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Showing posts with label outer space. Show all posts
Showing posts with label outer space. Show all posts

Friday, September 26, 2025

WHEN WE LEFT EARTH: THE NASA MISSIONS -- DVD Review by Porfle


 Originally posted on 10/12/08

 

The most thrilling adventure of the 20th century, without a doubt, would have to be the story of NASA's incredible exploits in outer space. The Discovery Channel's six-part documentary, WHEN WE LEFT EARTH: THE NASA MISSIONS (2008) is a richly informative and often breathtaking retelling of this story, from our first tentative steps into space to the moon landings and finally to the development of orbital space stations and the space shuttle itself.

It's the story of the scientists and engineers who conceived the hardware, the mission control personnel who coordinated the missions, and the heroic astronauts themselves who risked their lives to venture into the most awe-inspiring frontier of all time.

Disc one begins with "Ordinary Supermen", the original Mercury astronauts who blazed the trail into space with a series of one-man flights that first captured the imagination of the entire world and set into motion a space-race between the United States and Russia which prompted President John F. Kennedy to vow that NASA would land a man on the moon before the decade's end. "Friends and Rivals" continues this quest with the two-man Gemini missions, including the first rendevous of two seperate craft in orbit and the first space docking.


With disc two comes "Landing the Eagle", in which all that has gone before, including the tragic deaths of Gus Grissom, Ed White, and Roger Chaffee in a fire that rages through their Apollo 1 space capsule, finally culminates in Neil Armstrong and Buzz Aldrin's historic moon landing. "The Explorers" documents the remaining moon missions, including the ill-fated Apollo 13 flight that almost left three men stranded in deep space, and ends with the launch of SkyLab, America's first orbital space station.

Disc three details the creation of "The Shuttle", NASA's new reusable workhorse vehicle designed to be launched into space and then land back on Earth like a glider. The final episode, "A Home in Space", tells of the launch of the Hubble telescope and the touch-and-go repair mission that must be undertaken in order to repair it, and ends with the construction of the international space station.

An unbelievable wealth of film and video has been assembled to make WHEN WE LEFT EARTH a visual feast from beginning to end. More than ever before, we get to see the story unfold before our eyes as it's told, from the grainy NASA footage of the Mercury, Gemini, and Apollo missions all the way to the breathtaking clarity of the more recent images, which surpass any conceivable Hollywood SPFX.


Astronaut Ed White's first spacewalk is a highlight, as is the rendezvous between Gemini VI and VII in which we see an astronaut waving at us through the window of the other craft. Long overhead views of the moon's surface are mesmerizing. The moon landings themselves are depicted in a way that conveys their almost inconceivable significance in the history of human evolution.

The story usually ends here in such previous documentaries as MOON SHOT and dramatizations like FROM THE EARTH TO THE MOON. Here, however, we're shown that the daring of brave and adventurous astronauts continues to yield fascinating real-life drama. The most affecting, of course, are the accounts of the doomed space shuttles Challenger and Columbia, victims of NASA's negligence during a phase in which space flight began to seem routine.

These are augmented by some of the clearest closeup shots of shuttles in flight that I've ever seen, and the Challenger explosion is shown in startling never-before-seen declassified footage. Later, the sequence in which a shuttle crew ascends to twice the usual orbit above the Earth and exits their craft in order to repair the Hubble telescope is as riveting as any science fiction, with some of the most astonishing images in the entire series.


Much of WHEN WE LEFT EARTH is told in the words of surviving astronauts, NASA ground personnel, family members, and others directly involved, their words often tinged with emotion. Longtime flight coordinator Gene Kranz, as always, is particularly eloquent and philosophical in his recollections. Gary Sinise, who played astronaut Ken Mattingly in APOLLO 13, proves quite capable as a narrator for Ed Fields' script, while Richard Blair-Oliphant's action-movie musical score is highly effective.

Discs one through three also contain highlights from NASA films, additional interviews, and other interesting footage that augments each chapter in the story. Disc four is a collection of NASA-produced films from the 60s which are interesting not only for their subject matter, but as relics of their time. They include "Freedom 7" (which uses library music also heard in THE BRAIN THAT WOULDN'T DIE, of all things), "Friendship 7: John Glenn", the amusingly-inept dramatizations of "Proud Conquest: Gemini VII and VI", "Debrief: Apollo 8" with narration by Burgess Meredith, and "The Flight of Apollo 11."

