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Showing posts with label Wrestling. Show all posts
Showing posts with label Wrestling. Show all posts

Saturday, April 5, 2025

TAPOUT: THE COMPLETE SERIES -- DVD Review by Porfle


Originally posted on 11/1/10

 

I was never interested in mixed martial arts, or "extreme fighting", because I always had the impression that it was simply an excuse for people to watch a couple of bozos in a cage beat each other to a bloody pulp.  Why should I be interested in that?  TAPOUT: THE COMPLETE SERIES (2007-2008) is an entertaining and informative answer to that question.

"Tapout" is what an opponent does when he's had enough and must submit by literally tapping the canvas.  It's also the name of the line of sports clothing and gear founded in 1997 by Charles Lewis, known as "Mask" because of his penchant for decorating his face with camo paint.  After a humble beginning that saw Mask selling his wares from the back of a car at local fighting events, the company grew to include his friends Dan "Punkass" Caldwell and Tim "SkySkrape" Katz and went on to make millions. 

The 20 episodes in this 5-disc set document the adventures of Mask, Punkass, and SkySkrape as they travel the country in their RV looking for up-and-coming fighters to sponsor in their first major MMA event.  Each episode follows his training and preparation as we and the Tapout crew get to know him and learn what makes him tick.  Then comes the climactic fight which rarely fails to be suspenseful and exciting.  With a mix of traditional boxing, kickboxing, wrestling, jiu-jitsu, and whatever else , the action is non-stop and the outcomes unpredictable.  And, contrary to my preconceptions, the violence hardly ever exceeds that of a regular boxing match (not by all that much, anyway).
 

 

That isn't to say that you won't find yourself getting a little squeamish on occasion.  Blood does flow, and there are times when a fighter is pummeled like a human punching bag.  You'll see guys getting elbow-bashed repeatedly in the face, and in the first episode one fighter's arm gets bent the wrong way, which had me cringing.  Aside from these instances, though, I found myself gradually appreciating the skills and strategy that each fighter brought into the ring--some specializing in the "stand up" (traditional boxing and kickboxing) and others concentrating on their "ground game" where wrestling and jiu-jitsu come into play.  Those who are equally adept at both usually come out on top.  (More often than not, surprisingly, the ground game is the deciding factor.)

The fighters are a diverse bunch of characters.  Some are troubled kids who would otherwise be headed down a path of gang violence and crime.  Others are struggling to better the lives of themselves and their families.  There's a SWAT cop, a cowboy from down on the farm, a guy who's getting back into the game after having his colon removed, and a mama's boy who wants to be a superhero. 

In one segment, the guys decide to sponsor their first female, Julie Kedzie, after being impressed by her workout in the gym.  In another, they must contend with a hostile young fighter who's at war with the world and everyone in it.  Little if any of the show seems staged, and there's none of the forced drama that infests most "reality" shows because none is needed--these characters and their stories are interesting enough as they are.

Speaking of characters, the Tapout boys are continually fun to watch as they travel the country and get into mischief at every turn.  Mask, whose hyena-like laugh is heard throughout each episode, is a loud, boisterous, and very likable bundle of energy with a childlike fascination with the world around him.  Highly outgoing, he uses his unorthodox social skills to make connections and help the fighters through any physical or emotional troubles they may have. 

At 6'7", SkySkrape is a strange sight in his big-hair wigs and novelty glasses, and serves as Tapout's main comedy relief.  In stark contrast is the diminutive Punkass, a strong, silent type who handles most of the company business and maintains a bemused deadpan during his companions' prankish antics.
 

 

It's fun watching these guys hang out at the various gyms and scout new fighters to sponsor, or simply take advantage of all the fun that can be had in each new location that they find themselves in.  This may include autograph-signing events, appearances on radio shows, or auditioning sexy bikini babes for their promotional photos.  On the flip side, we also see them staking a homeless fighter to three months' rent on an apartment (followed by three more if he keeps up his training), and generally going the extra mile for those less fortunate.  Behind all the clowning, they seem to be truly stand-up guys.

It all leads up to the big fight that usually takes up the last ten or fifteen minutes of each episode.  After each bout, Mask, SkySkrape, and Punkass offer their play-by-play analysis along with slow-motion highlights of the best moments.  The slam-bang action and the suspense of seeing if Tapout's chosen competitor is going to win each time are addictive, and I found myself watching all 20 episodes of this thoroughly entertaining series in just a few marathon sessions.  Needless to say, I now have a new appreciation for mixed martial arts and the athletes who participate in it.

The 5-disc collection from Image Entertainment is in full-screen with Dolby Digital stereo.  There are no subtitles and no extras.  The discs are stacked in a clamp-like device that I don't think I've encountered before, but after some careful thought I devised a clever method of getting the discs in and out without much trouble.

About halfway through viewing TAPOUT: THE COMPLETE SERIES, I discovered that Charles "Mask" Lewis was killed on March 11, 2009, in an auto accident involving a drunk driver.  In addition to being a major bringdown, the fact that I knew he didn't have long to live really forced me to watch the rest of the series in a whole new light.  Whether cutting up with SkySkrape in the back of their Tapout RV with the unflappable Punkass at the wheel, or mixing it up with old and new friends all along the way, Mask seemed to be having a ball living his life every minute of the day.  I guess this series is as good a way as any to remember him.



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Sunday, May 19, 2024

MASKED MUTILATOR -- Blu-ray Review by Porfle




Originally posted on 5/6/19

 

I didn't quite know what I was getting into at first with the no-budget wrestling/horror flick MASKED MUTILATOR (Intervision, 2019), but once this brawny little cinematic engine that could gets chugging you can really smell what the hardy filmmakers behind it are cooking.

Fact is, it's been simmering in the executive producer's basement for 25 years, until finally he decided to take the 16mm elements and make a finished movie out of them. And it's a good thing too, because not only does the result look really good, it's also a real hoot for both horror and wrestling fans.

