PATRICK STILL LIVES -- Blu-ray Review by Porfle

 

 

Originally posted 10/27/2020

 

If you saw Richard Franklin's minor classic PATRICK (1979), an Aussie horror thriller about a young man in a coma who kills with his mind while lying motionless in a hospital bed with his eyes wide open, you may have come away from the experience wanting more.

A year later, Italian director Mario Landi (GIALLO IN VENICE) gave us exactly that and then some with his shockingly lurid sex-and-gore fest PATRICK STILL LIVES (1980).

An unauthorized "in name only" sequel, this tale begins with young Patrick (Gianni Dei, playing a completely different character than the original) and his surgeon father Dr. Herschel (Sacha Pitoëff) having car troubles by the side of an isolated road, when suddenly a van speeds by and the driver tosses an empty bottle out the window which strikes Patrick in the head and puts him into what appears to be a permanent comatose state. 

 

 

Later, we're transported to Dr. Herschel's rustic, rambling Italian villa (also the location for producer Gabriele Crisanti's BURIAL GROUND) where he cares for Patrick in a self-contained medical wing.

He seems to be conducting some pretty shady scientific research that includes three other hapless "patients" who are hooked up to machines and kept in a vegetative state as their bodies atrophy.

Not only that, but the not-so-good doctor also invites a variety of people to stay at his "wellness clinic" including a famous government official and his hot-blooded wife, a troubled woman with a shady past, a helmet-haired hunk, and a tough guy with a gun-bulge under his jacket. 

 

We later discover that these people are there because the doctor is blackmailing them, and we wonder what sinister plans he has for them.

With that set-up in place, PATRICK STILL LIVES giddily goes about its business of entertainment and exploitation with enough nudity to pack the pages of a rack full of men's magazines (most of the women in the cast look absolutely terrific in the buff, which they're in for roughly half the running time) and, once the freakish death scenes start to occur, enough bloody carnage to put a smile on the face of the most fervent gorehound.

These scenes are often punctuated by the sight of Patrick's big googly eyes coming at us from out of nowhere (a startling effect), and, despite the effects being a bit crude at times, the gore scenes display some real twisted imagination in their staging and execution. 

 

While Patrick seems to be mentally orchestrating the mayhem from his hospital bed, he also displays a distinct romantic interest in his father's beautiful blonde secretary Stella (Mariangela Giordano) and, in one stunning scene, takes advantage of his ability to control her actions in ways you don't have to try too hard to imagine.

The plot deftly transcends its stately pace to keep us guessing as to the motivation behind it all and why these particular people have been chosen to be murdered one by one. Naturally, we have our favorites (mine was the gorgeous Carmen Russo as Mrs. Kraft) and those whom we can't wait to get theirs.

While we're waiting for the plot by screenwriter Piero Regnoli (NIGHTMARE CITY) to unwind, we're treated to various interpersonal dramas including a raucous catfight, some other violently spiteful encounters, and even a potential romance between helmet-hair and Dr. Herschel's strange servant girl Meg. Director Landi renders it all with a roughhewn but often stylish visual sense that, for me, had a bit of an Amicus vibe. 

 

The Blu-ray from Severin Films was scanned uncut in 2k from the original negative and looks very good despite a few flaws here and there which only add to its character. Extras consist of an interesting recent interview with actor Gianni Dei (Patrick), the film's original trailer, and reversible cover art. The special Blu-ray edition comes with a slipcover featuring its own distinctive artwork.

One doesn't have to be familiar with the original film to plunge right into this faux sequel with both feet and wallow through all its gore-drenched, nudity-enhanced goodness. While more "normal" viewers may be appalled by its goings-on, those with a more twisted cinematic palate should find PATRICK STILL LIVES a delightfully deranged delicacy.


Buy the standard Blu-ray at Severin Films

Buy the special Blu-ray edition with slipcover


Special Features:

    C’est la Vie – Interview with Actor Gianni Dei
    Trailer
    Reversible Wrap

Disc Specs:

    Aspect ratio: 1.66:1
    Audio: Italian mono with English subtitles
    Region Free

Reversible box art:

 

Special edition slipcover art:

PATRICK STILL LIVES -- Blu-ray Review by Porfle

WARGAMES: THE DEAD CODE -- DVD Review by Porfle

 

Originally posted on 7/22/08

 

"Would you like to play a game?"

