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Showing posts with label hercules. Show all posts
Showing posts with label hercules. Show all posts

Tuesday, April 23, 2024

HERCULES, SAMSON, AND ULYSSES -- DVD Review by Porfle



 

Originally posted on 8/10/12

 

It's been a long time since I was a kid and my local TV station used to show Italian sword-and-sandal flicks on a weekly show called "Saturday Spectacular."  So I'm no expert on the genre but I can tell if an example of it is entertaining or not, and in its own blissfully hokey and cheapjack-"spectacular" way, 1963's HERCULES, SAMSON, AND ULYSSES is just that. 

This briskly-paced Warner Archive Collection DVD release comes through with the action sequences we expect without too much lollygagging around in between.  It begins with Greek strongman Hercules (Kirk Morris) and his smaller but smarter pal Ulysses (Enzo Cerusico) setting sail from Ithica with their valiant crew to hunt down a sea monster (which, if I'm not mistaken, is actually a live sea cow) that's been killing local fishermen. 

A terrible storm sinks their ship, drowns most of their crew, and leaves them stranded in Judea.  There, Hercules is mistaken for Samson (Richard Lloyd), a fugitive who battles against the oppression of tyrannical Philestine king Seren (Aldo Giuffrè). Seren threatens to kill Hercules' crew unless he brings the real Samson in dead or alive, but after a massive clash the two titans join forces against Seren, leading to an epic battle against his attacking army.


Admirers of bronzed beefcake will enjoy gawking at the sculpted pecs of matinee-idol handsome Hercules and those of the darker Samson, who resembles a cross between Victor Mature and Frank Stallone by way of the Hulk.  When these guys go mano a mano, they make a ruin of the ruins they're fighting in as fake slabs of granite go flying all over the screen.  Between tossing each other through stone walls and wrapping iron pipes around their opponents' necks, they even manage to work in a little Greco-Roman wrestling along the way.  It's a fight the likes of which I haven't witnessed since the Six Million Dollar Man took on Bigfoot.

Watching Samson devastate Seren's army singlehanded is equally exciting, as he rains down spears upon them with both hands to the accompaniment of some extremely goofy sound effects (and several horse-tripping stunts that should have animal lovers squirming in their seats).  Not to be outdone, Hercules whacks both a lion and a bull (at least it looks like a bull to me, though Hercules seems to have no idea what it is) with his bare hands, the latter providing a tasty mystery-meat feast for him and his men. 

But this is nothing compared to the spectacular climax in which Hercules, Samson, and Ulysses literally bring the house down while fighting off an advancing horde of Philestine soldiers who, oddly enough, sport German helmets left over from some World War II movie. 

Since she's dressed in such a stimulating military-chic dominatrix outfit for this final battle, it may be a good time to mention the gorgeous Liana Orfei as Philestine queen Delilah.  Despite the scenic locations and sometimes breathtaking sets (which I assume were left over from a much more expensive film), I found Liana to be the most stunning visual aspect of HERCULES, SAMSON, AND ULYSSES, as Delilah--she of the prediliction for unsolicited haircuts--uses her seductive wiles against our stalwart heroes. 


Fortunately, Hercules has an equally hot babe (Diletta D'Andrea) waiting for him at home, and Samson's probably knee-deep in groupies when he isn't chucking spears through bad guys, so they manage to remain immune to the delectable Delilah's lacivious lure.  

Morris and Lloyd are adequately photogenic as the heroic hunks, with Enzo Cerusico a curious choice as Ulysses--he's more Bill Bixby than Lou Ferrigno--but this is no doubt meant to emphasize his superior intellect when it comes to figuring out smart stuff like "Push temple over on bad guys!" and "Dive off of burning ship!"  The one familiar face I recognized in the cast was that of Aldo Giuffrè ("Seren"), whom fans of THE GOOD, THE BAD, AND THE UGLY will fondly remember as the ill-fated Union officer who fantasized about blowing up that damn bridge.

The "manufactured on demand" DVD from the Warner Archive Collection is in 1.78:1 widescreen with Dolby Digital sound.  No subtitles.  A cool trailer is the sole extra.  I thought the print used looked very good, but be advised--I'm easily pleased. 

HERCULES, SAMSON, AND ULYSSES doesn't try to be anything more than a lively, colorful, and unabashedly hokey live-action comic book adventure, and in this it meets expectations quite well.  The down-and-dirty rumble between the two big guys alone is worth the price of admission--even Chuck Norris might be hesitant to get involved once those granite blocks start flying.