Jeff Sibbach (WCW, NWA) plays Vic Mangino, the ex-wrestler who was known as the "Masked Mutilator" until he viciously snapped an opponent's neck in the ring and then quit the sport out of guilt.  Now the head guy at a home for troubled teens, he uses his brawn and tough attitude to help keep the often violent and combative 20-something teens in line.


Trouble comes with a new addition to his staff, the more lenient, progressive Steve Carson (played by director Jeff Beltzner, who under the name of "Brick Bronsky" is a WWE and Stampede veteran whose film credits include SGT. KABUKIMAN N.Y.P.D., CLASS OF NUKE ‘EM HIGH 2 & 3).

As Vic and Steve clash over their handling of these unruly, emotionally-volatile kids, somebody wearing Vic's old "Masked Mutilator" mask is killing them off one by one with vicious wrestling holds and disposing of them in various splattery, gore-movie ways.

Is it Vic? Or is someone else getting some kind of twisted revenge against these kids?  It's a mystery that's just easy enough to figure out in about one minute but fun enough to keep us interested until the final reveal.


Meanwhile, we get to know the "kids" just enough to be glad when some of them get theirs and scared for the ones we actually like, including a boy and his sister who are constantly bullied by the big, mean guys and the slutty girl who enjoys seducing anything wearing pants just to prove that she can.

All of this is way more entertaining than it has a right to be, because the script by Ed Polgardy and Dale Schneck is tight, well-written, and bristling with good dialogue which is delivered beautifully by a talented, appealing cast.  The film is very well-paced with nary any padding--every scene counts--and the murder scenes and other action are expertly staged and shot.

It all leads up to a main event with the brawniest characters grappling and kick-boxing to the death right there in the livingroom, and here Beltzner/Bronsky's direction is at its best along with razor-sharp camerawork, editing, and some of the best fight choreography you'll see in any movie. (There's even some folding chair action!)


A newly-filmed wraparound segment ties the story together, with actor Tom Taylor--who plays young good-guy teen Brian in the 1994 footage--returning after 25 years to follow up on his character as he tells the horrifying tale during a podcast.  A final twist ends this modern segment on a satisfying note.

It's a real pleasure to see these musclebound wrestling stars (fans of the sport will probably recognize some of the other supporting players) lending their considerable "weight" to these vivid characters and spectacular no-holds-barred fighting action, in addition to delivering one of the most entertaining no-budget horror efforts you could ask for. 


Order it from Severin Films


Street date: May 14, 2019

Special Features:
    Audio Commentary with Cast & Crew (Dale Schneck, Tom Taylor, Paul Sutt, Steve Mittman and Jim “The Tank” Dorsey)
    You See Me Sweatin’? – Interview with Actor Tom Taylor
    Slice the Pretty Boy – Interview with Actor/FX Artist Paul Sutt
    Scissors, Tape & Paste – Interview with Co-Writer/Co-Executive Producer Ed Polgardy
    Don’t Believe That, Folks – Interview with Co-Writer/Executive Producer Dale Schneck
    Audition Tapes
    Mean Gene Okerlund Interviews Tom Taylor




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Saturday, August 15, 2020

"NAIL IN THE COFFIN: The Fall and Rise of Vampiro" Coming To Theaters and VOD/Digital -- See Trailer HERE!





"NAIL IN THE COFFIN: The Fall and Rise of Vampiro"

Screening in Limited Theaters Friday, September 4, 2020
Available on VOD/Digital Tuesday, September 8, 2020
 

Directed by: Michael Paszt
Featuring: Professional Wrestler Ian Hodgkinson (Vampiro) and Dasha Hodgkinson

   
WATCH THE TRAILER:




Semi-retired professional wrestler Ian Hodgkinson reveals the harsh realities behind the glamour of being in the world of wrestling as the infamous ‘Vampiro’. A Lucha Libre legend, Hodgkinson tells the astonishing story about his meteoric rise to fame in the 90's and how it almost killed him. Yet none of that was as back-breaking as his current life - working behind-the-scenes as the Director of Talent for Lucha Libre AAA in Mexico City and Lucha Underground in Los Angeles, while simultaneously raising his teenage daughter Dasha in remote Northern Canada as a single parent.

Unlike many professional wrestling documentaries before, director Michael Paszt has constructed a fascinating and heartfelt look at a wrestler who has overcome and continues to battle with physical injuries, sexual abuse, and drug addiction. Not to mention the wild stories of working for Milli Vanilli, and wrestling alongside the punk rock band The Misfits - Vampiro’s stories are multi-faceted and completely enthralling.


Told through an engrossing collection of home videos and personal interviews with his closest friends and family, NAIL IN THE COFFIN is an intimate and genuine look into a single father grappling with fame, the pressures of professional and personal responsibilities, and his own mortality.

NAIL IN THE COFFIN celebrated its world premiere at Fantastic Fest in 2019, coming out with raving reviews. The film will be releasing in limited theaters on Friday, September 4, 2020 and will be available on major VOD/Digital platforms beginning Tuesday, September 8, 2020.

“NAIL IN THE COFFIN: The Fall and Rise of Vampiro is an incredibly inspirational true story that shows us no matter how many times life tries to beat you down and break you apart, you need to rise up and conquer your demons in order to survive,” says Patrick Ewald, CEO of Epic Pictures (U.S. Distribution). “And now, as we are faced with incredible challenges all around us, I can’t think of a more relevant film to remind us of the resiliency and power of the human spirit.”


RT: 88min | Not Yet Rated

Genre: Documentary | Canada

NAIL IN THE COFFIN is directed by Michael Paszt. Produced by Pasha Patriki and Paszt, associate producer Maye Ornelas and executive produced by Gregor Habsburg, Jacquelyn Frisco, Ian Hodgkinson, Marisela Peña, Dorain Roldån, James Fler, and Andrew Thomas Hunt. Cinematography by Patriki, and edited by Danny Palmer.