If this quote brings back pleasant memories of smarty-pants computer whiz Matthew Broderick making that big vein in Dabney Coleman's forehead throb back in 1983's WARGAMES, then chances are you'll find something to enjoy in MGM's direct-to-DVD sequel, WARGAMES: THE DEAD CODE (2008).

In this belated follow-up, another teenage computer geek named Will Farmer (Matt Lanter) crosses paths online with a secret government super-computer named R.I.P.L.E.Y. which is programmed to seek out and destroy terrorists by luring them into playing online videogames for money. Marked as a terrorist himself, Will becomes a fugitive trying to stay one step ahead of the feds while the increasingly ruthless R.I.P.L.E.Y. uses all the resources of modern technology to track down and terminate him.

As you might guess, R.I.P.L.E.Y. has been designed with just a little too much autonomy, which comes back to bite her creators in the ass when things get out of hand and entire cities begin to be viewed as targets. This time Colm Feore (STORM OF THE CENTURY, PEARL HARBOR) plays the guy with the throbbing forehead, while Chuck Shamata and Maxim Roy are a couple of project members who see the danger coming and try to shut the computer down before it can retaliate. There are definite shades of 2001: A SPACE ODYSSEY here when their characters discuss the matter in private while the crafty computer takes a tip from "H.A.L." and reads their lips.

Matt Lanter is bland but adequate when he isn't required to emote. As Annie, the girl who gets drawn into the situation and finds herself on the run with Will, Amanda Walsh is cutely appealing. Nicolas Wright is alternately funny and irritating as Will's slacker friend Dennis, whose character disappears from the film just as he's getting kind of interesting. And in case you're wondering if there's any direct connection between this story and the original, two characters from the 1983 film show up along the way. One is played by a different actor, Gary Reineke, who does okay although the original actor is sorely missed in the role. The other is--well, I won't reveal it, but I found his appearance to be a pleasant surprise.

I know roughly as much about "techmology" as Ali G. so I can't tell you how much of this is plausible or not, but it's presented in such a way that I pretty much bought most of it. Lanter's character isn't tied down to a home PC the way Broderick was back in '83, so he can run around evading government agents while still staying hooked into the system via his laptop and cell phone. On the other hand, R.I.P.L.E.Y. now has more up-to-date means of tracking him with public surveillance cameras, satellites, and scary military hardware at her disposal, which gives some scenes a nice sense of paranoia. The visual effects are generally well done, especially an exciting sequence in a subway tunnel and some explosive incidents involving a remote-controlled Predator aircraft equipped with missiles and other nasty stuff. (The bird's-eye-view bomb drop from PEARL HARBOR is duplicated early on.)

Director Stuart Gillard keeps the annoying visual indulgences to a minimum and moves things along rather briskly except for a few slow spots. As in the first film, the climax involves a battle of wits between man and machine inside the computer control center, with the lives of millions depending on our teen hero's madd puter skilz. It doesn't match the suspense of the original film and sometimes I was a little lost as to exactly what was going on, but the tension level is pretty well maintained.

The DVD is two-sided, giving us a choice between full screen (for all you diehard full-screen fans out there) and 1.85:1 widescreen. A commentary track features Gillard and Lanter chatting goodnaturedly about the film when they aren't caught up watching it and forget to talk. There's also a fourteen-minute "making of" featurette, a photo gallery, and trailers for THE ONION MOVIE, which looks pretty funny, and Uwe Boll's IN THE NAME OF THE KING.

The idea that R.I.P.L.E.Y. finds terrorists by luring them into a terror-themed online computer game (which appears to be on about the same difficulty level as Frogger) and then identifying them by their advanced terrorist game-playing skills doesn't make much sense, but then neither does a lot of what goes on in this movie. However, if you don't get too hung up on little things like logic, WARGAMES: THE DEAD CODE can be pretty fun to watch.

 

WARGAMES: THE DEAD CODE -- DVD Review by Porfle

SCREAM 4 -- DVD Review by Porfle

Originally posted on 9/25/11

 

I really don't remember all that much about the first three movies in the "SCREAM" franchise except that they were pretty fun and, at times, pretty scary.  Now that I've seen SCREAM 4 (2011), I think that it may be my favorite one in the entire series.  Of course, this may simply be due to the fact that it's the freshest in my mind at the moment, but it's still a whole lot of scary fun.

