVD Review by Porfle



Beautifully photographed in the Himalayas, the story of Chinese director Yang Zhang's SOUL ON A STRING (2016) is often overwhelmed by the sheer sweep of its sumptuous visuals--the sometimes confusing multi-faceted plot is easy enough to lose as it is. 

But when it focuses on its three or four main characters and their metaphysical journey of enlightenment, the extremely leisurely pace and lack of a conventional storyline ultimately lead the patient viewer to a rather satisfyingly cathartic resolution.

It all starts when Tabei, a reclusive mountain man and inveterate bad boy, kills a deer and discovers a sacred stone in its mouth.  After being killed by a bolt of lightning and then revived by some local monks, Tabei is given the sacred duty of traveling to Palm Print Mountain, the sacred home of the Lotus Master, and delivering the stone to its rightful place.  In doing so, he'll  be given the opportunity to "cleanse his heart" and make amends for his former sins. 


During the long, grueling journey by foot, Tabei acquires two unwanted companions--Chung, a love-starved young woman eager to escape her current circumstances, and Pu, a mute feral boy with apparent psychic abilities.  Though surly and abusive at first, we pretty much know that Tabei will eventually find the two to be a civilizing influence as was the case in THE OUTLAW JOSEY WALES when the title character began to amass a surrogate family and, through them, learn to regain his humanity.

The trouble is, Tabei is being stalked not only by thieves who covet the stone but also by two brothers out for revenge after the long-ago killing of their father by Tabei's own father.  Needless to say, the film will have much to say via these characters about pointless quests for revenge and needless violence in general. 

In the meantime, though, Tabei's run-ins with these dogged pursuers will supply the story with one of its main sources of tension as several scenes seem to be leading up to some kind of gunfight or swordplay (Tabei even makes a stop at a retired swordmaker's house a la KILL BILL).


Surprisingly, no such action ever takes place.  SOUL ON A STRING isn't that kind of adventure--it's story for story's sake, not just as a lead-up to periodic bursts of kinetic violence.
 
After awhile, I actually found myself hoping that such clashes would be avoided in favor of just getting on with the story, which, after a slow first half, starts to get really engaging.  Tabei's journey becomes much more than just getting from one place to another as he begins to discover the true meaning of life and the importance of things he once overlooked.  His slow-burn love story with his surrogate family also becomes quite engaging after awhile.

Yang Zhang spares no effort to make all of this as gorgeous as his incredible locations will allow, as he shoots in places that would make John Ford green with envy (invocations of Monument Valley abound).  He infuses SOUL ON A STRING with a myriad of visual and thematic references to such genres as Italian and American Westerns, samurai films, and fantasy quests (as in the LORD OF THE RINGS series). 


Bringing the Western feel into focus is the presence of a tall, mysterious man in black who looks like a gunfighter out of a Leone film but turn out to have an altogether different motive for tracking down Tabei. It's part of the film's heavily metaphysical underpinning, one which also includes the jarring juxtaposition of the ancient world with the modern in what makes it seem as though the story takes place on the very edge of some strange rift in time.

The DVD from Film Movement is in 2.35:1 widescreen with 5.1 and 2.0 sound (Tibetan with English subtitles).  As a bonus, there's a compelling short film by Oalid Mouaness, a political parable entitled "The Rifle, the Jackal, the Wolf, and the Boy."

Like a candle slowly burning and getting brighter as it reaches the end, SOUL ON A STRING begins as a pretty but flickering diversion and ends with a richly illuminative glow.  It has the breathtaking locations of a conventional epic, yet amidst that splendid backdrop is a human story that I found haunting and effective.

www.filmmovement.com



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Thursday, September 21, 2017

"THE LEGEND OF 420": The Evolution Of Marijuana in Mainstream Society -- In Theaters Oct. 6



"THE LEGEND OF 420"

Directed by Peter Spirer
Opening in Select Theaters October 6, 2017


Available on VOD and iTunes
October 3, 2017


THE LEGEND OF 420 explores the controversial use of marijuana and the evolution of mainstream society. From a dangerous narcotic, listed as a Schedule 1 Drug substance since the 1970s, to the rush to decriminalize it today. What has changed and why? Has the Government made the war on drugs a war on people? Cultural icons and experts will weigh in, contributing their own personal stories, discussing the impact of cannabis on the zeitgeist.

