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Friday, October 10, 2025

THE TRAIL OF DRACULA -- DVD Review by Porfle



 
Originally posted on 11/1/16
 
 
You know him...you love him...you want to know all about him.  And when we follow THE TRAIL OF DRACULA--a 2013 documentary now available on a brand-new DVD release from Intervision--we pretty much get the whole story, and more, about our favorite bloodsucking Transylvanian count, who just happens to be one of the most famous fictional characters of all time.

Writer-director David Mitchell has put together a history of the D-Man that's chock full of historical drawings, photographs, and film clips.  To augment the visual aspect of the story, we hear it told in exhaustive detail by a number of authors, historians, film critics, and other people who are both knowledgeable and enthusiastic about the subject.  

The story begins at the beginning, with the birth of vampire folklore in Middle Europe and tales of vile undead creatures who stalked the night feasting upon the blood of the living.  Then we trace the evolution and refinement of the vampire character into a more suave and sophisticated figure, thanks mainly to writer Bram Stoker and his novel "Dracula."


 
It's Stoker, we find, who is responsible for devising many of the modern variations of the ancient folklore as well as giving the character his birthplace (Transylvania would forever become known as Vampire Central).  The documentary also touches upon the influence upon the character of a certain Vlad "The Impaler" Tepes, or Vlad Dracul, a Romanian folk hero whose countrymen regarded his association with the evil Count to be rather less than flattering.

While the first half of THE TRAIL OF DRACULA is definitely interesting, it's a bit dry and "History Channel"-like compared to the second half when we finally delve into Dracula's many film incarnations.  That's where this documentary really comes to life for me, with a wealth of clips from early adaptations such as Murnau's incredible silent epic NOSFERATU starring Max Shreck, and of course arguably the greatest version of all, 1931's DRACULA with Bela Lugosi.

Many of the sequels and offshoots from the 30s to the 70s are covered, of which there are literally hundreds ranging from drama to Gothic horror to low comedy to, finally, pornography (DRACULA SUCKS, SEXCULA).  


Scenes from the original trailers are used whenever possible, giving us tantalizing glimpses of such films as DRACULA'S DAUGHTER with Gloria Holden, SON OF DRACULA with Lon Chaney, Jr., Bela Lugosi's Columbia outing RETURN OF THE VAMPIRE, Universal monster rallies HOUSE OF FRANKENSTEIN and HOUSE OF DRACULA with John Carradine as the Count, and Francis Lederer's excellent turn in the role in THE RETURN OF DRACULA. 

Lesser and sometimes obscure examples of the sub-genre include David Niven as OLD DRACULA, Andy Warhol's BLOOD FOR DRACULA, THE VAMPIRE LOVERS with Ingrid Pitt, ZOLTAN: HOUND OF DRACULA, Al Adamson's abominable (but fun) DRACULA VS. FRANKENSTEIN, drive-in favorite BLACULA, 7 BROTHERS MEET DRACULA, LADY DRACULA, Jess Franco's VAMPYROS LESBOS, and several more.

Special attention is paid, of course, to Hammer Studios' game-changing Dracula series starring Christopher Lee in what many feel rivals Lugosi's immortal interpretation of the character. 

Hammer's heavily atmospheric and relatively lavish 1958 adaptation of Stoker's novel, DRACULA (known in the U.S. as "Horror of Dracula") sparked a phenomenon that made a reluctant horror superstar out of Lee (as well as his frequent co-star Peter Cushing, already known as the new Dr. Frankenstein) and led to a lucrative, highly popular series.


Sequels would include BRIDES OF DRACULA (without Lee, but excellent nonetheless), DRACULA: PRINCE OF DARKNESS, TASTE THE BLOOD OF DRACULA, DRACULA HAS RISEN FROM THE GRAVE, SCARS OF DRACULA, THE SATANIC RITES OF DRACULA, and DRACULA A.D. 1972.  The films would gradually decline in quality with each installment until finally the cycle had played itself out. 

