HK and Cult Film News's Fan Box

Tuesday, August 20, 2019

Great 3 Stooges Running Gag: "Gentlemen! Who Came In?" (video)




Somebody refers to the Stooges as gentlemen...

...and the Stooges respond by looking around...

...and asking "Who came in?"

(threestooges.net)


WE WANT OUR MUMMY (1939)
YOU NAZTY SPY! (1940)
MONKEY BUSINESSMEN (1946)
MALICE IN THE PALACE (1949)
SPOOKS! (1953)
SPACE SHIP SAPPY (1957)
PIES AND GUYS (1957)


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!


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Monday, August 19, 2019

70s Grindhouse Homage "MOMO: THE MISSOURI MONSTER" Arrives September 20th on DVD and VOD from Small Town Monsters




Small Town Monsters Unleashes
"MOMO: The Missouri Monster" 


DVD and VOD Release Announced for September 20th


Narrative Horror/Documentary Hybrid

   
Wadsworth, OH -- Small Town Monsters has announced the September 20th DVD and VOD release of Seth Breedlove's docudrama MOMO: The Missouri Monster.  The latest title to crawl forth from the production powerhouse behind last year's best-selling documentary On the Trail of Bigfoot, MOMO: The Missouri Monster seeks to tell the true, and truly strange story of the Missouri Monster.

The hair-covered, three-toed monstrosity was said to have prowled the forests of Star Hill, near Louisiana, Missouri during the summer of 1972 where it was spotted by terrified citizens for weeks.  The film will be available nationwide on DVD, as well as Vimeo OnDemand, Amazon Instant Video, and VIDI Space.


The case gained national media attention during the '70s and remains one of the largest tourist draws for the tiny town on the banks of the Mississippi River. The latest release from Small Town Monsters and director Seth Breedlove, MOMO: The Missouri Monster is told in both narrative and documentary form. The narrative sections appear as a lost b-movie from the 1970s, inspired by Breedlove's lifelong fascination with grindhouse movies and creature features. The horror film depicts the widely accepted details of the MOMO legend and is eventually contradicted and corrected by the actual survivors who lived through the events. 

Breedlove describes MOMO: The Missouri Monster as "Rashomon meets Creature from Black Lake or The Legend of Boggy Creek". The film stars Adam Duggan and Sara Heddleston, as well as Animal Planet's Cliff Barackman and James "Bobo" Fay with special appearances by Janet Jay and Elizabeth Saint (Ghosts of Shepherdstown). 

Ahead of the national video release, a midnight premiere is scheduled at the Kentucky Theater in Lexington, Kentucky on Friday, September 6th with cast and crew in attendance. The premiere will coincide with Cryptid-Con, a cryptozoology and paranormal convention celebrating its third year and featuring a number of renowned authors, television personalities, and speakers. 


On Friday, September 13th, the Canton Palace Theatre in Canton, OH will play host to the Ohio Premiere of MOMO with cast and crew in attendance. Finally, on September 20th, as MOMO hits audiences nationwide, the Missouri Monster will storm the State Theater in Point Pleasant, WV as part of the kickoff for the annual Mothman Festival.

The year was 1972 and the place was a tiny, quaint, riverfront town called Louisiana, Missouri. On a warm summer evening, two local kids saw a creature in their own backyard holding a dead dog. Before you could say the word "Bigfoot", local media and police officials had pounced on the story.

Overnight Louisiana became "monster central" with creature seekers and monster hunters combing the woods to look for "the thing" that the newspapers had dubbed "MOMO". One particular family was at the center of this whirlwind of activity and as the Missouri Monster sightings began to increase, so did the negative impact on the Harrisons.

In 1975, a film crew set out to tell an over-the-top, filmic version of the MOMO sightings. Due to one reason or another, this should-have-been-cult-classic was never released. Until now.


MOMO: THE MISSOURI MONSTER - Trailer #2:



Buy MOMO: The Missouri Monster

The DVD release of MOMO: The Missouri Monster (SRP $14.99) will exclusively include a 51 minute behind-the-scenes featurette.

 MOMO: The Missouri Monster: USA / 81 min / English



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Bizarre Opening To "Daughter Of Dr. Jekyll" (1957) (video)




This Allied Artists film starring Gloria Talbott and John Agar...