In Northern California, we will follow the growers. What does it take to produce “quality stuff?” What is the difference between one plant from another. What are the true medical benefits? Why are people serving life sentences for marijuana convictions? What will the Cannabis Industry look like in five years?

There are now CBD infused dog biscuits, Bud and Breakfast hotels and professional cannabis cuisine and soon there will be cannabis-themed malls & amusement parks. Will it retain its integrity as a homegrown industry or will it capitulate to Big Business? “Fruity Pebbles” themed cupcakes for the “holiday” at the local baker? Yep…must be “420.”

THE LEGEND OF 420 is directed by Peter Spirer and written by Michael Andrews. The film is produced by Kelly Bevan and Peter Spirer. Executive producers are Phil Hunt and Compton Ross. Cinematography is Eric Anderson and film editing by Ryan Bloom.

RT: 87 minutes
IMDB:  http://www.imdb.com/title/tt7027566/
Facebook:  https://www.facebook.com/legendof420/
Trailer:  https://vimeo.com/225004088


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Wednesday, September 20, 2017

"THE LOST CITY OF CECIL B. DEMILLE" -- A True Hollywood Mystery, Coming 10/3



Part Detective Story, Part ‘Raiders of the Lost Ark’…”

THE LOST CITY OF CECIL B. DEMILLE

In 1982 He Heard About an Ancient Egyptian City Buried in the California Desert…For 30 Years He’s Been Fighting to Dig it Up

The Mystery Debuts on Digital & VOD – October 3, 2017!

Los Angeles, Calif. – September 2017 – Leading independent cinema distributor Random Media and Lost City Productions debut a Hollywood detective story that will thrill any fan of movies and history -- THE LOST CITY OF CECIL B. DEMILLE on Digital and Video-on-Demand on October 3, 2017!
 
A fascinating documentary that pays tribute to Cecil B. DeMille, one of Hollywood’s most innovative and commercially successful filmmakers, it is the story of a more than 30 year quest to unearth from the sandy coast of Central California, the remains of one of De Mille’s most monumental undertakings: the Egyptian city constructed for his first spectacle, 1923’s The Ten Commandments.

Watch the Trailer:  


THE LOST CITY OF CECIL B. DEMILLE follows the decades long quest of Peter Brosnan, who first heard rumors of the burial of DeMille’s City of the Pharaoh, a huge set encompassing 20 sphinxes and four 35-ton statues of Ramses, in 1982.  Too daunting to be constructed inside a 1920’s-era studio soundstage, DeMille and his production staff found their “faux-Egypt” on the beaches of Santa Barbara County.  When they finished shooting, rather than leave the sets to be repurposed by second-rate hacks hoping to steal a little of his thunder, DeMille had the sets buried in the sand, counting on time and coastal elements to eventually destroy them.

Fascinated by this bit of movie lore about “the last of the great sets” and optimistic that much of the set may have survived, Brosnan and film-school friends Bruce Cardozo and Richard Eberhardt set out to arrange for an excavation and make a documentary.  What followed was decades of on-again, off-again excavation efforts, as the project faced seemingly insurmountable funding stumbles and bureaucratic obstacles.  

What an extraordinary story… a rare combination of film and cultural history.” --  Leonard Maltin

THE LOST CITY OF CECIL B. DEMILLE documentary is the story behind the excavation, highlighting Brosnan’s multiple agonizing years of starts and stops, as funding, red tape and weather halted the well-publicized story that wouldn’t die, even when Brosnan was ready to walk away, over and over again.  It concurrently interweaves the history of famed director DeMille with fascinating firsthand accounts from dozens of people who were involved in the groundbreaking 1923 production, including studio executives, extras, spectators and the filmmaker’s granddaughter Cecilia DeMille Presley.


Logline:
A fascinating documentary about the 30+ year quest, against funding struggles and bureaucratic red tape, of filmmaker Peter Brosnan to unearth from the sandy coast of Central California, the remains of one of Cecil B. DeMille’s most monumental undertakings: the Egyptian city constructed for his first spectacle, 1923’s The Ten Commandments.