The DVD from Intervision is in widescreen with 2.0 sound. No subtitles.  Extras include audio interviews with Christopher Lee and Francis Lederer and video interviews with director Werner Herzog talking about his NOSFERATU remake with Klaus Kinski and BLOOD FOR DRACULA's ever-charming Udo Kier. 

My favorite bonus feature is a collection of all those wonderful trailers referred to in the documentary.  There are dozens of them--a full 94 minutes worth--ranging from DRACULA '31 and on into the 1970s.  Not just a bonus, this collection is equal to a full-length companion feature.

The uninitiated--those poor, mundane souls--may not get much out of THE TRAIL OF DRACULA.  But those of us who are devoted lifelong fans of the Count, no matter which incarnation of him may be our own personal favorite, will find plenty here to sink our fangs into.    





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Thursday, October 9, 2025

KILLER UNICORN -- Movie Review by Porfle




 

Originally posted on 4/21/19

 

KILLER UNICORN (Indican Pictures, 2018) is kind of like I KNOW WHAT YOU DID LAST SUMMER, except instead of a bunch of teens being stalked by the Gorton's fisherman after they run over him a year earlier and leave him for dead, it's a bunch of extremely flamboyant drag queens being stalked by a buff stud in a unicorn mask because they kicked the crap out of him for raping their friend Danny a year earlier and left him for dead. 

Except he wasn't dead, and now Killer Unicorn is haunting the LGBTQ club scene and picking off members of that particular clique one by one in horrible ways while working his way back to his original victim, Danny. 

When Danny (Alejandro La Rosa) realizes what's going on (the severed head in his closet is a big tip-off), he notifies everyone else that they're all on the hit list.  Then they decide to get together at the big "Brooklyn Annual Enema Party" that night and use Danny as bait to bring Killer Unicorn into the open, and kill him.


It's sort of a comedy, except instead of gags we're just supposed to laugh at the ultra-camp, over-the-top drag queens like Jess J*zz, C*nt Stanley, Madame Mortimer, et al, as they exchange ribald dialogue and sexual innuendos in as stereotypical a fashion as they can muster. 

The "regular" gay guys like Danny seem positively normal by comparison, although it's Danny and his new friend "Puppy Pup" (José D. Álvarez) who get to have the big romantic softcore gay sex scene.  As a whole, the cast performs in a pleasingly uninhibited and, dare I say, natural fashion.

The murder scenes are violent, gory, and rather ugly in contrast to all of this, and are played more for ironic than comedic effect.  Again, however, the personalities of the drag queens are so outlandish that even here they can't help but lend a kind of curdled humor to their own violent death scenes.


Early scenes of the first victim's memorial party in the bar where Danny works focus on the group's decadent party lifestyles, an atmosphere that will reoccur in the film's second half during the raucous "enema party" in a crowded, dimly-lit club.

Here, first-time director Drew Bolton will manage some interesting low-budget visuals while building a fair amount of suspense amidst the chaos, especially in the scene where all the lights in the club are flashing on and off as the killer keeps popping up unexpectedly.  Through it all, the film tries its best to shock us with its outrageousness although we're already seen much of this kind of stuff before.

KILLER UNICORN wasn't clicking for me at all on first viewing, so a second one really helped.  While I first took it as an unsuccessful attempt to create a synthesis of "Liquid Sky" and John Waters, I came to realize that it's simply its own silly, mostly harmless, sometimes shockingly violent little horror/slasher comedy that you may find mildly entertaining.




Preorder on DVD or VOD at Indican Pictures

TECH SPECS
Runtime: 74 Minutes
Format: 2:35:1
Sound: Dolby DIGITAL 5.1
Country: USA
Language: English
Genre: Horror




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Wednesday, October 8, 2025

MADE ME DO IT -- DVD Review by Porfle




Originally posted on 4/12/19

 

A quick, down and dirty shoot (as described by the filmmakers) on a very low budget sometimes yields surprisingly good results, as it has in the case of the horror-thriller MADE ME DO IT (Indican Pictures, 2017).