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Monday, April 22, 2024

WALKING TALL: LONE JUSTICE -- Movie Review by Porfle




(Note: this review originally appeared online in 2007.)


Back in the 70s, there was this no-nonsense Tennessee lawman named Buford Pusser who got fed up with the rampant crime and corruption in his home of McNairy County and vowed to take decisive action against it, despite the cost--which eventually included his wife being killed and his jaw being shot off. Hollywood made a hit movie out of the story called WALKING TALL, which starred Joe Don Baker as Sheriff Pusser. Bo Svenson took over the role in two follow-ups, PART 2: WALKING TALL and FINAL CHAPTER: WALKING TALL, and in '04 the original movie was remade starring Dwayne "The Rock" Johnson.

Since MGM knows a good property when they own it, they've decided to keep making WALKING TALL sequels regardless of the fact that they're no longer about a guy named Buford Pusser. Pusser's daughter Dwana isn't too happy about this, but Kevin Sorbo has to be thrilled since it's giving him something to do now that he isn't "Hercules" anymore. 2007 has already seen WALKING TALL:THE PAYBACK, and now we get the further adventures of Sorbo as some guy named "Nick Prescott" in WALKING TALL: LONE JUSTICE (2007).

To me, Sorbo is miscast as a hard-ass lone justice type of action hero--he's just too loose and easygoing, not exactly cut from the same material as Joe Don Baker, Bo Svenson, or The Rock. Most of the time he seems as though he'd rather be in something lighter, with more chances to toss off mildly witty lines and look bemused, and when he has to be really serious he's not all that convincing.

But the story has to give his character something to become really righteously vengeful about, of course, so it turns out his girlfriend Katie (Yvette Nipar) is a federal agent whose testimony is about to put a really bad drug kingpin named Perez (Rodrigo De La Rosa) behind bars. As you might guess, she and the other witnesses are brutally gunned down by Perez' goons, so Nick turns into a one-man killing machine and goes out looking for some "lone justice", WALKING TALL-style.

Or not. Actually, he rescues the surviving witness from another attempted hit and takes her to his mom's house in his tiny hometown in Texas to hole up and wait for the bad guy's trial to resume. So instead of going out looking for the bad guys, the bad guys come to him. And he isn't quite "lone"--there's two local lawmen and a few feds helping him out. It's not exactly the brand of heroic exploits that made Buford Pusser famous. So how does this even qualify as a "Walking Tall" movie as opposed to your usual grade-B action flick? I don't know.

Most of the cast are pretty good. Yvette Nipar is likable as Kate, and 15-year-old Haley Ramm (young Jean Grey in X-MEN: THE LAST STAND) gives possibly the best performance of the movie as Kate's daughter, Samantha, who naturally ends up in the clutches of a bad guy with a gun to her head as he growls at Nick to "drop the gun!" (In an early scene, Sam's mother tells her that Nick will be walking her to school in the morning, and she quips, "Great...I'll be on a milk carton by noon.") One of the other feds looks sorta like a grown-up "Beaver" Cleaver, which is always fun. And this movie has some pretty good bad guys in it, especially De La Rosa as "Perez." He plays the part with an understated menace that lends realism to the character except for the times when the script forces him to act like the standard bugged-out villain.

The action starts early with one of the oldest cliches in the book--our hero strolls into a convenience store and finds himself in the middle of a hold-up, in which the spittle-sputtering robbers little realize that they've just stumbled into a "Walking Tall" movie and are about to confront the star of it. It's the sort of thing that happened to Dirty Harry a lot, but instead of pulling out a hand cannon and blasting away, Nick Prescott pops up from behind some shelves, throws a can of whole-kernel corn, and knocks out the clerk. Then he takes out the totally ineffective gunmen with some clumsy moves that would have Chuck Norris either laughing his ass off or setting his TV on fire just by looking at it.

Some of the scenes here and there manage to get pretty good, especially the one in which Nick is trying to hide the gravely-wounded witness as a hit squad stalks the hospital looking for her. There's a thumb-snipping bloody torture sequence later on that should set your nerves on edge. And a confrontation between the good guys and the bad guys in a remote cornfield starts out well, but soon falls victim to what proves to be this movie's ultimate downfall as a whole--the outta control non-stop stylistic freakout of its aptly-named director, Tripp Reed.