Synopsis
Have you seen “The Ten Commandments” with Charlton Heston?  Did you know that in 1923 Cecil B. DeMille made a silent version of the movie?   Because Egypt was far away from the studio and estimated to be much too costly, DeMille shot the film in Santa Barbara County, California, about 150 miles north of Hollywood, and built an enormous ‘City of the Pharaoh’ set, literally taking over the economy of the surrounding community and creating a fantastic spectacle.  Designed by Paul Iribe, the “father of Art Deco,” it was the largest set in motion picture history.

When filming wrapped, the city mysteriously vanished.

In 1982, Peter Brosnan was sitting in a bar when someone told him that there were ancient Egyptian Sphinxes buried somewhere in the California Dunes.  It sparked his imagination and he embarked on what turned out to be a thirty year battle to prove the existence of these Sphinxes and the discovery of the Lost City.

After searching in the California desert, Brosnan located what he believed was the site of the 1923 filming. Over 33 years in the making, “The Lost City of Cecil B. DeMille” is an extraordinary tribute to a director whose innovative and fearless style continues to inspire modern day filmmakers, almost 60 years after his death.

THE LOST CITY OF CECIL B. DEMILLE explores the spirit of a man, Peter Brosnan, who walked away from this project three times in frustration, only to be called back a fourth time. The result is an iconic tale of a reluctant hero, who finally surrenders to his destiny and accepts that he was chosen to follow this quest and tell this story.


Specifications:
Director: Peter Brosnan Screenwriter: Peter Brosnan Producers: Peter Brosnan, Daniel J. Coplan Executive producer: Francesca Judge Silva
Presented by:  Cecelia DeMille Presley
Co-producers: Bruce Cardozo, Richard Eberhardt
Director of photography: Alessandro Gentile Editor: George Artope
Still Photography: Kelvin Jones
Time Lapse Photography: Michael DeLavallade Composer: Steve Bauman Running Time: 88 minutes
Produced by: Lost City Productions
Distributed by: Random Media

About Random Media:
Random Media is a content company that acquires and distributes films on a worldwide basis through movie theatres, conventional brick and mortar retailers, digital platforms, cable and satellite companies and television networks.  Random Media's library includes such acclaimed films as Escape From Tomorrow, The Visit, Meth Head, Desert Cathedral and Killswitch: The Battle To Control The Internet.
                   
OFFICIAL FILM SITE: https://www.lostcitydemille.com/       
Facebook: https://www.facebook.com/The-Lost-City-of-Cecil-B-DeMille-1614033822253579/
IMDB: http://www.imdb.com/title/tt2507306/?ref_=nm_flmg_prd_1



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"SUPERMAN THE MOVIE": Extended Cut & Special Edition 2-Film Collection available on 10/03/17!



Superman The Movie: Extended Cut & Special Edition 2-Film Collection available on 10/03/17!

Available on Blu-ray™ and Digital for the very first time, Superman The Movie: Extended Cut can now be enjoyed in widescreen high definition, along with the Special Edition in one collection!

Superman The Movie: Extended Cut, the TV version of the film originally aired in 1982 as a 2-night special in the U.S., includes nearly 40 mins. of extra footage not seen in the 1978 theatrical release.

The legacy continues in the Special Edition, a captivating version of Superman The Movie with 8 mins. of extra footage, specially directed by Richard Donner.


Extended Cut: 
Three-hour long TV version, now in widescreen high definition
Available on Home Entertainment for the very first time
Nearly 40 mins. of extra footage not seen in the theatrical release:
   • The pay-off of the subplot of a Kryptonian security officer being sent to capture Jor-El
   • Lex Luthor  sings “ You Must Have Been a Beautiful Baby” while he has Otis drop Eve       Teschmacher into the lions’ den
   • After Superman saves Lois at the end and flies off, he's seen rescuing Eve Teschmacher from the lions' den
   • A little girl who sees the teenage Clark Kent running faster than the train is revealed to be Lois Lane

Special Edition:
Features 8 more mins. of footage not in the 1978 original theatrical release



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T2's Robert Patrick Stars in True Crime Thriller "LAST RAMPAGE" -- Opens this Friday, Sept. 22



"LAST RAMPAGE"
A TRUE CRIME STORY


OPENING IN THEATERS AND ON DEMAND / DIGITAL HD
Friday, September 22, 2017


In the summer of 1978 convicted murderer Gary Tison (Robert Patrick) and his cellmate Randy Greenawalt (Chris Browning) staged a daring escape from an Arizona State Prison, with the help of Tison’s three teenage sons. Their murderous rampage through the southwestern desert shocked the nation with its brutality. While Sheriff Cooper (Bruce Davison) hunted them down, Tison’s wife (Heather Graham) vehemently defended her family in the press.