What director and co-writer (with Matthew John Koppin) Benjamin Ironside Koppin set out to do was to get some talented people together and "Frankenstein" (his word) a movie together taking the old FRIDAY THE 13TH and HALLOWEEN slasher templates and doing an homage with a few curves and angles thrown in.

The main victims aren't the usual rowdy, party-hardy bunch--just pensive college student Ali Hooper (Anna B. Shaffer), her younger brother Nick (Jason Gregory London), and her boyfriend Jason (Liston Spence).


Ali's home for the weekend (no keg party or summer camp in the woods this time) but her estranged parents are gone, leaving just her and the guys having a quiet, unpleasantly introspective time of things.

It's just the right situation to be crashed by the standard masked serial killer, but this time he's a stringy, weepy nerd named Thomas (Kyle Van Vonderen) who spends most of his time banished to his bedroom by a sadistic, abusive aunt and living in a fantasy world of funny drawings that come to life and masks that he makes out of paper plates.

Thomas is a "special needs" sort of kid who couldn't hurt a fly--that is, until he puts on his "Barbara" mask, because "Barbara" is just the take-charge, take-no-prisoners sort of person Thomas could never be.  And "Barbara" is angry at the world.  Very angry.



That's the set-up, and from there MADE ME DO IT takes us into a scary campfire tale where Thomas silently stalks the night in his creepy mask and wields his bloody axe, leaving a trail of bodies all the way to Ali and Nick's house.

Much of the subsequent action is similar to what happens in THE STRANGERS, in which masked killers home-invaded a young couple and terrorized them for no apparent reason.

Here, we get just the same spooky ambience with the inhabitants of the dark, shadowy house (the electricity, alas, has gone off) cowering in fear as they try to elude the unknown stalker, who keeps popping up where they least expect him.




The director builds the suspense well for most of the film, although some scenes tend to meander a bit as Ali gets contemplative about the whole thing.  The film spends a lot of time pondering Thomas' psychological state and how he got that way, and our interest in this runs hot and cold.

Meanwhile, Thomas goes off on several freaky mind-trips involving his dead parents, his imaginary animal friends, his horrible aunt, "Barbara" (of course), and other images that come flying at us via various media such as 35mm, 16mm, and 8mm film, scratchy VHS tape, and crude animations--all of which are quite well-done and fun to look at.  (These are explored in more detail in one of several making-of featurettes included on the DVD.)

With a rousing final confrontation and a pretty keen twist right at the fadeout, MADE ME DO IT stacks up as one of the more interesting modestly-mounted slasher flicks of recent years, and is way better than watching the usual teen campers getting sliced and diced in the woods by some Jason wannabe.


Release Date: April 12th, 2019 (Theatrical) and April 23rd, 2019 (DVD, VOD).



MORE ON "MADE ME DO IT" FROM INDICAN PICTURES:


West Hollywood, CA (Friday, April 12th, 2019) - The dark, indie thriller Made Me Do It is the latest title to be released by U.S. based distributor Indican Pictures. A psychological look at the creation of a serial killer, Made Me Do It takes a first-hand look at a troubled slasher villain.

Shot with almost complete practical effects, Made Me Do It is a film from director Benjamin Ironside Koppin. And, the film stars: Anna B. Shaffer (“Strange Angel”), Kyle Van Vonderern (“Death Lust”), Cortney Palm and Jason Gregory London. A preview of the film’s upcoming theatrical and home entertainment launch is available now.

Thomas Berkson (Vonderen) is the portrait of a tortured soul. Abused and rejected, Thomas has only one outlet left - murder! Encouraged by the voices in his head, Thomas seeks out victim after victim as his crimes become ever more bloody. Now, he has targeted Ali (Shaffer) and her family. And, this confrontation will leave everyone scarred.

Made Me Do It will host its theatrical release, today, in Los Angeles. This release will be followed by another one on DVD and Digital platforms. In LA, this title will have at least seven showings, at the Arena Theater; filmmakers will be in attendance. On April 23rd, Indican will make this terrifying title available, across the United States, on home entertainment platforms. Horror fans will not want to miss this disturbing look at the creation of a killer, this month!