The camerawork and editing here are an ADD nightmare--Twitchy-Zoom, Shaky-Cam, speed-up/slow-down and double-image effects, focus fiddling, sequences that appear as though the film were simply chopped up and stuck back together at random and then sprayed with Cheez-Whiz, and every other pointlessly distracting effect you can think of.  If that kind of stuff doesn't really irritate you, great, but if it does, prepare to be really irritated.

The unfortunate thing about WALKING TALL: LONE JUSTICE is that there might actually be a fairly entertaining low-grade shoot-em-up here if you didn't have all that visual confetti flying at you from beginning to end. In the future, director Tripp Reed needs to stop trippin', settle down, and use what talent he seems to have trying to shoot a movie that doesn't fidget all over the place like a speed freak in Sunday School.



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Tuesday, March 19, 2024

HERCULES AND THE CAPTIVE WOMEN -- Blu-ray Review by Porfle

 


 

Originally posted on 3/30/21

 

To be honest, I wasn't expecting much from HERCULES AND THE CAPTIVE WOMEN (The Film Detective, 1961), having seen other sword and sandal flicks that were entertaining but not all that impressive. Which is why this rousing adventure (now fully-restored), which starts out rather modestly before gradually building to an intense finale, left me not only cinematically satisfied but on the verge of enthusiastic applause.

We meet Hercules (former Mr. Universe, Reg Park) in a tavern where he's trying to finish a delicious meal as rowdy young musclemen in service of the crown blow off steam by fiercely brawling all around him. When he figures they've had enough, he rises from the table and amiably makes short work of them all singlehanded, as we would naturally expect Herc to be capable of doing without breaking a sweat.



Various plot complications (along with ample feats of strength from our hero) result in Hercules leaving his wife and his impetious son Illo (Luciano Marin) for a seagoing quest that ends with a mutiny, the loss of his friend Androcles (Ettore Manni), and his being stranded on a savage island where he must rescue the beautiful young Ismeme (Laura Efrikian) from an evil shape-shifting wizard named Proteus whose transformation into various bloodthirsty creatures gives us our first SPFX feast and Hercules his first major adversary.

It turns out that Ismeme is the daughter of Queen Antinea of nearby Atlantis (deftly played by the wonderful and beauteous Fay Spain, THE GODFATHER PART II) and Hercules has foiled a sacrifice to the god Uranus that was meant to ensure peace and serenity to Atlantis. 

 


While the cunning Antinea has an eye for our favorite strongman, he rejects her offer for joint rule of the known universe and instead goes on a rampage against Atlantis' sword-slinging army, with the help of son Illo and feisty "little person" Timoteo (Salvatore Furnari), to free Atlantis' doomed captives and thwart Antinea's evil plans.

The upshot of all this, fortunately for us, is a consistently engaging mix of action, drama, humor, and endless spectacle, with Reg Park an effortlessly likable Hercules. I don't know whether or not it's his own voice that's dubbed in--being an Italian film, everyone's dubbed--but he does a fine job handling this kind of roughhewn classicism.  The rest of the cast are also exceedingly capable.

Other aspects of the film are similarly well-done, and the special effects look good even in those instances when they're not entirely convincing. Surprisingly lavish sets and production design give the film an A-list look, as do the superlative cinematography, costumes, and exquisite locations. 

 


The musical score is rousing, although I've read that the original one was replaced for the American release version, with none other than the theme from "Creature From the Black Lagoon" accompanying one or two scenes.

The finale is so explosive and chock full of special effects (supervised by Mario Bava, no less) that I was reminded of the James Bond film "You Only Live Twice."

It's as though Ian Fleming and Alistair MacLean had collaborated on a Hercules movie, although this time the good guy doesn't just infiltrate and destroy a criminal mastermind's impregnable lair but the entire island of Atlantis itself. The resulting extended sequence, complete with erupting volcano, had me gasping in awe at its spectacle.

The sword and sandal genre (like any other, I suppose) has always been widely hit-or-miss with me, but HERCULES AND THE CAPTIVE WOMEN is so guilelessly entertaining that it's like a first-class ticket on a voyage of pulp fiction fun.