...which was directed by Edgar G. Ulmer...

...begins with an exceedingly unusual pre-titles scene...

...that is creepy yet amusing at the same time.


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!


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Sunday, August 18, 2019

Great 3 Stooges Running Gag: "I'll Do It When I'm Ready!" (video)





Moe orders one of the other Stooges to do something...

...but they bravely yell back "I'll do it when I'm ready!"

Moe then asks "Are ya ready?"

And then the Stooge meekly says "Yeah, I'm ready..."

(threestooges.net)


PLANE NUTS (1933)
MEN IN BLACK (1934)
3 DUMB CLUCKS (1937)
WE WANT OUR MUMMY (1939)
I CAN HARDLY WAIT (1943)
WHO DONE IT? (1949)


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!


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Friday, August 16, 2019

"DON'T LET GO" Starring Storm Reid and David Oyelowo Opens Aug. 30th -- See Trailer HERE!




OPENING DAY ANNOUNCEMENT

"DON’T LET GO"

CHANGE THE PAST. SAVE HER FUTURE.

Starring David Oyelowo (Selma) and Storm Reid (A Wrinkle in Time)
Directed by Jacob Estes (Mean Creek)

Opening Nationwide on August 30th

WATCH THE OFFICIAL TRAILER:




In ​Don’t Let Go,​ detective Jack Radcliff (Oyelowo) gets a shocking phone call from his recently-murdered niece Ashley (Reid). Working together across time, they race to solve her murder before it can happen.

Distributors: Blumhouse Tilt, Universal’s OTL Releasing and Briarcliff Entertainment
Starring: David Oyelowo, Storm Reid, Mykelti Williamson, Brian Tyree Henry, Shinelle Azoroh, Byron Mann, April Grace and Alfred Molina
Directed By: Jacob Estes
Screenplay By: Jacob Estes
Story By: Jacob Estes and Drew Daywalt
Producers: Jason Blum, Bobby Cohen and David Oyelowo
Release Date: August 30, 2019


Follow @DontLetGoMovie on Facebook, Twitter, and Instagram




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Great 3 Stooges Running Gag: "The Bystander Gets Slapped" (video)




Moe and another Stooge slap each other back and forth several times.

Suddenly Moe stops, shrugs...

... then turns to the other Stooge, who's just watching, and slaps him.

(threestooges.net)

HOI POLLOI (1935)
CRASH GOES THE HASH (1944)
CUCKOO ON A CHOO CHOO (1952)
FOR CRIMIN' OUT LOUD (1956)


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!


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Thursday, August 15, 2019

Gripping Sci-Fi Drama "AUGGIE" Opens in Theaters on September 20 -- See Trailer HERE!




SCI-FI DRAMA "AUGGIE"

OPENS IN THEATERS ON SEPTEMBER 20, 2019

Starring Legendary Character and Voice Actor Richard Kind
With Susan Blackwell, Christen Harper and Larisa Oleynik

WATCH THE TRAILER:




Samuel Goldwyn Films is set to release Matt Kane and Marc Underhill's sci-fi drama AUGGIE in theaters and on VOD beginning September 20, 2019. The film stars Richard Kind (ARGO, A SERIOUS MAN, Red Oaks, INSIDE OUT) along with Larisa Oleynik (ATLAS, 10 THINGS I HATE ABOUT YOU) Susan Blackwell (MARGIN CALL, Master of None) and newcomer Christen Harper.

In AUGGIE, Felix Greystone (Richard Kind) is forced into early retirement and falls in love with an augmented reality companion, to the detriment of his relationship with his wife and daughter. At his “early retirement” party, Felix is given a pre-release version of an AUGGIE, a pair of augmented reality smart glasses that project a perfectly human companion onto his world. When Felix’s wife Anne gets a promotion and his daughter Grace gets serious with her boyfriend, Felix suddenly feels very alone.


He opens up to his new companion, AUGGIE, and is recognized and appreciated by her. He feels the ache of loneliness dissipate. AUGGIE reawakens a passion in Felix, and to his own surprise, he begins to fall for her. In a world that feels too good to be true, it’s difficult for Felix to recognize his increasing addiction to the technology, losing sight of what truly matters.