For more on the seven day theatrical launch visit the Arena website: http://arenascreen.com

The film’s official synopsis: After a lifetime of abuse and rejection Thomas Berkson has found unconditional love – through murder. He has become a serial killer following the voices in his head. Poor college student Ali Hooper, her little brother and ex-boyfriend find themselves in the wrong place at the wrong time. In this throwback to the classic 80’s slasher films comes this harrowing journey for survival against an unstoppable force of nature.

Director: Benjamin Ironside Koppin. Writers: Benjamin Ironside Koppin, Matthew John Koppin.

Cast: Anna B. Shaffer, Kyle Van Vonderen, Cortney Palm, Jason Gregory London, Liston Spence

More on Made Me Do It: https://www.indicanpictures.com/new-releases/made-me-do-it

The film’s official website: http://mademedoitthemovie.com/

About Indican Pictures
Indican Pictures acquires and distributes feature films to a broad range of entertainment outlets by providing a diverse selection of movies across: theatrical, home video, TV, VOD, PPV and streaming platforms.



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Tuesday, October 7, 2025

GIRL HAPPY (1965) -- Movie Review by Porfle

 

 

Originally posted on 3/29/21

 
Currently rewatching: GIRL HAPPY (1965). One of my two favorite "bad Elvis" movies along with the immortal "Tickle Me." 
 
I used to think "Tickle Me" was the worst, but upon reappraisal I find it positively charming compared to this oozing mass of unmitigated stupid. 
 
"Girl Happy" contains a whole album's worth of Elvis' worst songs. No wonder he'd lost interest in making movies with a script this dumb and songs such as "The Fort Lauderdale Chamber of Commerce" and "Do The Clam" for him to warble with absolutely no enthusiasm whatsoever. 
 
 

 
His character, "Rusty Wells", heads an awful rock and roll combo consisting of guys like Gary Crosby and Joby Baker, who entertain the easily-pleased patrons of a club owned by mob-connected Harold J. Stone.
 
When the boss' daughter, played by Shelley Fabares, decides to run off to Fort Lauderdale for Spring Break, Daddy sends Elvis and his boys down there to keep an eye on her with the warning that failure will result in serious consequences for them.
 
Needless to say, daughter Valerie hooks up with a fast Italian lothario who wants to do more than hold hands, and while trying to keep her pure Elvis falls in love with her himself which seriously cramps his style with erstwhile romantic interest Mary Ann Mobley.
 
The script, surprisingly co-written by Harvey Bullock of "The Andy Griffith Show" fame and directed by Boris "The Omega Man" Sagal, can hardly muster up a single decent joke or sight gag, which leaves the cast working overtime to come off as more than just a bunch of stiffs. 
 
 

 
Watching them struggle to be funny is, in fact, way more entertaining than the script itself. They're joined in this futile endeavor by such stalwarts as Jackie Coogan, John Fiedler, Olan Soule, and the ever-delightful Nita Talbot as a brassy stripper.
 
Even a grown-up Jimmy Hawkins, who played Gail Davis' little brother Tagg in the 50s western series "Annie Oakley", is on hand to join the rest of the cast in having the life sucked out of them by this stupefying cinematic experience. 
 
As bad as it is, however, Elvis at his worst is pure entertainment for bad movie fanatics such as myself, which is why "Girl Happy" is one of my favorite "bad Elvis" movies and why I just bought the DVD when I could've spent the same money on something infinitely better. 
 
After all, it wouldn't have featured anyone performing "Do The Clam", would it?
 
 

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Monday, October 6, 2025

The Greatest Scene In Any Superman Movie: Rescuing Lois, "SUPERMAN" (1978) (video)




Clark Kent (Christopher Reeve) has moved from Smallville to Metropolis...

...and gotten a job as a reporter for The Daily Planet.

But he has yet to introduce himself to the world as Superman...
...until Lois Lane (Margot Kidder), on her way to cover a big story...
...finds herself in dire need of a super-rescue.

The result is a thrilling sequence which hits on all cylinders...
...charged with suspense, emotion, and even humor....

...and is quite likely the high point of any "Superman" movie ever made.

I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!




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