HK and Cult Film News's Fan Box

Showing posts with label joe estevez. Show all posts
Showing posts with label joe estevez. Show all posts

Wednesday, December 18, 2024

CAESAR AND OTTO'S DEADLY XMAS -- Movie Review by Porfle



(Originally posted on 8/28/12)


When we last checked in with those wacky half-brothers Caesar and Otto, they were frantically eluding the bloody clutches of a serial killer in CAESAR & OTTO'S SUMMER CAMP MASSACRE and trying not to get sued by the Prince of Darkness himself in CAESAR & OTTO MEET DRACULA'S LAWYER.  Now, with CAESAR AND OTTO'S DEADLY XMAS (2012), even "the most wonderful time of the year" becomes a nightmare of horror and hilarity for our dauntless dim-bulbs.

Directing his own screenplay (from a story co-written with Joe Randazzo) in his usual frenetic and wildly inventive style, indy auteur Dave Campfield once again stars as "effete tough guy" Caesar Denovio, a whirling dervish of cowardly aggression who fancies himself a great actor even though he bungles even the tiniest bit parts (such as "Waiter" or "Background Pedestrian").

Caesar constantly bullies and beats up on his much larger but mild-mannered half-brother Otto (Paul Chomicki), an unemployed "sponge" living in Caesar's apartment.  Together, Campfield and Chomicki form a comedy team that harkens back to such classic duos as Abbott & Costello and Ren & Stimpy, but with their own amusingly unique style.


Several elements from SUMMER CAMP MASSACRE are carried over here, including Caesar and Otto's quest for employment leading them into the manipulative clutches of the deceptively pleasant Jerry (Ken MacFarlane), who now heads an evil organization called XMas Enterprises.  Caesar gets to display his bad-acting chops again, this time failing his audition to play Santa due to a childhood trauma caused by crazy Grandpa Denovio (a hilarious cameo by Troma's Lloyd Kaufman).

There's a road trip complete with endearingly bad (if not impossible) process shots, along with another of Caesar's BABY JANE-style attacks on Otto as they compete for the same acting role.  The suspenseful climax recalls that of the previous film, with Caesar, Otto, and their dad Fred in grave peril at the hands of Jerry and his minions.

One of the most delightfully funny new wrinkles in DEADLY XMAS is when Caesar gets the chance to write, direct, and star in his very own low-budget horror film (financed by XMas Enterprises) which, of course, is a disaster.  "Hand-hold it, the shakier the better!" he says gleefully during one scene.  "That's, like, never done in independent films!"


Other returning castmembers include Robin Ritter as Nurse Helen, Avi K. Garg as the plucky Drew (who remains upbeat even though he keeps losing his arms and having them reattached), Scott Aguilar as Caesar and Otto's no-good but lovable dad Fred, Summer Ferguson as Otto's boyhood love interest Allison, Keith Bush as the Caesar-hating chief of police, Dawn Burdue, Jen Nikolaus, and Derek Crabbe. 

Felissa Rose (SLEEPAWAY CAMP), Martin Sheen's brother Joe Estevez, and scream queens Brinke Stevens and Debbie Rochon make their customary cameo appearances, while Linnea Quigley plays Caesar's crabby agent Donna and recreates her celebrated death scene from 1984's SILENT NIGHT, DEADLY NIGHT.

Felissa's husband Deron Miller, who had a much smaller role in SUMMER CAMP MASSACRE, plays Santa-clad serial killer Demian, a crazed lackey of XMas Enterprises who becomes fixated on our heroes and starts killing off everyone on the "called to cancel" list for Caesar's annual Thanksgiving feast (which features pretzel sticks, popcorn, and toast on picnic plates).  Demian's axe-wielding exploits supply the film with most of its over-the-top comedic gore, aside from a dream sequence in which a mortified Caesar gets drenched from head to toe in the red stuff while Santa dismembers Otto with a chainsaw.


Once again, Dave Campfield is able to overcome a rock-bottom budget simply by means of creative directing, camerawork, and editing (the latter is especially good), along with sound design and a hyperkinetic pace which recall classic theatrical cartoons.  In addition to this, the cast is brimming with talented performers rather than, as in so many low-budget features, a bunch of nitwits thrown together on the cheap.  There's a lot of good comic acting going on here, with each castmember seemingly inspired by the project.

This is especially true in regard to Campfield himself, who, given the right resources, has (in my opinion) the potential to develop into one of the sharpest and most visually creative comedy filmmakers working today.  While still suffering from a lack of polish that a decent budget would solve, his "Caesar and Otto" series has its own distinctly warped slapstick style and sensibility in the same way that, say, the Zucker Brothers' comedies do.  I'm not saying Dave Campfield is the next Buster Keaton, but I think ol' Stone Face might've gotten a few good laughs out of CAESAR AND OTTO'S DEADLY XMAS.

caesarandotto.com

Caesar & Otto’s Deadly Xmas--Fun Facts and Trivia

Story: With the holiday season approaching, Caesar and Otto find themselves employed at X-Mas Enterprises Inc., where a disgruntled employee wearing a Santa suit has begun a killing spree, and has appeared to have found himself the perfect patsies.