NAIL IN THE COFFIN will be available on VOD/Digital Tuesday, Sept. 8, 2020:

Indemand | Comcast | Spectrum | Charter | Dish | Sling TV | Vubiquity

iTunes | Google Play | Vudu | Xbox | YouTube | Amazon

Fandango Now | DirecTV | Breaker | Alamo On Demand

Blu-ray pre-order: https://epic-pictures.com/merchandise/nail-in-the-coffin-the-fall-and-rise-of-vampiro-blu-ray



About Epic Pictures

Since the foundation of the company in 2007, CEO Patrick Ewald has grown Epic Pictures into an independent content studio with the mission of delivering the best-in-class genre entertainment “for fans, by fans.” Epic Pictures produces, finances, and distributes approximately twenty-thirty independent genre films a year. In 2013, the company established Epic Pictures Releasing which is its US focused distribution division. In 2017, Epic Pictures acquired the world’s most popular horror website, Dread Central, and launched its unique horror label, Dread, followed by its AVOD channel, DreadTV. In 2019, Epic Pictures started the horror gaming site, DreadXP, with a focus on editorial, reviews, podcasts, and original streaming content. In 2020, DreadXP began a video game publishing division with the launch of The Dread X Collection, an anthology of horror games in collaboration with some of the most innovative developers in the independent gaming space. https://epic-pictures.com/


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Saturday, November 30, 2019

POWERBOMB -- Movie Review by Porfle




Just for the record, I don't care for wrestling and never have. Therefore, for a wrestling movie to be one of the most fun and impressive low-budget indy flicks I've seen in a long time, it would have to be a pretty darn kickass wrestling movie. Which is exactly what horror-thriller POWERBOMB is.

Directors R. Zachary Shildwachter and B.J. Colangelo got some actual wrestlers to act in this, including star Matt Cross as himself. He and the other wrestlers do a surprisingly good job of acting, not just in the wrestling scenes but later when they're reminiscing about old times and chiding Matt for playing the small venues and not going for the big time because he's got a wife and kid to take care of.

The opening wrestling scenes are the real thing too, setting the film's realistic tone which carries over into Matt's personal life and that of his wife, ex-wrestling star Amy (Roni Jonah) who also gave up the big time for momdom and is constantly nagged about it by her friend Kelsi Roxx (Britt Baker), also a former ring star who quit only because of a disabling injury.


It's these conversations between the real wrestlers about real wrestling issues and how the profession affects their personal lives in profound ways that give the movie an added dimension of authenticity to go along with the more fanciful events later on.

Speaking of which, what sets the plot into high gear is when Matt is kidnapped by his rotund and very fanatical #1 fan Paul (Wes Allen), who shackles Matt in the basement of his house where he tends his invalid mother and stews in his overwhelming lifelong obsession with wrestling in general and Matt in particular.

Paul, while serving his chained-up captive pizza and showing off his custom-made Matt Cross action figure, speaks at length about how he's going to prepare Matt for a return to stardom by forcing him to get his mind and body back on track. Like everyone else in this film, Wes Allen's performance as Paul just goes full-tilt and never slacks up.


Meanwhile, Josh Miller goes beyond the slime barrier as Matt's super-shady S.O.B. of a manager, Simon, a crooked cokehead who doesn't care how much he cheats and connives to get ahead (while secretly socking away most of Matt's moolah).

This includes sliming his way over to Matt's house and trying to intimidate Amy herself after Matt fails to show up for a match, which places him in an awkward position with some local underworld creeps.

For most of POWERBOMB, we see Matt and Amy pushed to the limit of their endurance and patience, placed into untenable situations and dealing with idiots who are beyond empathy or rational thought either due to inherent evil or a severe disconnect with reality.


So when at last the fickle foot of fate stomps right down on their last good nerve, we get to see what happens when two fed-up professional wrestling superstars go medieval on some well-deserving asses and push things into horror territory.

At about 77 minutes, POWERBOMB is short and sweet, drawing us in quick and getting the job done with no muss or fuss and giving both wrestling and horror fans an exceedingly entertaining time along the way. The finale is bloody and cathartic, and even if you don't love wrestling it's liable to have you cheering.






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Thursday, April 25, 2019

"350 DAYS", The Most Star-Studded Documentary Ever Made On The Legends Of Professional Wrestling -- See Trailer HERE




"350 Days", The Most Star-Studded Documentary Ever Made On The Legends Of Professional Wrestling, Now Available for Purchase

Legends include Bret "Hitman" Hart, "Superstar" Billy Graham, "Million Dollar Man" Ted Dibiase, Greg "The Hammer" Valentine, JJ Dillon, Lanny Poffo and more



Hollywood, Calif. - In "350 Days," pro wrestling legends Bret Hart, Superstar Billy Graham and dozens more peel back the curtain on the severe toll working on the road 350 days a year took on their bodies, families, marriages and psyches.

"350 Days" is now available on iTunes (https://apple.co/2IkUzLn), as well as on BluRay and DVD at Walmart.com, Amazon.com and other online streaming and retail sites.

This compelling documentary chronicles their struggles to survive the chaos of 1980s era wrestling. Living a rock and roll lifestyle, they faced nightly temptations, battled their vices, and were absentee parents and spouses while chasing dreams of fame and fortune.


In their own words, with the cutting insight and sharp wit one would expect from such legendary icons including Bret "Hitman" Hart, "Superstar" Billy Graham, "Million Dollar Man" Ted Dibiase, Greg "The Hammer" Valentine, JJ Dillon, Tito Santana, Jimmy "Superfly" Snuka, George "The Animal" Steele, Abdullah The Butcher, Wendi Richter, Lex Luger, Paul "Mr. Wonderful" Orndorff, Marty Jannetty, Lanny Poffo, "The Masked Superstar" Bill Eadie and Ox Baker, these gentle giants tell their harrowing (yet often darkly humorous) tales as marriages dissolve and relationships with their children are strained, sometimes permanently.

Such is the life of the professional wrestler; such is life itself.

About The Filmmakers:

Producer Darren Antola is a noted boxing cut man who has worked with such champions as Kendall Holt & Yuri Foreman and acted as an agent for Riddick Bowe. Antola has moved into the wrestling world as a promoter and now filmmaker.