Release Date:                      September 20, 2019 - Opening in theaters and on VOD
Directed/Written by:            Matt Kane, Marc Underhill         
Cast:                                     Richard Kind, Larisa Oleynik, Susan Blackwell, Christen Harper
Genre:                                  Sci-Fi, Drama
Specs:                                  81 min
Distributor:                          Samuel Goldwyn Films



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Jimmy Durante As Adam, The First Man ("Hollywood Party", 1934) (video)




"Hollywood Party" was a screwball comedy with a gaggle of guest stars...

...featuring Jimmy Durante in some downright surreal sketches.

Not the least of which being his riff on reincarnation.

This segment casts him not only as the first man, Adam...

...but also as America's most famous horse.


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Wednesday, August 14, 2019

"A BUCKET OF BLOOD" Comes To Blu-ray From Olive Signature Films 9/24/19




Olive Films is proud to announce the following September 2019​ release:

"A BUCKET OF BLOOD" -- Olive Signature

LIMITED TO 3,500 UNITS



US+CANADA
PREBOOK:          8/27/19
STREET:             9/24/19

A BUCKET OF BLOOD –
OLIVE SIGNATURE   BD
CAT:                 OS019
UPC:       887090601900
SRP:                 $39.95

A BUCKET OF BLOOD – OLIVE SIGNATURE

DICK MILLER
(Gremlins, The Trip, The Wild Angels)
BERT CONVY
(Semi-Tough, Hero at Large, Susan Slade)
BARBOURA MORRIS
(The Trip, The Haunted Palace, The Wasp Woman)
ANTONY CARBONE
(Extreme Close-Up, Pit and the Pendulum, Last Woman on Earth)
ED NELSON
(Airport 1975, Runaway Jury, TV’s Peyton Place)

Directed by
ROGER CORMAN
(The Trip, The Wild Angels, Gas-s-s-s)




In honor of its 60th anniversary, this Olive Signature edition of A Bucket of Blood celebrates the film’s enduring legacy. Shot in five days on a shoestring budget of $50,000, A Bucket of Blood remains one of the most iconic collaborations between Roger Corman and Dick Miller, and has rightfully earned its “cult classic” status.

YEAR: 1959
GENRE: COMEDY, HORROR
LANGUAGE: ENGLISH (with optional English subtitles)
LABEL: OLIVE FILMS
TOTAL RUNNING TIME: 66 mins
RATING: N/R
VIDEO: 1.85:1 Aspect Ratio; B&W
AUDIO: MONO


OLIVE SIGNATURE FEATURES

    Mastered from new 4K scan
    “Creation Is. All Else is Not” – Roger Corman on A Bucket of Blood
    “Call Me Paisley” – Dick and Lainie Miller on A Bucket of Blood
    Audio commentary by Elijah Drenner, director of That Guy Dick Miller
    Archival audio interview with screenwriter Charles B. Griffith
    “Bits of Bucket” – Visual essay comparing the original script to the finished film
    Essay by Caelum Vatnsdal, author of You Don't Know Me, But You Love Me: The Lives of Dick Miller
    Rare prologue from German release
    Super 8 “digest” version
    Theatrical trailer
    German theatrical trailer
    Gallery of newly-discovered on-set photography


With A Bucket of Blood, the multi-talented Roger Corman singlehandedly created his own genre hyphenate: the black-comedy-beatnik-culture-horror film. Dick Miller (Gremlins, The Trip) stars as Walter, a busboy at the hep-cat hangout the Yellow Door Café who dreams of artistic greatness. Inspired by the scribes and artists who surround him, Walter is introduced to the world of sculpture quite literally by accident – thanks to thin walls and a sharp steak knife. From his very first piece – the aptly titled “Dead Cat” – Walter is hailed a genius by the art snob set, a wunderkind who, unbeknownst to his doting devotees, has raised murder to the level of high art. But when the tortured artist turns his creativity towards the human form, he’s sure to make their blood run cold.

Rounding out the cast are Barboura Morris (The Trip, The Haunted Palace) as Carla, the woman of Walter’s dreams; Bert Convy (Semi-Tough) as undercover cop Lou Raby; Antony Carbone (Pit and the Pendulum) as Leonard, owner of the Yellow Door; and Julian Burton (The Masque of the Red Death) as Maxwell, the Yellow Door’s resident poet-philosopher.

