THE VAMPIRE BAT (1933) -- Blu-ray Review by Porfle

 Originally posted on 4/1/2017

 

Who'd have thought, back when we were watching dark, battered prints of this on public domain DVDs, that one day we'd get to see it on Blu-ray in (almost) tip-top shape and in all its original glory? 

Thanks to a new HD restoration by The Film Detective (in conjunction with UCLA Film & Television Archive) that day is today, and the golden-age horror classic THE VAMPIRE BAT (1933) hasn't looked this good in ages.

Sure, there are still imperfections--this thing is ancient, after all, and has been in the public domain for a very long time--but heck, I love for a film to have SOME imperfections, if only for nostalgic value.

For the most part, however, this cinematic treasure is bright, sharp, and clear, and oh, does that glorious black-and-white photography ever look gorgeous.  Especially when the equally gorgeous leading lady Fay Wray is gracing the screen.

Sharing the cast list with Fay is the exquisitely evil Lionel Atwill as Dr. Otto von Niemann, a scientist--a very mad one, as it turns out--conducting some rather unsavory experiments in the laboratory of his castle in a small German village. 

Fay is his unsuspecting lab assistant Ruth, whose boyfriend, police inspector Karl Brettschneider (Melvyn Douglas) is stymied by a rash of murders in which the victims are found dead in their beds, drained of blood, with two puncture wounds on their throats.

In a reversal of the Van Helsing character in DRACULA two years earlier, Karl is the only man in town who DOESN'T believe the deaths are the work of a vampire.  Everyone else suspects Herman, a half-wit who loves bats (of which the village seems to have an inordinate amount fluttering about and hanging from trees).  

Herman is played wonderfully by the great Dwight Frye, in a performance both disturbing and sympathetic.  Dwight deftly blends elements from some of his other characters such as FRANKENSTEIN's hunchbacked assistant Fritz and the cackling madman Renfield from DRACULA.

Here, however, he's simply a pathetic outsider whom the townspeople regard as a pariah and eventually hunt down as members of the usual torch-bearing mob (with the torches beautifully hand-tinted in color as in the original release prints).

Meanwhile, the vampire murders continue to terrorize the countryside as Atwill's supremely sinister Dr. Niemann carries on his unholy experiments.  As in DR. X. and MYSTERY OF THE WAX MUSEUM before it, THE VAMPIRE BAT features yet another climactic encounter between Atwill and seminal scream queen Fay, while Niemann's assistant Emil (played by Robert Frazer of 1932's WHITE ZOMBIE), under Niemann's hypnotic spell, is ordered to kill Karl in his sleep. 

Scripted by Edward T. Lowe (HOUSE OF FRANKENSTEIN, HOUSE OF DRACULA), this independent production has hints of the Universal Pictures style along with some of their familiar players such as Dwight Frye, Lionel Belmore, and Melvyn Douglas (of James Whale's THE OLD DARK HOUSE).

Director Frank R. Strayer (THE MONSTER WALKS, CONDEMNED TO LIVE) has a restrained yet fluid style during the more frenetic scenes, and a pleasingly stagelike handling of the longer dialogue exchanges. 

While nowhere near as stylish as Whale, Strayer does share that director's fondness for comedy relief in the form of Maude Eburne as Ruth's hypochondriac Aunt Gussie. If you enjoy the comedy stylings of Whale favorite Una O'Connor--I do, many don't--chances are you'll find Eburne a welcome relief from the grim proceedings surrounding her character.

Strayer uses lots of wide shots but then rewards us with some frame-able closeups of the lovely Fay and the not-so-lovely Atwill and Frye.  Production design is well-done and highly atmospheric. Some of the laboratory scenes are rather morbid in this pre-Code era.  There's no musical score save for brief snippets of library music during the opening and closing, but this only adds to the somber mood.