 The DVD looks and sounds great, with a 16:9 aspect ratio and 5.1 surround sound, and the attractive metal DVD case is a keeper. Subtitles are in English and Spanish.

Whether you're a space buff already, or you just want to learn about the history of space flight in those thrilling days before it was taken for granted, WHEN WE LEFT EARTH: THE NASA MISSIONS should more than satisfy your curiosity while providing the kind of mind-blowing entertainment that few other real-life stories could hope to provide. It's a reminder, even for those of us who lived through it all while it was happening, of the sheer wonder of space flight.


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Tuesday, May 20, 2025

Smoke 'Em If You Got 'Em ("FIRE MAIDENS OF OUTER SPACE", 1956) (video)

 


For those of you who go in for drinking games, here's one...

Take a drink every time one of these low-rent astronauts lights up a cigarette.

With all the butts being lit up in this flick, you'll be blotto in no time!



I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!



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Tuesday, December 3, 2024

The Best Scene In "Star Trek" History? ("The Doomsday Machine", 1967) (video)




Captain Kirk (William Shatner) is aboard the wrecked starship USS Constellation...

...and has aimed it directly into the maw of a renegade war machine headed for Earth.

The ship's is rigged to explode with a 30-second delay, but the transporter is acting up...
...making this an extremely perilous course of action for Kirk.

Sol Kaplan's excellent musical score is one of the best ever written for television.

The SPFX in this episode have since been updated with CGI...
...but many Trek fans much prefer these original effects.

Some shots use a model kit replica of the Enterprise.
Dramatic license is used in the countdown to show simultaneous events.

Many Star Trek fans regard this as the series' best episode ever.


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!




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Sunday, July 21, 2024

THE RELUCTANT ASTRONAUT -- Movie Review by Porfle


(This is part two of my look at the "Don Knotts Reluctant Hero Pack", a two-sided DVD containing four of Don's best-known movies: THE GHOST AND MR. CHICKEN, THE RELUCTANT ASTRONAUT, THE SHAKIEST GUN IN THE WEST, and THE LOVE GOD?)

Following on the heels of Don Knotts' previous comedy success, 1966's THE GHOST AND MR. CHICKEN, THE RELUCTANT ASTRONAUT (1967) continues the adventures of Don's patented nervous-guy character, who always seems to find himself in situations that stretch his jangled nerves to the limit and force him to act beyond his normal capabilities in order to succeed. And what better way to do that than to strap him into a rocket and shoot him into outer space?

This time Don plays Roy Fleming, a nervous type (naturally) who is so terrified of heights that he "can't even get up on a chair to get the marmalade." He runs a modest little outer-space ride in a local amusement park, pretending to be an astronaut and taking the kids on space adventures in a mock-up rocketship. But his father, Buck (Arthur O'Connell), a WWI hero with big dreams for his son, keeps sending in his astronaut application to NASA. And one day, the Flemings receive a shocking letter--Roy's been accepted!

The prospect of being dozens of miles off his beloved terra firma terrifies Roy, but it also helps him win over the girl he's got the hots for, Ellie Jackson (Joan Freeman), who runs a concession stand in the amusement park, and raises him to the upper reaches of his father's estimation at long last. But when Roy gets to NASA, he discovers that he hasn't been accepted as a prospective astronaut after all, but as a janitor. And not even that--he's an apprentice janitor.


At this point, it's too late to tell the truth to his proud parents and all his admiring friends back home, so he keeps up the charade for as long as he can--until one day when his father and a couple of his old pals show up for an unexpected visit. Abandoning his mop, Roy hastily dons a space suit, gives the guys a highly scientifically-inaccurate tour of the space facility, destroys a rocket sled, and gets fired in front of his father. But just as it appears that Roy must slink home in disgrace, an amazing development occurs--the Russians send a dentist into outer space in order to prove the infallibility of their automated rocket ship. So NASA decides to respond by putting the most inexperienced person they can think of into orbit. Which, of course, turns out to be Roy.

THE RELUCTANT ASTRONAUT repeats various elements set into motion way back on "The Andy Griffith Show" and continued in THE GHOST AND MR. CHICKEN. Don Knotts plays a cowardly failure who gets his big chance to succeed and rises to the occasion, winning the affections of the hottest babe in town along the way, and gets plenty of chances to play his nervous-guy character to the hilt. There's a drunk scene (this didn't happen in GHOST, but Barney Fife was always accidentally getting drunk, remember?), and it's always fun to watch Don get gassed. He has a big brother-type friend who, like Sheriff Andy Taylor, looks out for him and helps bolster his ego--this time it's Major Fred Gifford, a famous astronaut who befriends Roy and suggests him as the perfect candidate for the upcoming space shot.