A Bucket of Blood is written by Charles B. Griffith (Death Race 2000), photographed by Jacques R. Marquette (Burnt Offerings), edited by Anthony Carras (The Comedy of Terrors), with music by Fred Katz (The Little Shop of Horrors), and art direction by Daniel Haller (Pit and the Pendulum).


Buy it at Olive Films





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Saucy Pre-Code Banter In "Mystery Of the Wax Museum" (1933) (video)




Glenda Farrell is a delight as wisecracking girl reporter Florence Dempsey.

Frank McHugh is her long-suffering editor, who fires her at least once a day.

Fay Wray is Florence's beautiful roommate, a hopeless romantic.

And sometimes they get up to things that are just a bit, well, pre-code.


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!



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Tuesday, August 13, 2019

PERFECT SKIN -- DVD Review by Porfle




A darkly voluptuous visual sense pervades director and co-writer Kevin Chicken's disturbing horror thriller PERFECT SKIN (Indican Pictures, 2018). It's so richly, perversely eye-pleasing, in fact, that it makes the equally entrancing story and performances even more compelling and almost seductive.

Not to say, however, that much of what we see isn't utterly hideous. Late in the story we're shocked by scenes of gore which, while not prolonged or overly gratuitous, still wield a potent gut-punch. And some of the images are so bizarre as to weave a strange fascination like something out of a fever dream.

But before we descend to that level of dizzying horror, we first meet Polish immigrant Katia (THE SHADOWS, THE LOOKING GLASS), recently ousted from her job as an au pair and currently out on the streets of London without a pence or a place to stay.


She manages to move in with her friend Lucy (Jo Woodcock, DORIAN GRAY, MONOCHROME), who introduces her to tattoo artist Bob Reid (Richard Brake, THOR: THE DARK WORLD, BATMAN BEGINS, HANNIBAL RISING, "Game of Thrones").   

Three things happen: (1) Lucy is called back to her native Australia due to an emergency and leaves the rent money with Katia, (2) Katia runs out to a nightclub and goes on a drunken bender with the rent money (no wonder she lost her job as an au pair), and (3) we discover that Bob's a weirdly-disturbed dude who's into extreme body modification and has a disease that's robbing him of his skills as a fine tattoo artist.

Long story short--Bob covets Katia's untarnished skin as the perfect canvas for his final tattoo masterpiece, so he kidnaps her and locks her in the basement of his tattoo parlor. The rest of the film shows Katia's long, agonizing descent into body modification hell as an increasingly bugged-out Bob has his way with her.


Meanwhile, the director has his way with the camera and with us, making all of this look somehow darkly beautiful and fervidly horrific at the same time. It reminds me of how Bruce Timm's animated "Batman" cartoons from the 1990s were drawn using black paper instead of white, as most of these shots seems as though they've been drawn out of the darkness itself and finely etched into haunting, modern Gothic images.

Various plot threads include a missing person police investigation, the return of Lucy and her very unfortunate involvement in the ongoing situation, and the sight of Bob being a divorced dad trying to work out visitation with his kids. (The latter almost, but not quite, humanizes him.) 

Most of all, of course, is the continuing evolution of Katia into an unwilling work of demented art that's ultimately both hideous and fascinating.  Surrounded by death and horror in busy Bob's basement, she seems to be giving in to him as her will seeps away.


But is it Stockholm Syndrome, or simply her attempt to lull him into a false sense of complacency before trying a daring escape?  Either way, her transformation is riveting, and we wonder just what kind of monstrous human artwork she's destined to become at the hands of this enigmatic madman.

To reveal any more would lessen the deeply suspenseful narrative that PERFECT SKIN so deftly weaves. With an excellent cast and outstanding production values, it's an experience both viscerally repellent and strangely, disturbingly captivating.


Buy it at Indican Pictures

TECH SPECS
Runtime: 80 minutes
Format: 2:35 HD
Sound: Dolby SR
Rating: R
Language: English
Captions: English
Extras: Trailers


Trailer:
https://vimeo.com/335951100



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Great 3 Stooges Running Gag: "Toupee Or Not Toupee?" (video)




A man's toupee gets removed somehow...

...sometimes by a shooting bullet...

...or by some other comical means...

...which is usually Stooge-related.