The Blu-ray for this special restored edition is in the original 1.33:1 aspect ratio with Dolby Digital sound. It is, in the words of the press release, "restored from a 35mm composite acetate fine grain master and a 35mm nitrate print."  Extras consist of a charming featurette by Film Detective featuring Melvyn Douglas' son, and a wall-to-wall audio commentary by film historian Sam Sherman which is scholarly and informative. 

It's nice to see this neglected gem reintroduced to the public in this form after languishing in the public domain for so long.  For lovers of vintage black-and-white films, golden age horror, Fay Wray, and classic film in general, watching this version of THE VAMPIRE BAT is like viewing fine art or savoring a vintage wine.  That is, if you drink...wine.

http://www.thefilmdetective.com/

Release date: April 25, 2017

THE VAMPIRE BAT (1933) -- Blu-ray Review by Porfle

THE EYE 3 -- Movie Review by Porfle

(This review first appeared online at Bumscorner.com in 2008.)

First off, THE EYE 3, aka "Gin gwai 3" (2005) is directed by the Pang brothers, who also directed THE EYE and THE EYE 2. But the international English title for it is THE EYE 10. And according to IMDb, Tsui Hark is in the process of directing another movie called THE EYE 3. Also, this film is known in some European countries as THE EYE: INFINITY, which I guess clears things up, not.

Now we've gotten all that out of the way, I'll admit that I haven't seen THE EYE 1 or 2. But from reading their summaries I see that they are referred to during an early scene in which five young friends--one living there in Thailand, the other four visiting from Hong Kong--are staying up late telling ghost stories. When these stories fail to produce sufficient giddy scares, the Thai dude, Chongkwai (Ray MacDonald), whips out a book he found one night in a dark, mysterious bookstore. The book claims to contain ten surefire methods for calling forth ghosts. This, of course, gets the other youngsters all goose-pimply with excitement and they can't wait to try them out, which they will later learn to deeply regret.

These early scenes let us know that at least part of THE EYE 3 is pretty much a comedy laced with mildly scary elements. As I watched the five friends using the various tips from the book to conjure up ghosts and then writhing in rubber-faced terror, it reminded me, of all things, of Don Knotts' THE GHOST AND MR. CHICKEN. As in, more amusing than actually scary. The ghosts look pretty cool and there are some fairly good goose-shots here and there, but very little of this is truly creepy or disturbing. Much of it, in fact, might even be labeled "family friendly" Halloween-type fare.

Things start to get somewhat more serious when one of the rituals backfires and Gofei (Chris Gu) disappears. When days go by with no sign of him, cousins Ted (Chen Po Lin) and May (cutie-pie Kate Yeung) dejectedly return to Hong Kong while Gofei's inconsolable girlfriend April (Lok-si Leung) stays behind to continue the search. A series of frightening ghostly encounters in Hong Kong drives Ted and May back to Thailand to put the matter to rest once and for all, with the help of Chongkwai and his spirit guide mother. Meanwhile, April has turned up missing as well.

All of this is nicely directed and shot and the performances are good. Little of it is very scary, though. May has a run-in with a ghost in the hallway of her apartment building, and when Ted comes to her aid he gets possessed and ends up in a break-dancing contest with a couple of teenagers, which he wins by walking on the ceiling. We also get the old "between the knees ghost peek", which gives the Pang brothers a chance to offer us a great view of May's rear baggage compartment.

Later, when Ted and May enter the spirit dimension in search of Gofei and are surrounded by hostile ghosts, they discover that the best way of warding them off is by--get this--farting. I don't know about you, but watching some intrepid ghostbusters farting back a bunch of oncoming wraiths doesn't exactly send chills up my spine. So, even in the midst of what should be the most frightening place of all, we get more of a sense of amusement than fear or dread.

There's a bit of a surprise at the end, and it fades out on a serious note that's rather poetic and haunting (pun intended) and somewhat sad. If the whole movie had maintained this sort of feeling in addition to ramping up the scare factor, it might have been memorable. As it is, though, THE EYE 3 is much like those ghost stories the kids tell each other early on--good, giddy fun for awhile, but soon forgotten.

THE EYE 3 -- Movie Review by Porfle