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Showing posts with label Thanksgiving. Show all posts
Showing posts with label Thanksgiving. Show all posts

Thursday, November 28, 2024

PORFLE PRESENTS: "THE BUZZ ALDRIN THANKSGIVING DISASTER"

 


Whenever I think of Thanksgiving, I can't help but recall the time astronaut Edwin "Buzz" Aldrin had Thanksgiving dinner with me and my family.  
 
 
(He didn't really, but that doesn't affect the story all that much so don't worry about it.) 
 

We were all getting ready to sit down to dinner when the doorbell rang.  Being the youngest, I answered it.  To my surprise, astronaut Edwin "Buzz" Aldrin, the second man to walk on the moon, was standing on the porch.  He was wearing a nice suit and was smiling brightly.  He looked hungry! 

"Aren't you Buzz Aldrin, the astronaut?" I asked, recognizing him from all the TV news moon-landing coverage.

"Yes, I am," he responded with a crisp nod.  "I'm here for dinner...and boy, does it ever smell good."  He rocked a bit on his heels, looking eager and expectant. Figuring that somebody must've invited him, I stood aside and ushered him in.

"Buzz Aldrin's here, everybody," I announced to my astonished family while fetching another chair from the kitchen and dragging it to the diningroom table.  I had to squeeze Buzz in between me and my sister.  The rest of the family had frozen in mid-motion at the sight of him and watched as he sat down and spread a napkin in his lap.  "I'm so hungry I could eat a horse," he quipped.

Dad cleared his throat and spoke hesitantly.  "Uhh...I was just about to say the blessing, Mr. Aldrin.  But perhaps you'd do the honors instead."

"I'd be happy to," said Buzz.  We all lowered our heads, and Buzz began to speak in a low, sonorous voice.  "Dear Lord...bless the moon and the astronauts and spaceships and NASA, and Walter Cronkite, and those weird little gremlins that come through the walls of our space capsules in outer space and try to kill us.  And bless Grandma and Uncle Spanky and Boris Karloff and the Jackson Five and the brave plumbers who fix our toilets so that we can relieve ourselves without having to go outside."  He looked around and smiled.  "Amen."

"Amen," we all repeated nervously.  Even though it was an honor to have a famous astronaut eating Thanksgiving dinner with us, he was starting to creep us out a little.  And nobody knew why the heck he was there in the first place.

Dad passed the turkey platter to our guest.  Buzz held it in both hands and regarded the golden brown turkey appreciatively.  "This dead bird, whose corpse has been roasted," he announced momentously, "will soon be eagerly masticated by our gnashing teeth and drenched in our gushing saliva.  And then we will swallow it, beginning the strange, magical digestive process that will eventually result in our bowels moving and expelling--"

"Would you like some yams?" Mom interjected, hoping to bring a halt to Buzz's potentially graphic speech. 

Buzz glanced at her and shook his head.  "No, thank you.  This dead bird, whose corpse has been roasted," he muttered, trying to regain his place, "uh, blah, blah, blah...magical digestive process..."  His voice took on its rich, confident tone once again.  "Beginning the strange, magical digestive process that will eventually result in our bowels moving and ex--"

"Tell us about the moon landing!" Mom almost yelped. 

For a few moments, Buzz looked at her as though she were some kind of creature from Mars.  Then his head seemed to clear a bit, and he smiled.  "Well," he said, "it was kind of like this."  He laid the platter down and stuck his hand up inside the turkey, lifting it up and moving it around like some kind of ghastly hand puppet.  "Let's say the table is the moon's surface, and the space capsule is represented by this dead bird, whose corpse has been roasted..."  He stopped, a look of confusion settling over his features.  "We will soon be eagerly masticating it with our gnashing teeth, and drenching it in our gushing saliva..."

I didn't want to hear about that process again so I interjected.  "What was it like walking around on the moon?" I asked.