Director/Producer Fulvio Cecere has worked both as an actor and director. His acting resume includes over 200 film and television credits, most notably "Cinderella Man," "Watchmen," "Resident Evil: Afterlife," and "Assault on Precinct 13," as well as 17 recurring television roles and numerous guest-starring roles in shows including "Blue Bloods," "Supernatural," "iZombie," "Elementary" and "Criminal Intent." Cecere also directed "The Regular Guy", an award winning short film. "350 Days" is his first full length feature film. Cecere savors the epic challenge of telling innumerable amazing stories in the future.

Editor Michael Burlingame is a highly respected pro whose credits include "Dave Matthews Band: Listener Supported," "Neil Diamond: The Making of 'The Movie Album', "Bob Dylan: 30th Anniversary Concert Celebration" "Sting at the Hollywood Bowl."

WATCH THE TRAILER:


"350 Days" Associate Producer Evan Ginzburg was also Associate Producer and appeared as himself in Darren Aronofsky's "The Wrestler." He is host of "The Evan Ginzburg Show" on Village Connection Radio as well as acting as a professional wrestling agent and working in virtually every aspect of the wrestling business.

Producer David Wilkins works behind the scenes in a variety of capacities at Rivalry Championship Wrestling and has been instrumental in getting "350 Days" off the ground.

"350 Days" Official Website: www.350daysthemovie.com

Social Media:


Facebook: https://www.facebook.com/350daysthemovie/
Twitter: https://twitter.com/350daysthemovie
Instagram: https://www.instagram.com/350daysthemovie/


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Thursday, March 15, 2018

Boston Film Family Releases Official Trailer For “PARTS UNKNOWN” Wrestling Horror Movie -- Watch the Trailer Now




Boston Film Family Releases Official Trailer For “PARTS UNKNOWN” Wrestling Horror Movie

Boston, MA, United States – March 10, 2018 – Boston Film Family, LLC, has released the official trailer of its upcoming feature film, “Parts Unknown." The wrestling horror movie will have its world premiere in Arlington, Massachusetts, on June 9, 2018.

WATCH THE TRAILER HERE 

Written, produced, and directed by Boston Film Family CEO Richard Chandler, “Parts Unknown” is the story about how the infamous Von Strasser family (of professional wrestling fame) seek to violently reclaim their notorious status through supernatural means despite being blackballed by forces within the industry.

The movie stars retired pro-wrestler/actor William DeCoff, pro-wrestling manager/actress Lizzie Havoc, and Boston Film Family alumni Alexandra Cipolla, Alexander Hauck, and Sarah Michelle.
Legendary independent movie actress Melantha Blackthorne, who had a leading role in Chandler’s feature film “Gilgamesh” (2014), returns in a smaller role while former pro-wrestler Jake “The Snake” Roberts lends his vocal talents to the movie. Cameos are also provided by the indie tag team The Devil’s Doormen as well as YouTube and podcast personality Brian Zane (of “Wrestling with Wregret” fame).


The movie was shot by Director of Photography Denez McAdoo, costumes were created by Jenny French, and composer Andre Fernandea created the movie’s score. 

Boston Film Family, LLC, is an award-winning Massachusetts-based independent film production company that specializes in the creation of visual horror and grindhouse stories. 

Its previous works include the featurette “Witch Hunt” (2016), the feature film “Gilgamesh” (2014), and the webseries “Boston Massacre” (2012-2013). 

For more information on Boston Film Family, LLC, the company’s homepage can be accessed at Facebook -  or on the company’s website.
 
The movie’s IMDb page can be found here.



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Friday, October 5, 2007

The Birth of the Muta Scale aka Damn thats a lot of blood!

A look at the birth of one of the most infamous rating scales in Pro Wrestling.
From Wikipedia

Bleeding: The Muta Scale

Used to describe how much a professional wrestler bleeds during a match, compared to a New Japan Pro Wrestling match between The Great Muta and Hiroshi Hase on December 14, 1992 in which Muta bled an unprecedented amount. [citation needed]

The Muta is normally measured in tenths, ranging from 0.1 Muta to 1.0 Muta, 1.0 Muta is also known as a "Full Muta". Cactus Jack is usually said to have reached 1.0 Muta in the finals of the 1995 IWA King of the Deathmatch tournament, while more recently, The Undertaker is thought to have reached 1.0 Muta in his match at the 2002 No Mercy against Brock Lesnar in the Hell in a Cell main event match, as well as Eddie Guerrero in his match with JBL at Judgement Day 2004.


The match itself.


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Thursday, September 6, 2007

Will's Puroresu News Digest

New Japan…

…held two special Masahiro Chono-produced shows in Makuhari. The big news was that the September 1st show marked the return of Tatsumi Fujinami, Osamu Nishimura and the rest of the NJPW wrestlers who left the company in January 2006 to form Muga World. It’s hoped this could be the beginning of a reconciliation between the two sides.

New Japan have booked the 11,000 capacity Ryogoku Kokugikan again for 11/11 for a standalone show. This could be a hard sell, as they already have it booked for 10/8 (Nagata vs. Tanahashi).

The other potentially big news from New Japan is that they are planning on expanding into South Korea. No real concrete plans as of yet other than they’ll be sharing some resources with the South Korean AWF, which NJPW wrestlers have worked for in the past. New Japan certainly don’t have a deep enough roster to run full tours in South Korea and Japan, so I’d guess that this could be more of a brand-extension a la Lock Up or Wrestleland, running occasional shows with New Japan and AWF talent. Former NJ wrestler Kantaro Hoshino, who’s promoted New Japan shows for years, seems to be heading up the project.

All Japan…

…didn’t really do that much this week. Keiji Muto appealed to both Masakatsu Funaki, and diamond-eared baseball star Kazuhiro Kiyohara to join All Japan after they retired from MMA and baseball respectively. Funaki will be making a return to the ring on HEROs’ big New Years Eve show, and could (unlikely) return to wrestling. Kiyohara would be awesome… but let’s just say that Muto appeals to a lot of big names to join All Japan.