(threestooges.net)


POP GOES THE EASEL (1935)
HOI POLLOI (1935)
DISORDER IN THE COURT (1936)
A PAIN IN THE PULLMAN (1936)
PHONY EXPRESS (1943)
THREE DARK HORSES (1952)
TRICKY DICKS (1953)


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!


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Monday, August 12, 2019

Totally Unnecessary Subplot In "The Mummy's Ghost" (Universal, 1944) (video)




At barely an hour long, "The Mummy's Ghost" is a lean, fast-moving tale that wastes no time.

Except, that is, for one lengthy detour which turns out to be a total dead end.

Earlier, an Egyptology professor experiments with tanna leaves, and gets an unexpected guest.

Later, the police enlist another professor to duplicate the experiment.
They hope to lure the Mummy into a large pit they've dug in the yard.

Not only is this unlikely to work, but after all of their tedious preparations...
...which we've followed for a good part of the movie...

...the Mummy never shows up.
He's across town, moving the actual plot along.

Meanwhile, the Mummy pit almost succeeds--in capturing a frantic old lady.


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Sunday, August 11, 2019

"Mystery of the Wax Museum" Unmasking Scene: Fay Wray, Lionel Atwill (1933) (video)




(spoilers)

This two-strip Technicolor classic was directed by Michael Curtiz...


...and was lost for many years before being rediscovered.

Lionel Atwill plays a madman who runs a wax museum...

...with figures made from dead bodies encased in wax.

The beautiful Fay Wray is his ideal Marie Antoinette...

...so he plans to give her the same treatment.

But not before she discovers his terrible secret.


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!



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Saturday, August 10, 2019

Great 3 Stooges Running Gag: "Knee-Elbow-Chin Bonk" (video)




Moe sets another Stooge up in the knee-elbow-chin position...

...then he kicks that Stooge's knee up...

...causing him to punch himself in the chin. (threestooges.net)

I CAN HARDLY WAIT (1943)
HOLD THAT LION! (1947)
CUCKOO ON A CHOO CHOO (1952)
GOOF ON THE ROOF (1953)


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!



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Friday, August 9, 2019

THE LUMBER BARON -- Movie Review by Porfle




The patriarch of a 1910 Wisconsin lumber dynasty dies, leaving his family to deal with a failing business and debts that threaten to put them out of their luxurious mansion. 

Not exactly the kind of peril that I can relate to, but THE LUMBER BARON (2018) is fantasy stuff for those of us who wish their problems were so well-appointed. 

The son, Daniel Rimsdale, Jr. (Joseph Bezenek), a disappointment to his father because he's a so-so medical student with no head for business, must quit school and try to save his family. 


In doing so, he uses the journal of his grandfather, the company's founder, as a guide, as well as seeking support from his mother, two sisters, and younger brother.

Most importantly, Daniel assumes a fake identity and goes to work as a lumberjack for his own company, thus not only learning what hardships his employees face but also digging up evidence of corruption that involves his father's main competitor, the vile, two-faced Silas Lynch (Charles Hubbell).

The early part of THE LUMBER BARON shows us the opulent high-society lifestyle of the rather spoiled Rimsdales so we'll know what they're in danger of losing. Fortunately, most of these characters are likable enough not to be as insufferably snooty as they might have been. 


The film's outdoorsy midsection is all about Daniel's lumberjacking adventure, during which he meets Lynch's murderous mole, Doyles (Benjamin Madrid), who receives orders to kill the nosey new employee, and befriends some of the hardworking souls who deserve to be treated like more than galley slaves.

Daniel's return to the family mansion brings on a series of events in which he puts his newfound information and growing business skills to work in setting things right and pulling his family out of debt. 

This means delving into the dark web of deception and foul play surrounding the ever-scheming Lynch, who has his hooks deep in the Rimsdale's affairs and will stop at nothing to take everything they have, even if it means ordering his son to court the oldest Rimsdale daughter who is heir to the estate.


Despite a relatively modest budget, THE LUMBER BARON is elegantly mounted, with authentic locations adding greatly to its production values as well as a stately pace and formal direction by Barry Andersson (EDGE OF INSANITY).

The script by Karen R. Hurd doesn't try to dazzle us with contrived wit--the dialogue is realistically mundane for the most part--nor does it generate edge-of-the-seat suspense or heartpounding drama.