Buzz brightened again.  "Well, it was like this," he explained, now using the impromptu turkey-puppet to represent himself on the moon's surface.  He minced it around on the table, bobbing it up and down slowly as though semi-weightless, and weaving it deftly around between the big bowl of mashed potatoes and a heaping platter of cornbread dressing.  "This is me," he added, nodding down at the turkey in case we hadn't already grasped that.  Then he reached over and grabbed my nephew Danny by his suspenders and lifted him out of his highchair.  "And this is Neil Armstrong." 

As we all looked on in horror, Aldrin "moon-walked" baby Danny around on the table along with the dead turkey in what was probably the most revolting "mission simulation" in aerospace history.  Nobody knew what to do, since the situation was entirely alien to us.  Even my sister, who was Danny's mother, was afraid to do anything to antagonize Buzz at this point.  And still the horrible display continued, as turkey and baby took on the roles of the first two astronauts to walk on the moon. 

"Please...please..." my sister finally managed to croak.  "Please put him down."

Buzz looked at her as though she had two heads.  "Put who down?  Me or Neil?" he asked.

"PUT...THE BABY...DOWN!!!" she screamed at last, pounding her fists on the table with a clatter.

Buzz looked at the baby, then at the turkey.  A strange sort of realization began to creep over his face.  "Well, I, uh..." he said slowly.  "I'm afraid I...don't really know...which is the baby...and which is the dead bird...whose corpse has been roasted..."

"Not that again!" Mom shrieked, rising to her feet and grabbing her hair with both hands.  "NOT THE DIGESTIVE PROCESS STORY AGAIN!!!"

Silently, Buzz removed his hand from the turkey and placed it in the highchair, and then gently lowered Danny onto the turkey platter.  With deliberate restraint, he crossed his hands in his lap and spoke softly.  "I thought you all wanted to know about the moon landing," he said with self-pity and a faint air of reproach.  "You asked me to describe it.  I did so, using whatever visual aids were available at the time.  If you'd wanted me to use different ones, you should have supplied them." 

His eyes took on a dreamy look.  "Walter Cronkite supplied me with a neat-o toy spaceship and some little astronaut dolls that I got to keep, and a very nice scale mock-up of the Sea of Tranquility.  But all I had here was this strange creature--" he indicated Danny, who was cooing up at him in wonder--"and this dead bird, whose corpse has been roasted and will soon be eagerly masticated by our gnashing teeth and drenched in our gushing saliva--"

"I...don't...think...so," Mom groaned, clipping the words off bitterly.  "Not after you've had your hand stuck up inside it like that.  We'll not be 'masticating' that bird today, Mr. Aldrin.  And after all the trouble I went to...to..."  At that point it all became too much for her and she collapsed in a fit of convulsive weeping.  Dad rushed over and hurried her out of the room.  "I want you out of here," he said hoarsely to Buzz on his way past.

Buzz Aldrin took a deep breath, then shook his head as though he'd just awakened from a brief nap.  He looked around at us with a smile, seemingly unaware of the travesty he'd just made of our now-ruined Thanksgiving dinner, and continued where he'd left off.  "Beginning the strange, magical digestive process that will eventually result in our bowels--"

My sister screamed and whisked Danny away, fleeing the room.  Buzz watched her exit with a perplexed look and then turned to regard me as I sat trembling.  Aside from the turkey, which was still sitting in the highchair, it was just me and Buzz at the table now.  I wished I were somewhere else.  Or more precisely, that Buzz were somewhere else. 

Buzz picked up the turkey in one hand and a large sweet potato in the other.  "Would you like to see what a real NASA docking maneuver looks like?" he asked with a grin.

"No," I said weakly.  Then, summoning my courage, I added, "I think you should just leave."

"Oh?" said Buzz.  "Well, thank you for a lovely meal."  He rose from the table and headed for the front door.  Was he simply pretending that he hadn't just totally disrupted everything, I thought, or was he genuinely unaware?  I would never know.  Buzz disappeared out the door and out of our lives forever.

That is, until he showed up for breakfast the next morning.  You don't want to know what he tried to "simulate" with the link sausage, scrambled eggs, and our dog.  Something to do with "pulling eleven G's" or whatever.  Anyway, for what it's worth, I don't think astronauts and Thanksgiving go together very well at all.  