NOAH…

…neared the end of their number-one contenders tourney. Front runners are Jun Akiyama, Naomichi Marufuji and Akitoshi Saito. The winner will be decided this Sunday at Budokan Hall, on a card that also features Mitsuharu Misawa & Go Shiozaki vs. Tatsumi Fujinami & Osamu Nishimura.

Other things…

Michinoku Pro’s 4th Fukumen World League came to its conclusion on September 2nd. New Japan’s Tiger Mask beat CMLL legend Atlantis with a cross armbreaker in the final. It’s the second time the former Michinoku Pro star has won the League, having previously tapped Mexican legend Dos Caras with the same move in the 1999 final.

Indy minnows KAGEKI will celebrate their 10th birthday next month in style. As a gift from Jushin Thunder Lyger, the show will feature an IWGP Junior Heavyweight title match. KAGEKI ace Azteca will take on either Ryusuke Taguchi or Tiger Mask, who clash on 24/9.

Less than a week to go before the Inoki Genome Federation holds its big show in Nagoya, and we finally have a match announced. Legendary shoot-stylist Kiyoshi Tamura will wrestle K-1 freak show Montana Silva, last seen in a wrestling ring stinking it up with Yutaka Yoshie back in 2003.

Takeshi Morishima made a successful ROH title defence on Kensuke Office’s 9/1 show at Differ Ariake, beating Katsuhiko Nakajima with a lariat.

HEROs’ 9/17 show will feature a battle of ex-pro wrestlers – Katsuyori Shibata vs. Kazushi Sakuraba. While well past his prime, Saku will be by far the toughest guy Shibata has faced in his short MMA career. Shibata will certainly have to do better than he did in his last fight.


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Monday, August 27, 2007

Puroresu News Digest 8-27-07

Puroresu News Digest~

New Japan…

…bid farewell to CTU, one of their most popular factions of recent years, on the 26th at Korakuen Hall. Important happenings – Hirooki Goto made his official return to New Japan, in the battle of the Italy Brothers Minoru beat Milano Collection AT by ref stop in what was said to be an excellent match, and finally Gedo & Jado beat Jushin Thunder Lyger and AKIRA in the main after GBH interfered.

Coming out of the show CTU members have found new homes, Gedo & Jado join Togi Makabe and co. in GBH; Lyger has aligned himself with the rest of the old guard - Masahiro Chono, Riki Choshu, Shiro Koshinaka and Super Strong Machine; and Minoru, Milano, Prince Devitt and Hirooki Goto have joined forces with Shinsuke Nakamura to form a new, as yet unnamed group.

After beating him in last weeks G1 Climax final, Hiroshi Tanahashi was announced as Yuji Nagata’s next challenger. Tanahashi will challenge for the IWGP heavyweight title on October 8th at the Ryogoku Kokugikan (Sumo Hall). On the subject of the G1, attendances for the tour were way up from 2006, particularly in Osaka and Tokyo.

All Japan…

…held their biggest show of the year last Sunday, PRO-WRESTLING LOVE in RYOGOKU vol.3 at -yes- the 11,500 seat Ryogoku Kokugikan. Main saw Kensuke Sasaki pin Minoru Suzuki after 8 successive lariats to become new Triple Crown champ. Match went 42 minutes, which sounds a little scary. Other big results – wunderkind Katsuhiko Nakajima beat Chris Sabin to retain his AJPW World Jr. Heavyweight Title in what was said to be the match of the night; and super-heels Satoshi Kojima and TARU became AJPW World Tag Team champions after defeating Toshiaki Kawada and Taiyo Kea. The reported attendance is 8,200, so the actual number is probably around 6,000 – either All Japans biggest attendance this year if you’re a glass-half-full kinda person, or a half-house if you’re a bit more pessimistic.

NOAH…

…announced that Takeshi Rikio will be out until (at least) mid-September, due to a cervical vertebrae injury. This obviously scuppers his chances at winning NOAHs rather ho-hum #1 Contenders tourney for Mitsuharu Misawa’s GHC Heavyweight title. It may also mean that Rikio and Jun Akiyama have to forfeit their GHC Heavyweight Tag titles.

In other news…

‘Black Angel’ Jaki Numazawa became Big Japan’s new Death Match Heavyweight Champion last Sunday, beating Takashi Sasaki in 19 minutes with a low altitude lariat in front of a sell-out crowd at Differ Ariake.

Reawakening memories of his truly diabolical Super Famicom game, former FMW star turned disgraced politician Atsushi Onita unveiled his new game for the Nintendo DS – Atsushi Onita’s Political Quiz.

Yinling became a proud mother during HUSTLE’s show on the 18th of this, when her giant egg hatched, revealing this monstrosity. Monster Bono is, of course, the result of Great MUTA spraying Yinling’s nether-regions with his ‘special’ mist.

Less than two weeks away, an 11,000 capacity Nagoya Rainbow Hall to fill, and no matches announced – it could only be Antonio Inoki’s latest bright idea. The Chin did announce some more names for his September 8th IGF show, basically most of the undercard from his first show, including Naoya Ogawa. Kurt Angle and Brock Lesnar’s names were conspicuous by their absence.


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Sunday, July 15, 2007

Japanese Pro-Wrestling Roundup from Will!

*WE ARE THE NEWS*************************

New Japan

July 6th saw NJPW return to a sellout Korakuen Hall for a stacked show that saw three title bouts. Dick Togo & TAKA Michinoku retained their IWGP Junior Heavyweight Tag titles against Koji Kanemoto & Wataru Inoue. Ryusuke Taguchi became the 52nd IWGP Junior Heavyweight champion after downing Minoru with the Dodon. Finally, Yuji Nagata made his V2 defense of the IWGP Heavyweight title, pinning Togi Makabe with a backdrop suplex. Elsewhere on the card, after being out with various injuries, Masahiro Chono, Hiroshi Tanahashi and Jado all made their returns. Show was said to be excellent.

Giant Bernard & Travis Tomko made a successful V3 defence of their IWGP tag title against Hiroshi Tanahashi & Naofumi Yamamoto on July 8th in Gifu. Surprisingly, it was Tanahashi who dropped the fall, being pinned in 20:46 after a sit-down Last Ride from Bernard. Post-match, Bernard & Tomko were making noises about defending the belts in TNA. Is there a company in Japan not working with TNA right now?