LAST RAMPAGE features a chilling tour-de-force turn by Robert Patrick as Gary Tison in a terrifying story about the dark side of family loyalty.

Director Dwight Little’s true crime thriller is based on James W. Clarke’s bestselling book, Last Rampage: The Escape of Gary Tison. The script was penned by Alvaro Rodriguez (“MACHETE”, “FROM DUSK TILL DAWN: THE SERIES”) and Jason Rosenblatt. Produced by Eric M. Breiman and Robert Patrick. Executive Producers are Dwight Little and Alex Hertzberg. Music by Richard Patrick and Tobias Enhus.

Robert Patrick, Heather Graham, Bruce Davison, and Chris Browning star in LAST RAMPAGE, which is distributed by Epic Pictures.

Established in 2007 by Patrick Ewald and Shaked Berenson, Epic Pictures Group has grown to become one of the most creative and dynamic independent studios, focusing on filmmakers’ vision driven projects, shaping them from script to launch via its domestic distribution division Epic Pictures Releasing.

Throughout the past 10 years, Epic produced many genre cult hits including the 2015 Sundance premieres “ENTERTAINMENT” and “TURBO KID” and all-star horror anthology “TALES OF HALLOWEEN”. More recently Epic produced the psychological horror “THE LODGERS,” sci-fi thriller “RADIUS,” action horror “REDCON-1,” and the adventure thriller “THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT” starring Sam Elliott.

RT: 93 minutes / Rated R

Facebook: https://www.facebook.com/LastRampageFilm/
Twitter: https://twitter.com/LastRampageFilm
Instagram: http://instagram.com/lastrampagefilm

WATCH THE TRAILER:

OPENING THEATERS
Frida Cinemas -  Anaheim
Galaxy Highland 10 - Austin
Apple Cinema - Boston
Patio Theatre - Chicago
Texas Theatre - Dallas
Sie Film Center - Denver
Premiere Renaissance - Houston
Laemlee Music Hall  - Los Angeles
Sonora Cinemas - Phoenix
Paradise Valley - Phoenix
Monroe 12  - Seattle
Digital Gym  - San Diego
Colonial Theater - Sacramento
Village East Cinema  - New York
Main Street Cinemas - New York
Movieland Coram -  New York
Icon 10 San Angelo  - San Angelo



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Tuesday, September 19, 2017

Trailer/Theatrical Release of Western Drama "JUSTICE" starring Stephen Lang & Quinton Aaron from Open Road and Universal Home Entertainment



CHASING BUTTERFLIES PICTURES—IN PARTNERSHIP WITH UNIVERSAL PICTURES HOME ENTERTAINMENT—SETS A SEPTEMBER 2017 RELEASE FOR STAR-STUDDED WESTERN DRAMA JUSTICE

OUT NOW IN THEATERS AND ON DIGITAL

Los Angeles, CA – Chasing Butterflies Pictures has set a theatrical release for JUSTICE as Universal Pictures Home Entertainment will debut the film on Digital as well as On Demand on the same date. The all-new Western drama stars multiple-award winning Stephen Lang (Avatar, Don’t Breathe), Robert Carradine (Django Unchained, Revenge of the Nerds), Jamie-Lynn Sigler (The Sopranos, Entourage), Jackson Rathbone (Twilight), Nathan Parsons (True Blood), and Academy-Award® nominee Quinton Aaron (The Blind Side). Rounding out the star-studded cast is Ellen Hollman (SIX, Spartacus: War of the Damned), Lesley-Anne Down (The Bold and the Beautiful) and former UFC Champion, John Lewis (Check Point).

It’s 1870 and the Civil War has been over for three years. An old, abandoned mine is now being transformed into a military stronghold by a corrupt mayor (Stephen Lang) and his band of outlaws led by the bloodthirsty thug Reb (John Lewis) hell-bent on reigniting the war. When a U.S. Marshal (Nathan Parsons) comes to town only to learn from the local teacher (Jamie-Lynn Sigler) that his brother, the town priest (Jackson Rathbone), has been murdered, his search for the killer leads to an inevitable clash that becomes a life or death struggle for a much greater cause.