 

 


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Friday, November 17, 2023

NOT COOL -- Movie Review by Porfle



 

Originally posted on 2/12/15

 

I didn't have the same vehemently negative reaction to NOT COOL (2014) as one of its erstwhile producers, STAR TREK's Zachary Quinto. Anger and indignance toward its very existence were his main feelings after viewing the finished product, from which he had his name removed. All I felt during most of this raunchy teen comedy's running time were boredom and indifference.

As seen in the Starz reality series "The Chair", a single script by writer Dan Schoffer was turned into two very different movies simultaneously by first-time directors Shane Dawson and Anna Martemucci (hers was titled HOLLIDAYSBURG), then voted upon by an audience to determine who would win a cash prize of $250,000.

It should come as no surprise to longtime fans of Dawson's raucous YouTube videos that Martemucci's semi-chick-flick take on the story turned out to be positively sedate compared to his frenzied interpretation, which is a no-holds-barred explosion of tasteless gross-out humor that leaves no graphic vomit, fart, dick, poop, or sex joke unexploited.


While that's not really all that new (I mean, PORKY'S) and I actually like several comedies that could be termed "gross-out" (NOT ANOTHER TEEN MOVIE is a personal fave), Dawson is saddled with an added element he's never had to deal with before on YouTube--heart.

NOT COOL is, beneath its oil-slick veneer of utter crudeness, a touchy-feely love story in which we're actually supposed to care about these cartoony characters, which we don't. It's like watching ANIMAL HOUSE and suddenly being asked to get in touch with Bluto's inner loneliness and inability to form a lasting love-bond with Mandy Pepperidge. The two sensibilities not only clash, but detract from each other as well.

The story begins with former high school prom king Scott (played by Dawson) getting blown through a "glory hole" in a public restroom stall by his caricature of a slutty girlfriend Heather after returning from college to his hometown for Thanksgiving. Heather picks this moment to break up with him, after which Scott cute-meets and then falls in love with former classmate Tori (Cherami Leigh), whom he had previously ignored. Unconvincing romantic complications ensue.


Meanwhile, Scott's sister Janie (Michelle Veintimilla) is being cute-stalked by the virginal Joel (Drew Monson), a lovesick employee in her dad's record store, with his desperate attempts to win her over growing more outlandish by the minute. This subplot also suffers from the schizo juxtaposition of blatantly farcical elements with a slathering of insincere warmth that's supposed to make us smile even as we wince in disgust.

In the midst of all this, we're treated to the sight of a homeless guy eating his own feces, Tori getting a rancid faceful of barf at a party, the same homeless guy guzzling his own freshly-squeezed urine from a Dixie cup, Scott taking a dump on Heather's lawn, an extreme close-up of the homeless guy's jiggling junk, and other similar expressions of Dawson's manic desire to shock and offend us into gales of mindless laughter.


The film is capably directed but has the candy-coated veneer of a made-for-TV teen movie. The cast of relative unknowns do their best with their shallow characters, with one of the most enthusiastic performances turned in by Dawson's real-life girlfriend Lisa Schwartz as Tori's "Miss Perfect" (but comically blind) sister Marissa. As Scott, Dawson himself struggles with a tendency to be overly cute at times, while coming off as rather grating in his various drag cameos.

Needless to say, NOT COOL will probably succeed with certain audiences--Shane Dawson's YouTube fans should eat this up with a spoon, and the DVD may prove popular at frat parties with plenty of beer and weed floating around. But before Dawson gets another shot at directing a movie, he may have to make a serious effort to mature beyond making feature-length YouTube videos. I like a good gross-out comedy myself, but--unlike the angry and deeply offended Zachary Quinto--I just found NOT COOL to be drab, joyless, and utterly unexceptional.