EXCLUSIVE SPECIAL FEATURES

Includes the full Mystery Science Theater 3000 (MST3K) version of the film, released in 1992. Additional special features are an introduction by MST3K writer and co-star Frank Conniff; audio commentary by film critic and screenwriter Tim Lucas; Hercules and The Conquest of Cinema: Swords and Sandals, a documentary from Daniel Griffith at Ballyhoo Motion Pictures; and The Duel of the Titan, a 12-page, full-color booklet insert with an essay from author and historian C. Courtney Joyner. (Note: This offer may no longer be available.)



Hercules and the Captive Women

The Film Detective

Genre: Action-Adventure

Original Release: 1963 (Color)

Not Rated

Running Time: 95 Minutes

Language: English

Subtitles: English, Spanish

SRP: $24.95 (Blu-ray) / $19.95 (DVD)

Discs: 1

Release Date: April 13, 2021 (Pre-order now)

UPC Code:  #760137475286 (Blu-ray) / #760137475194 (DVD)

Catalog #:  FB1010 (Blu-ray) / FD1010 (DVD)


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Monday, March 15, 2021

"HERCULES & THE CAPTIVE WOMEN" on Blu-ray & DVD April 13th from The Film Detective

 


"Hercules and the Captive Women"

The Epic Sword-and-Sandal Adventure on Blu-Ray & DVD On April 13th

With Stunning 4K Restoration & Exclusive Special Features



ROCKPORT, Mass. — April 2021 —For Immediate Release: The Film Detective (TFD), a classic media streaming network and film archive that restores and distributes classic films for today's cord-cutters, wholly owned by Cinedigm (NASDAQ: CIDM), announces the collector’s release of Hercules and the Captive Women (1963), coming to Blu-ray and DVD April 13.

The latest special-edition release from vintage film champion TFD, this epic sword-and-sandal adventure stars Reg Park and Fay Spain, with direction from Vittorio Cottafavi. Originally released in 1961 as Ercole alla conquista di Atlantide in Italy, Hercules and the Captive Women is the version edited for the U.S., released for audiences in 1963.

 


Action-packed from the beginning, Hercules (Park) first encounters Ismene (Altan) when he must save her from a shape-shifting creature. Victorious, Ismene brings Hercules home to Atlantis where they come face to face with Ismene's mother, the evil Queen Antinea (Spain), prepared for battle to end her pursuit of world conquest.

The release was produced from rare 35mm archival elements beautifully restored from a 4K transfer in its original aspect ratio and features a showing of exclusive commentary and special features just as strong—if not stronger— than Hercules himself!



EXCLUSIVE SPECIAL FEATURES

Includes the full Mystery Science Theater 3000 (MST3K) version of the film, released in 1992. Additional special features are an introduction by MST3K writer and co-star Frank Conniff; audio commentary by film critic and screenwriter Tim Lucas; Hercules and The Conquest of Cinema: A Swords and Sandals, documentary from Daniel Griffith at Ballyhoo Motion Pictures; and The Duel of the Titan, a 12-page, full-color booklet insert with an essay from author and historian C. Courtney Joyner.

Hercules and the Captive Women will be available for purchase April 13 on Blu-ray ($24.95) and DVD ($19.95). To learn more about this special-edition release or to pre-order, visit https://www.thefilmdetective.com/hercules


 
About The Film Detective:

The Film Detective is a leading distributor of restored classic programming, including feature films, television, foreign imports, and documentaries and is a division of Cinedigm (NASDAQ: CIDM). Launched in 2014, The Film Detective has distributed its extensive library of 3,000+ hours of film on DVD and Blu-ray and through leading broadcast and streaming platforms such as Turner Classic Movies, NBC, EPIX, Pluto TV, Amazon, MeTV, PBS, and more. With a strong focus on increasing the digital reach of its content, The Film Detective has released its classic movie app on web, Android, iOS, Roku, Amazon Fire TV, and Apple TV. The Film Detective is also available live with a 24/7 linear channel available on Sling TV, STIRR, Plex, and DistroTV. For more information, visit www.thefilmdetective.com


Hercules and the Captive Women

The Film Detective

Genre: Action-Adventure

Original Release: 1963 (Color)

Not Rated

Running Time: 95 Minutes

Language: English

Subtitles: English, Spanish

SRP: $24.95 (Blu-ray) / $19.95 (DVD)

Discs: 1

Release Date: April 13, 2021 (Pre-order now)

UPC Code:  #760137475286 (Blu-ray) / #760137475194 (DVD)

Catalog #:  FB1010 (Blu-ray) / FD1010 (DVD)


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