WATCH THE TRAILER:

Directed by Richard Gabai and produced by A.J. Perez, Niko Foster and John Lewis, based on a story by Shawn Justice, JUSTICE is packed with action and embodies the timeless battle between good and evil, and the moral struggle between selfishness and selflessness, in an often unforgiving, lawless world.

Producer A.J. Perez says: “The hardest part was getting the story right so it made for a lot of long days with our writers. The amazing work from our dynamic duo, Richard Gabai and Scott Peck (Director and DP), our incredibly talented cast and a dedicated production crew made my dreams come true and we made something really special…”

Actor Nathan Parsons echoes the sentiment: "Growing up in Texas, the mythos surrounding cowboys and the old west permeated my childhood, so working on Justice truly was a dream come true."

Director Richard Gabai says: “As a fan of Classic Westerns from Howard Hawks and John Ford, I wanted to incorporate the elements we love about those films, but with a modern edge, and though our story is set in 1870, the themes are as relevant today as they were back then. Our brilliant and dedicated cast, crew, and stunt team were a joy to work with, the magnificent locations a dream to shoot."

Actor Stephen Lang, who plays Mayor Pierce, says: "I love a good Western, always have. The creative team who have brought JUSTICE to the screen…have done true justice to the genre. I am honored to be a part of this film, and I hope and trust it will find favor among all who love a good ‘oater’ as much as I do."

JUSTICE is a Chasing Butterflies Pictures and Splash House Pictures / Check Entertainment Production. With Universal Pictures Home Entertainment distributing on Blu-ray™, DVD, Digital HD, and On Demand. JUSTICE is out now in major theatrical markets and VOD.

Twitter @JustceMov2017 Facebook https://www.facebook.com/JusticeTheMovie/

About Chasing Butterflies Films:
Chasing Butterflies Pictures is a Film and TV production company founded in May of 2015 by Niko Foster and A. J. Perez. The company was founded originally started as a conduit to provide on-demand product based on the market's needs. First production was the controversial film about homegrown terrorism and Veteran soldiers dealing with PTSD, Check Point, Starring Kenny Johnson (S.O.A., The Shield) , Bill Goldberg (Former WCW/WWE Champion), William Forsythe (The Rock, Once Upon a Time in America), Mindy Robinson (Range 15, Sharknado 4), Fred Williamson (Dusk Till Dawn, Hammer) amongst others. Based out of Dallas, Texas, Chasing Butterflies Pictures is targeting 2 to 3 films per year.

About Universal Pictures Home Entertainment:
 Universal Pictures Home Entertainment (UPHE – www.uphe.com) is a unit of Universal Pictures, a division of Universal Studios. Universal Studios is a part of NBCUniversal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, world-renowned theme parks, and a suite of leading Internet-based businesses. NBCUniversal is a subsidiary of Comcast Corporation.



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MY TOP 20 ALL-TIME FAVORITE WESTERNS by Porfle




This list is for big-screen feature films only. If it included TV movies then "Lonesome Dove" and several Tom Selleck/Sam Elliott movies would be on it, too.







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"MAMA'S FAMILY: THE COMPLETE SERIES" -- One of TV's Original Dysfunctional Familes in a Value-Priced, Slipcase Edition on 10/14



THIS OCTOBER, SPEND SOME QUALITY TIME WITH ONE OF TELEVISION'S ORIGINAL DYSFUNCTIONAL FAMILIES IN A SPECIALLY-PRICED SLIPCASE COLLECTION

"MAMA'S FAMILY: THE COMPLETE SERIES"


AVAILABLE EXCLUSIVELY AT WAL-MART

There's Never Been a Better Time to Add the Irascible, Indelible Mama to the Family; the 22-Disc Set Features All 130 Hilarious Episodes from Original Broadcast Masters

Street Date: October 14, 2017
DVD SRP: $39.96


Everyone's favorite indelible and smart alecky small-town matriarch is back - and, she's brought her whole crazy family with her!  After breaking out from "The Family" sketches on "The Carol Burnett Show," Thelma "Mama" Harper's home-spun humor earned its own well-loved sitcom which debuted on NBC and ran for six knee-slapping seasons.  This October, Time Life invites all classic TV aficionados and sitcom lovers to spend some quality time with one of television's original dysfunctional families in MAMA'S FAMILY: THE COMPLETE SERIES!  Packaged in a handsome slipcase, the 22-disc set includes all 130 episodes from their original broadcast masters.