Wes Craven (LAST HOUSE ON THE LEFT, THE HILLS HAVE EYES) directs with his usual sure hand, and most of the surviving cast are back along with several key crewmembers, giving this new installment the feeling of a genuine homecoming.  Neve Campbell's Sidney Prescott, the series' perennial "final girl", also returns home to the town of Woodsboro to promote a book she's written about her experiences, setting off a whole new series of bloody murders by the most recent psycho (or psychos) to don the Ghostface mask.

Things start off with a bang as a pretitles scare-a-thon teases us with a string of movie-within-a-movie fakeouts (complete with the usual surprise guest stars) before ending with an actual double-murder.  This gets Sheriff Dewey Riley (David Arquette) and his wife Gale Weathers-Riley (Courtney Cox) back into their old form as bumbling cop and abrasive newshound.  Sidney, meanwhile, is staying with relatives Kate Roberts (Mary McDonnell) and teenaged cousin Jill (Emma Roberts), who becomes Ghostface's new main target.
 

SCREAM creator Kevin Williamson's script deftly balances generous amounts of humor with several well-crafted suspense sequences that create sustained tension before erupting into panic, screaming, and death.  The fact that the killer could be anyone--Jill's stalkerish ex-boyfriend Trevor (Nico Tortorella), Dewey's smitten deputy Judy (a lovable Marley Shelton), or even the school's resident Cinema Club nerds Robbie and Charlie (Eric Knudsen, Rory Culkin)--keeps us guessing as sudden attack can come anytime or anywhere.  The fact that everyone in town is aware of what's going on, and practically know that they're in a horror movie, gives the whole thing a fun, edgy Halloween feeling.

The first SCREAM established the series' self-referential attitude (an influence still being felt in slasher-flick land) and this sequel continues that coy wink-wink stuff to the point of being aware of its own self-awareness.  Robbie and Charlie reintroduce "the rules" that dictate basic slasher film behavior during a Cinema Club meeting, but it turns out that they've changed with the times and are less rigid and predictable--hinting that anything can happen here as well.  Still, when Sidney's flaky press agent finds herself alone in a dark parking garage at night, and when two cops guarding Sidney's house start talking about how cops guarding houses in movies always get killed, we know exactly what's going to happen and the movie knows we know.

The two film geeks also make some funny-but-true comments about "shriekquels" and "scream-makes" while observing that "the unexpected is the new cliche'."  Horror film fans should appreciate all this while also noting the ton of references to classic genre titles throughout the movie.  Even Hayden Panettiere's petite good-girl character Kirby (one of the few who eluded my suspicion during the movie) reels off trivia about yesterday's splatter flicks like a true-blue gorehound.

Admittedly, the first half of SCREAM 4 was breezy and enjoyable but not all that noteworthy, and I found myself thinking it would be yet another case of a sequel too far.  Things begin to pick up, however, as the mystery deepens and Ghostface's attacks get more brazen and hair-raisingly suspenseful.  The final act is riveting, containing a pretty startling reveal and lots of action that kept me on the edge of my seat during both the first climax and the surprising epilogue. 

The DVD from Anchor Bay and Dimension Films is in 2.35:1 anamorphic widescreen with Dolby Digital 5.1 sound and subtitles in English and Spanish.  Extras include a ten-minute behind-the-scenes featurette, deleted and alternate scenes (including an alternate opening and extended ending), a gag reel, and a chummy commentary with Wes Craven, Hayden Panettiere, Emma Roberts, and (via telephone) Neve Campbell.

I thought the third film would be the last word in the series and was, in fact, stretching the premise a bit thin.  But SCREAM 4 is a solid, satisfying, entertaining new chapter, one of the best films of its kind I've seen in years.  Is it the saga's final capper, or will Craven and Williamson scream again?

SCREAM 4 -- DVD Review by Porfle

The FRANKENSTEIN (1931) Scene That Foretold Three Sequels (video)

Old Baron Frankenstein toasts the upcoming marriage of his son, Henry...

...and in doing so, predicts the titles of three subsequent "Frankenstein" sequels.

"Son of Frankenstein"
"House of Frankenstein"
"Young Frankenstein"

Ten years later, a scene in "Ghost of Frankenstein" would predict the title of the very first Hammer "Frankenstein" film...