Cast: Dave Campfield, Paul Chomicki, Deron Miller, Ken Macfarlane, Summer Ferguson, Brinke Stevens, Scott Aguilar with special appearances from Lloyd Kaufman, Felissa Rose, Debbie Rochon, Joe Estevez and Linnea Quigley.


Trivia

The film is part spoof of 1984’s Silent Night, Deadly Night, and features many direct homages. Most notably, Linnea Quigley being impaled upon antlers.

Lloyd Kaufman’s appearance is a direct spoof of an opening scene from Silent Night, Deadly Night (1984).

Deadly Xmas is a sequel to Caesar & Otto’s Summer Camp Massacre, which lampooned “Sleep away Camp” (1983). Summer Camp featured Felissa Rose in a role that parodied her Angela character from the original.

Deron Miller, who portrays Demian in this feature, was lead singer of the hit rock group, CKY.

Deron Miller and Felissa Rose play husband and wife in the film. In real life they in fact are.

Neil Leeds is in fact a local Los Angeles celebrity known for his around the clock television ads as Leeds Mattress owner and spokesperson.

Preproduction has begun on the next installment, which will satirize both Halloween and the Paranormal Activity movies.

Intended to be a modern day throw back to the Abbott and Costello horror/comedy crossovers of yesteryear.

 


Share/Save/Bookmark

Sunday, May 31, 2020

HIGH ON THE HOG -- Movie Review by Porfle




In one of his final films before leaving us in 2019, cult favorite Sid Haig plays Big Daddy, a professional weed farmer whose sprawling pot plantation is infiltrated by an ambitious young female undercover cop who becomes one of his harem of lovely farm hands in the seriously unhinged thriller HIGH ON THE HOG (2019).

This is against the wishes of her superior, the pushy and perpetually plastered Agent Dick (Joe Estevez, CAESAR AND OTTO'S SUMMER CAMP MASSACRE), who feels her too inexperienced for such a mission but would love to get Big Daddy and his "family" in his sights or at least send them all to the slammer no matter what it takes.

Meanwhile, a virulent new strain of weed has hit town that has those who smoke it going on pleasantly cinematic homocidal rampages and generally acting like gibbering maniacs.


Haig (JASON OF STAR COMMAND, CYNTHIA, MIMESIS) settles into the role of Big Daddy with a long-practiced ease and makes us root for him despite the fact that his easygoing fascade hides a very dangerous inner being. Estevez (who is, incidentally, Martin Sheen's brother) has a field day in the role of Agent Dick and the more outrageous his violent, drunken cop character becomes, the more I was rooting for him as well.

There's plenty of drama with Dick clashing with his female boss in addition to informers and various perps, not to mention the very imposing Robert Z'Dar as a smalltown mayor who aids and abets Big Daddy. Add to this the female undercover cop's increasingly dangerous mission, Big Daddy's bloodthirsty bodyguard, and lots of violence including a climactic gun battle.


Mostly, however, prolific filmmaker Tony Wash (SKELETONS IN THE CLOSET, IT'S MY PARTY AND I'LL DIE IF I WANT TO) uses this simple plot as a means to indulge himself in some of the wildest stream-of-consciousness filmmaking I've ever seen.

It's as though he watched NATURAL BORN KILLERS and PLANET TERROR before dropping acid and then filming whatever came blasting out of his thoroughly blown mind.

Indeed, the grindhouse look of PLANET TERROR and the mish-mash of film styles and elements that made NATURAL BORN KILLERS such an unpredictable visual patchwork seem almost reserved in comparison to Wash's turning the dial up to eleven and beyond.


The result is a constantly dazzling party for the eyes and mind in which the story of blustery Agent Dick and the imperiled undercover cop's dogged efforts to bust Big Daddy's operation is splattered with superimposed cinematic frou-frou.

This includes scratches and aging effects, film leaders, "scene missing" tags,  overexposed film, live-action characters turning into stop-motion figures, and almost literally everything else that could be thrown into the mix.

Many will consider this a superficial and overly self-indulgent attempt to make an average story seem more interesting and entertaining to watch, and perhaps it is. But if that's the case, then, for me at least, it worked.  And one thing's for sure--the people who put HIGH ON THE HOG together clearly had a ball doing it.


Buy it from Indican Pictures

TECH SPECS


Runtime: 85 minutes
Format: 1:85 Flat
Sound: Dolby SR
Country: USA
Language: English
Genre: Action, Crime, Alternative





Share/Save/Bookmark