In fact, there are few real surprises (none that we don't see coming anyway) and the plot elements pretty much fall comfortingly into place like an easy jigsaw puzzle, forming a final picture that's pleasing to behold. 

THE LUMBER BARON doesn't try to blast us out of our seats, but is content to offer a calming, balming entertainment that leaves us feeling like we just took a brisk Autumn stroll or a refreshing nap. Which, after some of the depressing downers I've seen lately, is a nice change of pace.



Find out more about this film at Indican Pictures

TECH SPECS
Runtime: 109 minutes
Format: 2:39:1
Sound: Dolby SR
Country: USA
Rating: PG-13
Language: English






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"Sex Madness" (1938) Falling Window Blooper (video)




Dwayne Esper's vintage exploitation films were done on very low budgets...
...much too low for needless retakes.

And so, when a window slams shut in the background...

...watch the two actresses keep right on going.

Watch it again and notice how the startled blonde stumbles her line a bit.

"NO RETAKES!"


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!


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Thursday, August 8, 2019

The Godfather Monster Mash ("The Godfather", 1972) (video)




The best scene in Francis Ford Coppola's "The Godfather" (1972)...

...is the one where Don Corleone (Marlon Brando) uses an orange peel to make vampire teeth...

...and terrifies his grandson, Anthony.

The only trouble is, this precious scene just too brief.  It needed to be longer.

And now, that problem has been wonderfully, delightfully solved.

Because now we have, for current and future generations to cherish...

...The Godfather Monster Mash.


I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!


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Wednesday, August 7, 2019

Most Depressing Mummy Movie Ever? "The Mummy's Tomb" (Universal, 1942) (video)




(spoilers)

"The Mummy's Hand" (1940) was a lighthearted adventure with stalwart hero Steve...


...and bumbling comedy-relief Babe, who kept things from getting too grim.
The upbeat ending found Steve and Babe happy and victorious.

The film's sequel, "The Mummy's Tomb" (1942), is shockingly downbeat in comparison...
...as the "Mummy" series itself goes to the dark side. 

Former hero Steve is thirty years older and in comfortable retirement.
Until a vengeful Kharis returns to throttle him to death in his own bedroom.

The once happy-go-lucky Babe returns for Steve's funeral...
...and ends up, at long last, as another victim of the rampaging Kharis.

Even Steve Banning's elderly sister is killed, in a scene often cut from TV prints.

This "nobody is safe" motif, particularly with the deaths of the previous film's heroes...
...makes "The Mummy's Tomb" arguably the most unrelentingly downbeat entry in the series.


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Tuesday, August 6, 2019

Tyler Bates' Score For "FAST & FURIOUS PRESENTS: HOBBS & SHAW " Out Now (Link Here)




TYLER BATES' SCORE FOR FAST & FURIOUS PRESENTS: HOBBS & SHAW OUT NOW

THE 11TH FEATURE FILM FEATURING MUSIC COMPOSED BY BATES TO REACH NO. 1 AT THE BOX OFFICE


Los Angeles (August 5, 2019) - Composer Tyler Bates' score for Universal Pictures' Fast & Furious Presents: Hobbs & Shaw is officially out now. Featuring orchestral elements, Samoan drums and hundreds of guitar & bass tracks performed by Bates himself, the collection of music matches the high-octane intensity of the summer blockbuster, which just debuted at number 1 at the box office this past weekend. The album is available now via major digital streaming platforms HERE and a complete tracklisting can be found below.

Hobbs & Shaw marks the 11th feature film that Tyler Bates has composed music for that has reached number 1 at the box office. Having also written the music for the entire Guardians of the Galaxy and John Wick series, as well as a number of notable movies including Deadpool 2 (2018), Watchmen (2009), 300 (2007), his scores continue to fuel some of the world's biggest films and franchises. Hobbs & Shaw is on target to push the cumulative worldwide box-office gross of Bates' projects over 5 billion dollars to-date.


"Creating the score for Hobbs & Shaw was an absolutely wild ride," says Bates. "David Leitch ran through a wall, and every department followed his lead to make an incredibly entertaining movie that has heart & humor, and that rocks hard with a thousand guitars from start to finish!"