..."The Curse of Frankenstein."

Originally posted on 6/23/18
I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!

The FRANKENSTEIN (1931) Scene That Foretold Three Sequels (video)

EXORCIST II: THE HERETIC -- Blu-ray Review by Porfle

 Originally posted on 9/20/2018

 

I have to agree with the Medveds that EXORCIST II: THE HERETIC (Scream Factory, 1977) is one of the dumbest horror films ever made.  And yet that's what makes it so watchable--the fact that it's so incredibly, entertainingly dumb.

It's also one of the worst-ever sequels to a classic film.  The nightmarish original from director William Friedkin (THE FRENCH CONNECTION, TO LIVE AND DIE IN L.A., THE BOYS IN THE BAND) was considered by many upon release as the most terrifying film of all time.  Even a lot of first-time viewers nowadays tend to agree.  But for its hapless follow-up, reactions are largely negative.

Linda Blair is back as "Regan", this time several years older than the little girl we first met.  Still suffering the after-effects of her previous ordeal, Regan is undergoing unorthodox treatments from super-shrink Louise Fletcher which are intended to isolate and solve her "mental" problems.  This involves a flashing mutual-hypnosis machine called a "synchonizer", which connects their minds and adds a sort of sci-fi element to the story.

Meanwhile, there's a new priest in town--the great Richard Burton as Father Lamont, a troubled holy man ordered by the Cardinal (Paul Henried) to investigate what happened to Father Merrin (Max Von Sydow) leading up to his strange death.  This eventually leads him to Regan, and then to Africa for an encounter with mysterious locust expert James Earl Jones.

What follows is a strange mishmash of conventional horror, sci-fi, African mysticism, and leftovers from the original story that alternates between either dull and meandering, and just plain fascinating as an ill-conceived screen artifact.

At times it feels sort of like one of those soupy 70s-era Dino De Laurentiis or Carlo Ponti productions.  (The overcooked score by Ennio Morricone doesn't help.) Hard to believe it was directed by John Boorman, the same man who gave us DELIVERANCE and EXCALIBUR but has none of William Friedkin's knack for pulling off this kind of horror.

To be fair, Friedkin had much better material to work with.  The weak script was rewritten multiple times, with tepid echoes from the first movie interlaced with such elements as locust attacks (an odd parallel to the evil invading our world) which can only be repelled by that rare someone with a special spiritual power.

This figures very importantly in the wildly bizarre finale as locusts descend on Regan's crumbling old Washington, D.C. townhouse like something out of an Irwin Allen disaster flick (sort of a cross between EARTHQUAKE and THE SWARM), while Father Lamont wrestles furiously in bed with Regan's evilly seductive doppelganger.

As for me, the sequel's undisputed highlight is the infamous tap-dancing scene.  Few examples of unintended hilarity are as sublimely funny as seeing Regan, stricken by the old evil spirit again during a school talent show, valiantly struggling to finish her tap-dancing routine (top hat, tails, cane--the whole works) to the tune of "Lullaby of Broadway" as her body is wracked with violent spasms.

Linda's fans will naturally enjoy seeing her again as an older Regan.  Unfortunately, this was made during that awkward teen phase when Linda wasn't all that convincing in anything beyond the likes of ROLLER BOOGIE or SAVAGE STREETS.  Her chirpy demeanor and weak line delivery constantly work against Boorman's attempts to build realistic tension.

Louise Fletcher (ONE FLEW OVER THE CUCKOO'S NEST, DEAD KIDS) and Richard Burton (THE KLANSMAN, THE WILD GEESE) both do what they can with the tepid material. Burton, one of film's greatest actors when given the chance, is especially watchable even though the last act mostly requires him to wander around in a trance.  Kitty Winn returns from the first film as Sharon.  Ned Beatty and a very young Dana Plato are also on hand.

The 2-disc Blu-ray from Scream Factory contains both the original 118-minute cut and the 102-minute reedited version, which was released after the film failed to meet audience expectations first time around.  Both are 2k scans from the original film elements.  Image and sound quality are very good.  English subtitles are available.

Each disc contains ample bonus material, including three commentary tracks (one with director John Boorman) and a revealing interview with Linda Blair.  Also included are trailers and still galleries, plus a reversible cover insert.