Shinjiro Otani looks to be making a return of sorts to New Japan. The Z1 MAX man will appear on Yuji Nagata’s 15th anniversary show in Chiba on 9/9, probably tagging with Nagata. Otani left New Japan in 2001 to join Shinya Hashimoto’s Zero One promotion, and last appeared in a New Japan ring some 18 months ago for their 2006 Tokyo Dome show. Kazunari Murakami is also likely to appear on the show.

All Japan

Kensuke Sasaki seems a dead cert to face Triple Crown champ Minoru Suzuki on the final night of AJPW’s Summer Action Series (poster) on August 26th at the Ryogoku Kokugikan (Sumo Hall). Seeing as Suzuki has beaten pretty much everyone else in the company, you’d think Kensuke is going over here. Scott Steiner will also work the show, this week apparently aligning himself with the dastardly Voodoo Murderers.

Speaking of Voodoo Murderers, “brother” YASSHI will be making his first foray into cage fighting next month, on HEAT’s August 11 show. He’ll be facing the also-debuting Osamu Takahashi.

Wrestler-turned-politician Hiroshi Hase will replace Stan Hansen as PWF commissioner as of this Sunday. The Pacific Wrestling Federation is the pretend governing body responsible for making title matches official, so it shouldn’t cut into Hase’s schedule too badly.

NOAH

NOAH’s current tour, Summer Navigation 07, will end this Sunday at the Nippon Budokan. Veteran Mitsuharu Misawa headlines, defending his GHC title against fellow vet Akira Taue. Credible NOAH main eventers are rarer than hen’s teeth right now.

HUSTLE

In the ‘only in Japan’ story of the week, Yinling is pregnant courtesy of The Great Muta, after taking a very special green mist attack at Hustle Aid a few weeks back. Medical experts anticipate November 25th – coincidentally the same day as Hustle Mania – as the likely time of birth. The Japanese press has been making comparisons between Yinling and the recent spate of pregnancies amongst pop starlets such as Tsuji Nozomi and Kaori Iida.

In other HUSTLE news, grumpy old man extraordinaire Genichiro Tenryu made good on his promise, and after losing his match to pretend-gay-comedian-turned-wrestler HG last week, has a brand new wardrobe.

Big Japan

Japan’s premier garbage group ran the Yokohama Bunka Gymnasium for their biggest show so far this year. Main was Takashi Sasaki vs. Ryuji Ito in a 300 Fluorescent Light tubes Death Match for the BJW Death Match Heavyweight Championship. Champ Sasaki retained in 22:24 after a light-tube assisted D-Geist (Emerald Frowsion). The show drew a very healthy 4,000 fans, up from last years numbers. It’s well deserved - Big Japan has been one of the highlights of 2007 so far.


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Thursday, July 5, 2007

The Best Promo for a Godzilla film EVER!!!


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Sunday, July 1, 2007

I-G-F! I-G-F!

Japan has a lot of wrestling promotions. An awful lot. A quick count reveals around ONE HUNDRED groups, between them covering every niche imaginable - You want blood and light-tubes? Then Big Japan’s for you. Looking for more of a wacky, WWE-esque ‘fighting opera’? HUSTLE might be just your cup of tea.

You’ll understand then, that with every base seemingly covered twice over, why the announcement of yet another promotion is hard to get excited about.

That is, unless it’s headed up by Antonio Inoki.

Perhaps the second most influential figure in the history of Japanese pro-wrestling, Inoki has been a major mainstream star in Japan since the late 60s, and was the top dog in the country’s most successful promotion - New Japan Pro-Wrestling (in and out of the ring) for decades. Following his retirement in 1998, Inoki began to scale back his involvement with New Japan, removing himself entirely a few years back. His new brainchild, the Inoki Geome Federation marks his first efforts at promoting a major show in Japan for 4 years.

Inoki’s grand designs are what separates the IGF from the pack. Whilst most new promotions would be content to pull a decent crowd at the 2,000 Korakuen Hall, Inoki’s ambitions are always stadium-sized. And with any new promotion of that scale, you’re in for some fireworks. After all, where does a brand-new promotion - with one eye on the 60,000 capacity Tokyo Dome - go to find names big enough to bring in the fans?

Point in question. When Inoki somehow secured the services of PRIDE’s Heavyweight Champion Fedor Emelianenko for his 2003 Inoki-Bom-Ba-Ye show, it set off a series of events that resulted in PRIDE (then the biggest MMA promotion in the world) losing its TV deal, most of its top fighters and ultimately being sold off to rivals UFC.

With a budget of $850,000 and Tokyo’s 11,000 capacity Ryogoku Kokugikan to fill, it seemed inevitable that there’d be more shenanigans from the IGF.

As is his wont, Inoki set about building the show around tough, credible athletes - much as he had done with his earlier (failed) Universal Fighting Arts Organization. Whilst only one match had been announced beforehand, the line-up was looking pretty healthy, with the possibility of some very intriguing matches. Confirmed names included Kurt Angle, Brock Lesnar, Kiyoshi Tamura, Josh Barnett, Alexander Otsuka, Yuki Ishikawa, Kevin Randleman and Mark Coleman. Perhaps the biggest coup of the lot (and certainly from the perspective of the Japanese media) Inoki poached Naoya Ogawa from rival promotion HUSTLE. An Olympic Judo silver-medalist and a major mainstream celebrity, Ogawa equals column inches, though not necessarily decent matches.

Whilst the acquisition of Ogawa was certainly a spanner in works as far as HUSTLE was concerned, it was that one announced match that was prove the biggest story. Kurt Angle was to fight Brock Lesnar for Lesnar’s version of the New Japan’s IWGP heavyweight title.

Back story – Lesnar signed with New Japan in 2005 and quickly (like, in his first match) gained their version of the world title, the IWGP (International Wrestling Grand Prix) heavyweight championship. After a disappointing run as champ, New Japan requested Brock drop the belt to bright young thing Hiroshi Tanahashi. Lesnar refused. New Japan fired Lesnar. Lesnar kept their title. Tanahashi then won a hastily put together tournament, received an older version of the IWGP belt, and things carried on as if Brock and his belt had never existed.