On July 26th, Back Lot Music also released the original motion picture soundtrack to Fast & Furious Presents: Hobbs & Shaw. The soundtrack features new music by YUNGBLUD, Idris Elba feat. Cypress Hill, Aloe Blacc, and explores a variety of musical styles that reflect the eclectic energy of the film; everything from British Rock to hip-hop to electronic and even Samoan. Bates rounds out the soundtrack with a score suite aptly titled "Hobbs & Shaw Rocks!". Fans can listen to the album now via major digital streaming platforms here: https://backlotmusic.ffm.to/hobbsshaw

Bates' momentous year will continue this fall, as audiences will hear his and Joanne Higginbottom's music in Genndy Tartakovsky's upcoming animated series Primal on Adult Swim, the second season of The Purge on USA Network and Cirque Du Soleil's first-ever live action thriller entitled R.U.N., which debuts at the LUXOR in Las Vegas, NV this October. Tyler is also co-producing Bush's upcoming full-length album with Gavin Rossdale. The duo co-wrote four songs for the release, including the John Wick: Chapter 3 end title credits song "Bullet Holes", which cracked the Billboard charts Top 20 and crossed over to alternative radio as well as active rock.

Fast & Furious Presents: Hobbs & Shaw (Original Motion Picture Score Tracklisting)


1. Hard Way or Easy Way
2. Descender
3. McClaren Chase
4. Dad's Code Red
5. Hot Spy Lady
6. Hack the News
7. You Might Learn Something
8. Samoa Siva Tau
9. Wasted So Much Time
10. Mike Oxmaul
11. Bring on the Moonshine
12. Family Heirlooms
13. Ring of Fire
14. Who the Hell Are You?
15. Drones and Explosions
16. Do the Honors
17. Shut Him Down
18. We Believe in People


About Tyler Bates:

 
Tyler Bates regularly transitions from scoring some of the world's biggest film and television franchises, such as Guardians of the Galaxy and John Wick, to rocking massive audiences with Marilyn Manson, and back to the studio again writing and producing. In 2004, he made waves by creating the menacing audio backdrop for the popular Zack Snyder reboot of Dawn of the Dead, followed by his soundtrack for the filmmaker's 300. His oeuvre expanded to include films like Watchmen, Sucker Punch, The Devil's Rejects, and Halloween I & II, and TV Shows like Californication, Kingdom, Salem, The Purge and more. Bates co-wrote and produced Manson's 2015 epic, The Pale Emperor. As the band's lead guitarist, he dedicated over a year to touring in support of the album on the headline Hell Not Hallelujah Tour. In 2017, he once again joined forces in the studio with Manson on the follow-up album Heaven Upside Down and returned to the road for a string of high-profile touring. More recently, Bates scored the blockbuster Deadpool 2, Atomic Blonde, The Spy Who Dumped Me, and The Punisher - Seasons 1 & 2. With more new projects on the horizon, Tyler Bates will undoubtedly continue to redefine what a composer is.


About Fast & Furious Presents: Hobbs & Shaw:
 
After eight films that have amassed almost $5 billion worldwide, the Fast & Furious franchise now features its first stand-alone vehicle as Dwayne Johnson and Jason Statham reprise their roles as Luke Hobbs and Deckard Shaw in Fast & Furious Presents: Hobbs & Shaw.

Ever since hulking lawman Hobbs (Johnson), a loyal agent of America's Diplomatic Security Service, and lawless outcast Shaw (Statham), a former British military elite operative, first faced off in 2015's Furious 7, the duo have swapped smack talk and body blows as they've tried to take each other down.

But when cyber-genetically enhanced anarchist Brixton Lorr (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever - and bests a brilliant and fearless rogue MI6 agent (The Crown's Vanessa Kirby), who just happens to be Shaw's sister - these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves.

Hobbs & Shaw blasts open a new door in the Fast universe as it hurtles action across the globe, from Los Angeles to London and from the toxic wasteland of Chernobyl to the lush beauty of Samoa.

Directed by David Leitch (Deadpool 2) from a story by longtime Fast & Furious narrative architect Chris Morgan and a screenplay by Morgan and Drew Pearce (Mission: Impossible-Rogue Nation, Iron Man 3), the film is produced by Johnson, Statham, Morgan and Hiram Garcia. The executive producers are Dany Garcia, Kelly McCormick, Ethan Smith, Ainsley Davies and Steven Chasman.


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