EXORCIST II: THE HERETIC is a somewhat exhilarating experience at times--not because it's good, but because it's so flamboyantly bad.  Once you've seen the full version, you'll want to watch the edited cut just to see what they did in the way of damage control.  Either way, it's one of 70s cinema's most interesting failures.


DISC ONE (118 Minute Cut Of The Film):

NEW 2K Scan From Original Film Elements
NEW Audio Commentary With Director John Boorman
NEW Audio Commentary With Project Consultant Scott Bosco
NEW What Does She Remember? – An Interview With Actress Linda Blair
NEW Interview With Editor Tom Priestley

DISC TWO (102 Minute Cut Of The Film):

NEW 2K Scan From Original Film Elements
NEW Audio Commentary With Mike White Of The Projection Booth Blog
Original Teaser Trailer
Original Theatrical Trailer
Still Galleries Including Rare Color And B&W Stills, Behind-The-Scenes, Deleted Scene Photos, Posters, And Lobby Cards

Buy it from Shout Factory

EXORCIST II: THE HERETIC -- Blu-ray Review by Porfle

Production Underway for STXfilms / Lakeshore Entertainment's "THE BOY 2" Starring Katie Holmes

PRODUCTION IS UNDERWAY FOR STXfilms / LAKESHORE ENTERTAINMENT’S “THE BOY 2”, STARRING KATIE HOLMES

Principal photography began in Vancouver this week

LOS ANGELES, CA (JANUARY 30, 2019) – STXfilms, a division of STX Entertainment, and Lakeshore Entertainment announced today that The Boy 2, a follow-up to horror film director William Brent Bell’s The Boy (2016), began principal photography on Monday 28 January, in Vancouver, British Columbia.

Brent Bell returns to the helm following the success of The Boy (2016), which grossed $68M worldwide. Katie Holmes (Batman Begins, Logan Lucky, Dawson’s Creek) leads the cast as “Liza,” with Christopher Convery (Gotham, The Girl in the Spider's Web) to co-star as her son “Jude.” Owain Yeoman (American Sniper, The Belko Experiment) joins as her husband, “Sean,” and Ralph Ineson (The Witch, Guardians of the Galaxy, Harry Potter and the Deathly Hallows Parts I & II) will play the role of “Joseph.”

Written by Stacey Menear, who also penned its predecessor, The Boy 2 will be produced by Lakeshore’s Tom Rosenberg, Gary Lucchesi and Eric Reid, in addition to Matt Berenson, Jim Wedaa and Roy Lee.

Unaware of the terrifying history of Heelshire Mansion, a young family moves into the estate, where their young son soon makes an unsettling new friend, an eerily life-like doll he calls Brahms.

STXinternational and Lakeshore introduced the film for the first time at last year’s AFM, where it sold out for all international territories.

Following their recent collaborations on Pierre Morel’s action-thriller Peppermint, starring Jennifer Garner, and the romantic drama Adrift, starring Sam Claflin and Shailene Woodley, STXfilms and Lakeshore Entertainment continue their successful partnership with The Boy 2. STX Entertainment, which is co-producing with Lakeshore, will distribute in the US, having jointly handled international sales with Lakeshore.

Holmes is represented by Adam Schweitzer at ICM Partners and managed by Jason Weinberg at Untitled Entertainment. Christopher Convery is represented by Paradigm, Sinclair Management, and Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner & Klein. Yeoman is represented by Adam Schweitzer and Dar Rollins at ICM Partners and managed by Ron West and Steven Kavovit at Thruline Entertainment. Ineson is represented by Donna French at Gordon and French, Alexander Yarosh at The Gersh Agency, and by Tim Beaumont and Elisa Christophe at Beaumont Communications. Brent Bell is represented by Harley Copen at ICM Partners. 


About STXfilms
STXfilms is a division of STX Entertainment, a global, next-generation media company whose mission is to unlock the value of the direct connection stars have with their fans through the development, financing, production, marketing and distribution of film, television, VR, digital video, music and live entertainment content.  It is the industry leader in transforming beyond traditional platform-driven content to creating talent-driven enterprises.