There are running gags--people are always posing for Rush (Paul Hartman) to take their picture but his camera never works, Roy is always being urged to "do a countdown" ("Three, two, one...puh-KEWWW!") and, whenever his loved ones see him off at the airport, the acrophobic Roy sneaks away to catch a bus instead, etc. The script is written by "Andy Griffith Show" vets James Fritzell and Everett Greenbaum, who also wrote GHOST and knew how to bring out the best in Don Knotts. And Vic Mizzy contributes another of his pleasantly goofy comedy scores.

Once again, the capable supporting cast is dotted with great familiar faces. Arthur O'Connell and Jeanette Nolan play his parents, while Frank McGrath ("Wooster" the cook on TV's "Wagon Train") and Paul Hartman ("Emmitt the Fix-It Man" on the later Griffith show episodes) are funny and endearing as Buck Fleming's friends. Jesse White (the "Maytag repairman" for those old enough to remember) is Roy's unforgiving janitorial boss, and Burt Mustin, Guy Raymond, and Nydia Westman are on hand as well. Familiar child star Pamelyn Ferdin even makes a brief appearance as a little girl who has to go to the bathroom during Roy's space ride ("We have just touched down!" he abruptly announces). But the biggest surprise, for those familiar with Leslie Nielsen only as a comedian, will be seeing him playing straight man to Don's character. He's very likable here as the dashing Major Gifford, but nowadays he'd be the one getting the laughs.

THE RELUCTANT ASTRONAUT isn't quite the all-round success that THE GHOST AND MR. CHICKEN was a year earlier, but it's still very enjoyable in a low-key way, and family-friendly without being sappy or saccharine. There are even a couple of fairly emotional scenes between Don and Arthur O'Connell as father and son that are nicely handled. The best part, though, is when Roy Fleming makes it to outer space (complete with some endearingly hokey special effects) only to have everything go wrong. In a delightful turn of events, he is able to astound Major Gifford and the other guys at mission control by falling back on his old space-ride character in order to save the day--which is just the sort of thing that makes a Don Knotts movie so much fun to watch.


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Friday, November 3, 2023

APOLLO 18 -- DVD Review by Porfle


Originally posted on 12/13/11

 

I love a good "found-footage" mockumentary if it's done right, as it was with THE BLAIR WITCH PROJECT (the grandaddy of FFMs) or the recent ATROCIOUS.  And as an avid fan of the USA space program during the 60s, I was sucked right into APOLLO 18 (2011) from the very start and stayed there till the classic "film running out of the projector" ending. 

The film is supposedly edited together from several hours of classified NASA footage of a secret moon shot which took place after the official "final" moon mission, Apollo 17.  Lt. Col. John Grey (Ryan Robbins) orbits the moon in the command capsule while Commander Nathan Walker (Lloyd Owen) and Captain Benjamin Anderson (Warren Christie) settle onto the lunar surface and start collecting moon rocks.  But first, they have to set up and activate a mysterious device--whose ostensible purpose is to track Soviet missile activity--at the behest of the Department of Defense.



All of this is presented via extremely convincing simulations of the aged, sometimes ragged film footage we've all seen of early NASA missions (along with simulated 8mm home movies of the astronauts and their families), which match almost seamlessly with generous stock footage of the real thing.  Close views of the moon suspended against a black void create an eerie, baleful mood early on and we begin to get a sense of the astronauts' total isolation.  This is heightened when Nate and Ben sit on the moon's surface in their cramped lander, as alone and vulnerable as two people can be, or explore a realistically-rendered lunar landscape strewn with pitch black shadows.

Director Gonzalo López-Gallego, aided by a cast of actors who are very adept at acting natural and unscripted, recreates the sort of light banter and good-natured antics we used to see from real astronauts when they knew the whole world was watching them.  Knowing that APOLLO 18 is a space horror film, however, and that the DOD doo-dad they've just set up must somehow bode ill, gives us a growing unease as little things begin to happen that alter the casual mood of the mission to one of severe apprehension.  And since the world is unaware of this particular moon shot, these guys are really on their own when they begin to suspect that they've been set up.