Read our review of HOLLIDAYSBURG
Read our review of THE CHAIR


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Thursday, November 16, 2023

HOLLIDAYSBURG -- Movie Review by Porfle



 

Originally posted on 2/12/15

 

During the Starz reality series "The Chair" (in which two first-time directors are given the same script to shoot) I was skeptical about the kind of film Anna Martemucci was going to come up with as opposed to her competitor, YouTube star Shane Dawson (NOT COOL). From what I could see during the documentary footage of the shoot, it appeared she was doggedly marching right through standard touchy-feely chick-flick territory and hitting all the usual stops along the way.

After watching HOLLIDAYSBURG (2014), however, I'm happy to say I couldn't have been more wrong. What didn't come across during the TV series--which, naturally, played up Martemucci's less decisive and self-confident moments for dramatic effect--is what a firm grasp she had over the visual and emotional effect she was going for during the film's sometimes difficult gestation process. Despite a few minor missteps, it's a genuinely solid and professional-looking effort.


The lead roles are well-acted by a cast of relative unknowns. Tobin Mitnick has an easygoing charm as Scott, who returns from college to his hometown for Thanksgiving only to find that his mom has moved to Florida (he stays in the almost-empty family home with his brother Phil, played by Martemucci's brother-in-law and filmmaking partner, Philip Quinaz) and that being Mr. Popular in high school doesn't mean as much when school is over.

Having just been dumped by his flighty girlfriend Heather (Claire Chapelli)--during sex, no less--Scott quickly falls for another returning classmate, Tori (Rachel Keller in another appealing performance), whom he had always ignored before. Their quickie and rather rocky romance is further complicated when Scott's friend Petroff (Tristan Erwin) falls into an improbable relationship with Heather.


None of this is exactly earth-shaking, and the film's humor is understated to say the least, but it's kind of nice to watch a low-key character comedy that isn't just a series of gags. While it takes a little time to start getting familiar with (and caring) about these characters, I found myself settling into it and enjoying it without really trying too hard.

The comedy sort of sneaks up on you at times and rarely seems forced. A highlight is the pep-talk monologue by likable loser Mitch (Brian Shoaf), who's currently romancing Heather's mom, in which he clumsily tries to cheer her up after she decides not to go to college. Other "Thanksgiving with the folks" bits of business are funny as well.

I wasn't aware that Anna Martemucci was playing a role (as Tori's sister, Courtney) since I don't remember it even being mentioned during her scenes in "The Chair" (maybe I missed it). Anyway, it's a small part and she does a good job in front of the camera. Her brother-in-law Philip is likable as Phil, who spends most of the movie in the kitchen, obsessively trying to bake pumpkin pies the way his dad used to.


Happily, after following the making of this film during "The Chair", I find that Martemucci shows a distinct flair for directing. The film looks really good for its budget, with good cinematography and great use of Pittsburgh locations. Ultimately I was very impressed with the surehanded and skillful job she has done here--her camera placement, handling of actors, and command of other filmmaking elements to create a visually pleasing and emotionally resonant comedy-drama are pretty much impeccable.

I was quite pleasantly surprised that I liked HOLLIDAYSBURG as much as I did--it goes down easy, with no unpleasant aftertaste. The ending is rather poignant, even a tad haunting, without overdoing it. In fact, nothing about the film seems overdone. Like Phil's final batch of experimental pumpkin pies, it came out just right.

Read our review of NOT COOL
Read our review of THE CHAIR

 


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Thursday, November 26, 2009

CHFB Forum Gives Readers the Bird For Thanksgiving!!!


Hey, it looks as though the lovesick Frankenstein monster and his unwilling bride got together after all!

Either that, or the delightfully twisted imagination of artist Kerry "Count Gamula" Gammill has come up with yet another great seasonal banner for the Classic Horror Film Board, this time a wickedly amusing take-off on Norman Rockwell's famous Thanksgiving painting.

As a grandmotherly Elsa Lanchester parks the bird on the table, you can almost hear Boris Karloff intoning in his familiar low, growling voice: "We belong fed." Let's just hope nobody bites into that monstrous turkey and screams: "It's ALIVE!!!"

Here's to a Happy Thanksgiving in the House of Frankenstein--and we here at HK and Cult Film News join the CHFB in hoping you and yours had one in your house, too!
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