The company is led by accomplished businessman Robert Simonds and was co-founded by Bill McGlashan, managing partner of the leading global private investment firm TPG.  Other investors include Hony Capital, a leading private equity firm in China; PCCW, Southeast Asia's largest Internet and cable services provider; Tencent Holdings, China's leading provider of online products and services; Liberty Global, the world’s largest distribution platform; Dominic Ng, Chairman of East West Bank; New Enterprise Associates (NEA); DNS Capital (representing the business interests of Gigi Pritzker and her immediate family); and Beau Wrigley, former Chairman and CEO of the Wm. Wrigley Jr. Company, among others.  With these strategic relationships, the company is uniquely positioned to maximize the impact of content worldwide, with direct passage into the China market.

For more information, please visit http://www.stxentertainment.com.

ABOUT LAKESHORE ENTERTAINMENT
Lakeshore Entertainment is a leading independent motion picture production, distribution and international sales company. Founded in 1994 by Tom Rosenberg, Lakeshore has produced over 60 films including the Academy Award winning Million Dollar Baby, as well as the Underworld film franchise, The Boy, The Age of Adaline, The Lincoln Lawyer, Runaway Bride, The Ugly Truth, The Exorcism of Emily Rose, Crank, Arlington Road and The Gift. Lakeshore also produced the film adaptation of Philip Roth’s Pulitzer Prize winning novel American Pastoral, directed by and starring Ewan McGregor, Underworld: Blood Wars, the fifth installment of the Underworld franchise, AXL, a contemporary nod to the classic 1980s E.T., romantic drama Adrift and Pierre Morel’s revenge thriller, Peppermint, starring Jennifer Garner. Lakeshore is currently in post-production on The Wedding Year, a romantic comedy starring Sarah Hyland.

Production Underway for STXfilms / Lakeshore Entertainment's "THE BOY 2" Starring Katie Holmes

Yoshiki To Score "XXX 4" Film Starring Vin Diesel; Multi-Film Partnership With The H Collective Announced

PROLIFIC COMPOSER YOSHIKI TEAMS WITH THE H COLLECTIVE ON ‘XXX 4’ AND ‘SPYCIES’ 

The H Collective Expands Portfolio with First Animated Feature with Entertainment Giant IQIYI

The H Collective has partnered with prolific Japanese composer and musician Yoshiki on the next installment in the xXx franchise, xXx 4 starring Vin Diesel.

The film will feature a theme song with music written by Yoshiki. xXx 4 is in pre-production with casting currently under way, and principal photography set to commence this year.

In addition, The H Collective has invested in its first animated feature, Spycies, an action spy comedy produced by Chinese entertainment giant iQiyi. Yoshiki will be working on the theme song and music for the feature which has been animated in France by Lux Populi Production. Spycies will be released in theatres across China on August 8th, 2019.

Yoshiki is a composer, classically-trained pianist, rock drummer, and the leader of the world-famous rock group X Japan, who has sold 30 million singles and albums combined. Yoshiki's film and television credits include composing music for Saw IV, Repo! The Genetic Opera, “The Golden Globe Awards,” and the hit anime series “Attack on Titan.”

After receiving the Asian Icon Award from Classic Rock magazine U.K., Yoshiki was chosen as the first Japanese man to appear on the cover of Vogue Japan. Yoshiki is currently finalizing X Japan’s first new studio album in over 22 years.

“Yoshiki is a great friend of ours at THC and we are incredibly proud to be working with such a talent on two movies which are both global in scope,” said The H Collective CEO Nic Crawley. “Spycies brings together talent from the US, Japan, China and France.”

Yoshiki said, “I'm excited to be part of the new xXx film and Spycies; composing the new theme songs and collaborating on the film scores.”

Yoshiki is represented by WME.

Photo credit: George Pimentel/Getty Images

ABOUT THE H COLLECTIVE
Launched in 2017, and with offices in Los Angeles, The H Collective is a global film finance, production, marketing and distribution company that is producing and financing a diversified slate of high-quality films with strong Franchise IP potential. The slate includes Brightburn starring Elizabeth Banks which Sony will release on May 24th and Christopher Cantwell’s thriller The Parts You Lose starring Aaron Paul. The H Collective acquired the rights to Aaron W. Sala’s horror thriller spec The Beast and will produce the fourth installment of the xXx franchise starring Vin Diesel. For further information, visit:
www.thehcollectivefilms.com.

Yoshiki To Score "XXX 4" Film Starring Vin Diesel; Multi-Film Partnership With The H Collective Announced