Lesnar arrived mid-week at Tokyo’s Narita airport complete with belt, proclaiming himself to be the real deal and publicly challenging New Japan’s current champ Yuji Nagata. Instead of Nagata however, IGF management instead received a visit from New Japan’s lawyers, who threatened legal action if Inoki went ahead with the proposed title match. Knowing full well that New Japan owned the rights to the name,Inoki stopped billing his main event as an IWGP championship match, though confusingly the belt was still on the line. Initials or not however, the message seemed clear; Inoki’s crew were the real deal.

The results…
0. Munenori Sawa beat Yuki Ishikawa (
7:06) by TKO after a Shining Whizard
0. Rocky Romero beat El Blazer (
6:09) by referee stoppage (Cross Armbreaker)
1. Kevin Randleman beat Alexander Otsuka (
5:09) with a "Shrimp Setting" (modified Powerbomb).
2. Michiyoshi Ohara beat Taka Kunou (
6:05) with the Tombstone Piledriver
3. Kiyoshi Tamura & Ryuki Ueyama beat Hidehisa Matsuda & Yuki Kotake (
15:00) when Tamura used a Cross Kneelock on Matsuda
4. Josh Barnett beat Tadao Yasuda (
4:17) with a Cross Armbreaker
5. Naoya Ogawa beat Mark Coleman (
06:44) by referee stoppage (Sleeper Hold)
6. Kurt Angle beat Brock Lesnar (
10:36) with an Ankle Lock

The card was poorly received overall, with some wrestlers, notably Ogawa and Barnett, seemingly phoning it in. They didn’t sell out the building; though claim a respectable attendance of 8,426. Angle vs. Lesnar was disappointing, though if you’ve seen Lesnar’s efforts in New Japan hardly surprising. Kurt Angle publicly appealed to Nagata for an IWGP unification match.

Plenty of questions coming out of the show - Will we be seeing more of Kurt Angle in Japan? Is there any real chance of a Nagata vs. Angle dream match? Where would they hold it? Will there even be another IGF show? If this whole thing isn’t some elaborate angle, how can Inoki expect to use another company’s title and not to get sued out of his boots? Time will tell. With Inoki around things may not always be pretty, but they’re rarely dull.

By Will Byard


Comments/feedback to will_byard~at~yahoo.com


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Saturday, June 30, 2007

RINGSIDE RECALL-June 30, 2007

(Author's Note: I have been invited to be one of the kayfabe-era wrestling (typically meaning professional wrestling up until 1989, although that will not be a hard and fast rule) correspondents on this fine blog. It is my hope that this piece will serve to introduce me to you, the readers, and explain, for those of you too young to live through the time period discussed, why you should care about the personalities, programs, angles, and matches that I'm sure to touch on in the weeks and months ahead. It is my hope that you will enjoy reading about these events as much as I enjoyed experiencing them as a small child obsessed with professional wrestling).

Allow me to take you back, to a time and place that may seem unfamiliar to the younger readers reading this. The time was circa 1985. A time that I fondly term BCABIR (Before Cable and Before Information Revolution); a time when people got their news and entertainment from either the “big three” broadcast television networks or an “unaffiliated” station, which were television stations on the UHF band that now typically show UPN or CW programs showed whatever program they could get cheap. The place was Baltimore, Maryland, where a little seven-year-old boy would sit with his grandfather, or his great-uncle, or his favorite uncle, or a combination thereof, watching television on a weekend afternoon, transfixed, as the little boy had since the age of three. While the family members mentioned above are no longer with us, the little boy has since grown into a man pushing thirty years of age, and his little shadow stares at me when I look in the mirror, and the memories of what transfixed him remain with me to this day.

What was it that so transfixed me, you may ask? Professional wrestling. On or around that time, Baltimore got Verne Gagne’s American Wrestling Association (AWA), Bill Watt’s Universal Wrestling Federation (UWF), three of Jim Crockett Promotions’ shows, and two World Wrestling Federation shows airing in one weekend. I watched them all. The larger-than-life characters: men named Hayes, Gordy, Roberts, Slaughter, Hogan, Koloff, Kernodle, Junkyard, Williams, and the greatest of them all, a man named Flair. I watched their wild deeds from strange-sounding places: The Irish-McNeil Boy’s Club, the Tulsa Fairgrounds, the Cobo Arena, the Forum, Madison Square Garden, Charlotte, Raleigh, Spartanburg. And what did they do to transfix me? What was it that I liked so much about it?

Done well, in any era, professional wrestling is the highest form of performance art. Wrestling, in it’s basic form, is a morality play. Good versus Evil. One man wronged another, now the man who did the wrong must pay. Or one man wants what another has (typically a big gold belt, but also including money and women, which have all been put up for grabs in a wrestling match, in every era, at one time or another). I was transfixed by this ever-evolving tale of good and evil, the men who performed it well, and even the men that described it. For those of you who weren’t old enough to know, I can’t tell you what it felt like to see two thousand people making enough noise for one hundred thousand, as Steve Williams won the UWF championship on television against the One Man Gang. And I also can’t begin to describe how the announcer, whose face looked like a hoot owl and voice sounded like a hick, made the action in the ring seem more important than anything. The hoot-owl face and hick voice belong to a man named Jim Ross. Or how David Crockett would announce matches like his grasp of the English language was tenuous at best: “Magnum TA…Blanchard’s face in the fence…Git’em now, Magnum, Git’em.” Great stuff! And it seemed like the most important thing in the world to me. Or the voice of a man called Gorilla and a man called the Brain, the most underrated comedy duo of all time! This is what pro wrestling of that era meant to me, and millions of others. And, if I had the time, I could be here all night typing of my experiences going to matches, where people could still light up a cigarette inside of an arena, and security was more a suggestion than a force!