Set in the fictional city of Raytown, MAMA'S FAMILY revolves around the eye-opening escapades of the Harper clan, headed by formidable matriarch, Mama Harper, a fiery-tempered no-nonsense woman who does not suffer fools gladly.  In fact, she makes everybody suffer a little with her patented snappy retorts that truly put the "diss" in dysfunction. 

Across 130 episodes spanning six seasons, viewers are treated to hilarious - and sometimes heart-warming -- family comedy of the highest degree.  Adding to the unforgettable mix are Mama's journalist sister, Fran (Rue McClanahan, The Golden Girls), who lives with her; her youngest son, Vint (Ken Berry, F-Troop), who moves in with his two teenagers after he is evicted; and Naomi (Dorothy Lyman, All My Children), who marries Vint by Episode 4.  Mama's extended family includes her two daughters, highfalutin' Ellen (Betty White) and high-strung Eunice (Carol Burnett), as well as Eunice's husband, Ed (Harvey Korman).

PROGRAM INFORMATION

Format: DVD (22 Discs)
Running Time: Approx. 3315 mins.
Genre:  TV/Comedy
Aspect Ratio: 1.33:1
Audio: Stereo


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Monday, September 18, 2017

GLORY -- DVD Review by Porfle



Sometimes you don't quite know what to make of a movie after you've seen it, and that's one of the things that make it worth watching.  The 2016 Bulgarian drama GLORY (Film Movement) is like that.  The ending doesn't really leave you hanging as much as it makes you feel like you've already been hanging for an hour and half and just landed in an awkward position.

From the start, we're never sure if we're watching a sad comedy or a lighthearted tragedy. Tzanko Petrov (Stefan Denolyubov) plays a shy, stuttering recluse who walks the train tracks looking for bolts that need tightening.  To say he lives a lean and humble existence is an understatement.  His main concern in life, like that of Lenny in Steinbeck's "Of Mice and Men", is to make sure his rabbits are well tended.

When Tzanko finds a large amount of cash on the tracks and turns it in, Mrs. Staykova (Margita Gosheva), head of public relations for the Ministry of Transportation, sees it as a great human interest story to offset current scandals of misconduct.  What she doesn't foresee is that Tzanko's unflinching honesty and almost childlike innocence in the face of lies and deceit will bring her and the ministry more trouble than she can imagine.


Both actors are fine in their roles, with Gowsheva bringing particular spark to her portrayal of a woman so caught up in her professional life that she conducts it by phone while her doctor and husband try to get a word in edgewise about the in-vitro egg retrieval procedure they're in the middle of. 

She's all about public image as she herds a confused Tzanko into a joyless ceremony in which the minister gives the new media hero a cheap watch as reward for his honesty.  But first she takes his old watch--a precious heirloom given to him by his father--and, having no thought or concern for its worth to him, promptly loses it.

And such is the hook upon which we'll hang until that final drop.  Tzanko's dogged and seemingly futile attempts to go against a bureaucracy that holds him in little to no regard, just to get back his watch, will eventually become a series of tragic, humiliating, and even life-threatening events for him. 


Denolyubov plays it all with a deadpan puzzlement that only hints at Tzanko's growing indignation.  At first, he's often funny--the incident with the pants  had me thinking GLORY might lean more toward comedy as it went along--but he never plays it that way.  And, until the very end, we're kept guessing just how much the pressure's building up inside him.

The DVD from Film Movement is in 1.85:1 widescreen owith 5.1 stereo sound (Bulgarian owith English subtitles).  Bonus features include trailers and an Academy-award-winning short, "Helium."

Directors Kristina Grozeva and Petar Valchanov shoot everything in a casual, almost documentary style that rarely betrays the thought that's gone into it.  It's quite effective in keeping us off-guard when the really dramatic stuff starts to happen to both of the main characters.  Tzanko gets pushed to his limit and we're not sure if he'll survive.  Mrs. Staykova, on the other hand, finds a flicker of humanity within her cold exterior, but it may be too late.  GLORY ends on the most awkward note of all and we land with a thud, dazed.

filmmovement.com


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