López-Gallego uses many clever visual tricks to create a spooky mood or, in some cases, a genuine jump-scare.  An astronaut takes photos in a dark crater until one flash suddenly reveals something terrifying; a seemingly random static shot of the moonscape or LEM interior seems harmless until we think we see movement in the periphery. 

The setting is especially effective because when these guys hear a mysterious noise or spot something moving around, it isn't rats in the woodwork and it sure ain't the wind.  As the unexplained and seemingly impossible events begin to escalate, so does the sense of claustrophobia and paranoia within the astronauts' fragile haven of life support.



I've tried to avoid giving anything away because not knowing is a major part of the fun with this movie.  I will say that Nate and Ben make some gut-wrenching discoveries on the moon (some of them quite queasily horrific) which force them to question everything they believe about the space program in general and their own increasingly doomed mission in particular.  Rarely does a story get to present a situation in which two guys are so utterly screwed, and I was with them all the way--vicariously, thank goodness--until the haunting final images. 

The DVD from Anchor Bay, Dimension, and the Weinsteins is in 1.78:1 widescreen with Dolby 5.1 sound and subtitles in English and Spanish.  Extras include a very informative director and editor commentary, deleted and alternate scenes, and four alternate endings.  The film comes as a Blu-Ray/DVD/Digital combo--this review is for the DVD only. 

As I understand, the majority of reviews for APOLLO 18 have not been favorable, with words such as "boring" and "suspense-free" popping up here and there.  I found the film riveting from beginning to end--it reminds me of the kind of stuff Joseph Stefano used to write back when "The Outer Limits" was in its heyday, an uneasy mix of both "sense of wonder" and hopeless dread.




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Friday, July 23, 2021

Small Town Monsters Looks to the Final Frontier in "ON THE TRAIL OF UFOS: DARK SKY", Landing on VOD August 3 -- Watch Trailer HERE!

 


Small Town Monsters Follows Leads for Extraterrestrial Life

"On the Trail of UFOs: Dark Sky" Lands August 3rd on VOD

 Latest Doc Investigates Connections Between Unidentified Objects and Energy Sources


Wadsworth, OH - Cryptid documentarian Seth Breedlove and paranormal researcher Shannon LeGro continue their search for the truth behind the enigma of unidentified flying objects in the latest Small Town Monsters release: On the Trail of UFOs: Dark Sky.

Dark Sky explores the UFO topic from the point of view of LeGro; a podcast host and author, and focuses more heavily on eyewitness accounts than typical alien fare. “This project excited us because we were able to look into reports from real people in real places that still connect what they’re seeing to what is being talked about in the mainstream media today,” Breedlove said. 

 



“Particularly, this idea of why these objects or lights in the sky might actually be here on earth and how they might be closer connected to us than we think.”

On the Trail of UFOs: Dark Sky will be available to purchase or rent on August 3rd on a number of platforms from 1091 Pictures, including iTunes, Amazon Prime Video, Vudu and FandangoNOW.

 

WATCH THE TRAILER:

 




On the Trail of UFOs: Dark Sky, is a follow-up to 2020’s On the Trail of UFOs: Season 1", an episodic series created by Breedlove and LeGro and distributed by 1091. "On the Trail of UFOs" explored the long history of the topic and became one of the most-viewed independent UFO documentary series in history, racking up nearly 10 million views on Amazon, alone. Dark Sky goes beyond the history of the subject, exploring modern-day accounts, with additional filming taking place as recently as early May.

Dark Sky explores decades of reports of unusual craft and lights seen in the skies, and delves into some of the more overlooked aspects of the subject such as men in black, the connection between UFOs and energy sources and encounters with a mysterious being called “Cold”. 

 


 

The new project took LeGro and Breedlove to West Virginia, allegedly a hotbed for UAP activity for over a century, where they investigated a series of sightings around the northern panhandle of the state, and found a link between sightings and energy sources that has gone overlooked.

Dark Sky also takes a look at “West Virginia’s Area 51”, and a series of sightings of the same object taking place near the town of Davis, West Virginia that lead to the film crew having an encounter of their own.

On the Trail of UFOs: Dark Sky traces decades of reports of mysterious objects, creatures and enigmatic beings seemingly not of this earth. Tracking reports around the state of West Virginia, the film retraces steps taken in previous Small Town Monsters productions while digging deeper into the mysteries around us.  



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