Now that you have been introduced to me, my experiences, and the tip of the iceberg of my memories of a time and place, I hope you will continue to enjoy the musings of a man whimsically remembering a time and place long ago passed. And I hope that you will not only be informed and entertained but inspired, the same way these events inspired me so long ago.


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Scott Joins the Blog!

Despite being a wrestling nerd, with a freakishly long memory, Scott managed to get his BA cum laude from a prestigious institution of higher learning in his hometown of Baltimore. His other hobbies, apart from wrestling, include NASCAR, action films, video games, and following current events. And, so no one feels the need to ask, his favorite wrestler of all-time is “Nature Boy” Ric Flair.


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Thursday, June 28, 2007

Jim Cornette is Awesome!


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Wednesday, May 2, 2007

Ring of Honor Inks PPV Deal!

Now people can expect more then simply WWE and TNA PPVs!

http://www.rohwrestling.com/news/article.aspx?id=1314


INTERNATIONAL WRESTLING PHENOMENON RING OF HONOR INKS STATESIDE TELEVISION DEALS
Wednesday, May 02, 2007

INTERNATIONAL WRESTLING PHENOMENON RING OF HONOR INKS STATESIDE TELEVISION DEALS

WITH iN DEMAND, TVN AND ECHOSTAR

PPV/VOD Distribution Deals Bring ROH into 50 Million Households

New York, May 3, 2007 - Ring Of Honor Wrestling (ROH), in association with G-Funk Sports & Entertainment, has concluded programming and distribution deals for PPV and VOD wrestling cards with iN DEMAND Networks, TVN and EchoStar Communications Corporation’s DISH NetworkTM, making the critically-acclaimed ROH brand available for the first time ever to approximately 50 million American households. The agreement calls for a card every 60 days from shows both stateside and abroad, and will premiere July 1. A total of six cards are planned throughout ‘07/’08. ROH owner Cary Silkin made the announcement today with G-Funk’s President Ken Gelman. The debut event, entitled “Respect Is Earned,” will be taped May 12 in New York City from the Grand Ballroom of the Manhattan Center, and will feature a glistening array of talent from Japan, England, the U.S. and Mexico.

Long revered by a loyal underground fan base, the Philadelphia-based ROH—currently seen on Canadian, British and Japanese TV—appeals to the disenfranchised wrestling fan fed up with storylines which seem to take precedence over the kind of powerful ring competition that ROH specializes in. ROH, in fact, is seen to have the highest level of athleticism in its field today, which recently culminated in a sweep of the 2006 Wrestling Observer awards for “Most Outstanding Wrestler,” “Best Brawler,” “Best Major Wrestling Show” (ROH took four of its Top 10) and “Best Booker.”

“Fans around the world now know that our brand of action is, indeed, the highest-flying, hardest-hitting most daring and acrobatic action presented today,” says Mr. Silkin. “We are thrilled that we can finally show a televised audience what our crowds have known for the last six years…that ROH harkens back to an earlier era of wrestling where authenticity still counted for something. There’s a magic at our shows that I, as a wrestling fan, had all but given up on.”

G-Funk Sports and Entertainment will be handling all marketing and promotion for the wrestling programs, including creation and launch of an affiliate website on May 15, www.rohaffiliates.com, which will contain easy-to-implement marketing materials and all event information. Each show will also be supported by a range of targeted national consumer advertising and promotion.

According to Mr. Gelman, “Ring Of Honor already has the respect and enthusiastic following of legions of fans around the world through their live events, but represents a fresh new entry into the world of televised wrestling. These distinctive programs will prove a welcome change-of-pace for audiences and a popular new option for cable operators and satellite providers as they expand their transactional offerings.”

About iN DEMAND Networks

iN DEMAND Networks is the pioneer and world leader in providing exciting entertainment delivered through television’s most innovative technologies. iN DEMAND delivers programming through four distinct areas of business: Pay-Per-View (PPV), Video-On-Demand (VOD), Subscription Video-On-Demand (SVOD) and high-definition (HD) programming. Howard TV (SVOD) is now the exclusive TV home of Howard Stern. PPV programming includes first-run movies, mega events and the digital out-of-market subscription sports packages. VOD includes blockbuster movies and boxing, mixed martial arts and concert events. The company also operates the MOJO network, formerly INHD, a pioneer in HD. The company's shareholders are Comcast iN DEMAND Holdings, Inc., Cox Communications Holdings, Inc., and Time Warner Entertainment - Advance/Newhouse Partnership. Further information about the company can be found at www.indemand.com.

About TVN Entertainment Corporation
TVN Entertainment Corporation, the leading television on-demand company, works with every major studio, network and telecommunications video provider in North America. TVN is the preferred provider of original on-demand programs and networks. TVN supports an open, advanced technology platform, and offers the most comprehensive, end-to-end solution for licensing, managing, distributing and marketing on-demand content to virtually any platform. For more information about TVN’s products and services, please visit www.TVN.com.

About Echostar Communications Corporation
EchoStar Communications Corporation (NASDAQ: DISH) has been a leader for more than 26 years in satellite TV equipment sales and support worldwide. The Company's DISH Network(TM) is the fastest-growing pay-TV provider in the country since 2000 and currently serves more than 13.1 million satellite TV customers. DISH Network offers a premier line of industry-leading Digital Video Recorders (DVRs) and hundreds of video and audio channels as well as the most national HD and International channels in the U.S., Interactive TV, Latino and sports programming. DISH Network also provides a variety of package and price options including the lowest all-digital price in America and the DishDVR Advantage Package. EchoStar is included in the Nasdaq-100 Index (NDX) and is a Fortune 300 company. Visit www.echostar.com or call 1-800-333-DISH (3474) for more information.


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Sunday, April 29, 2007

Now this is how you hype a wrestling match!

From when LAX (Latin American Exchange) took the NWA Tag Team Titles from Christopher Daniels and AJ Styles at TNA Bound For Glory in 2006. It's on the DVD too that TNA Wrestling put out. Such an awesome promo! Shame LAX had to lose them to a really spent and weak Team 3D. Oh well it's not like LAX is going anywhere but up from here.


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