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Sunday, October 11, 2026

MURDER PARTY -- Movie Review by Porfle


Originally posted on 3/12/10

 

MURDER PARTY (2007) starts with a neat opening titles montage of Halloween images in an urban neighborhood--jack-o-lanterns on doorsteps, costumed kids running up and down the sidewalks, and a nerdy guy named Chris (Chris Sharp) renting some scary movies on his way home from his job as a parking ticket distributor for the NYPD. He notices a strange black envelope on the sidewalk and picks it up--it's an invitation to a Halloween party. Or, more specifically, a "murder party."

When he gets home to his cramped apartment, he pours a bowl of candy corn and pops in one of the cheapo flicks he's rented. But his cat, Sir Lancelot (Puff Snooty), won't get out of his favorite chair. So the painfully non-assertive Chris decides to skip the movie, don his totally crappy homemade cardboard-and-duct-tape medieval knight costume, and give the "murder party" a go. After all, the name has to be a joke, right? Right? WRONG, CHRIS! It's a REAL murder party!

After a scary trudge through the bad part of town, Chris ends up at an isolated warehouse. Inside, he discovers a small group of costumed goofballs hanging around in a dingy storeroom. There's Paul (Paul Goldblatt, who also did the film's special effects) in a bad Lestat-type vampire suit, Lexi (Stacy Rock), who looks like a poor-man's "Pris" from BLADE RUNNER, Macon (Macon Blair), who has on a werewolf mask but mainly looks like he's dressed as Kevin Smith, and Bill (William Lacey), done up like one of the "Baseball Furies" from THE WARRIORS. There's another girl named Sky (co-producer Skei Saulnier), but she doesn't last long because she's allergic to raisins, and Chris brought some pumpkin bread with raisins in it to the party, and when Sky eats some of it she keels over dead.


Just as Chris is beginning to realize he should've stayed home with his cat, they jump him and tie him to a chair. He soon finds out that they're all aspiring avant-garde artists who plan to murder him in an artistic way in order to impress Alexander (Sandy Barnett), a smug, pseudo-sophisticated art enthusiast, and get a grant from him for up to half a million dollars. Alexander arrives with his new best friend, the dangerous-looking Zycho the Psycho (Bill Tangradi), and announces that they will all stab Chris to death at the stroke of the witching hour. Till then, much interpersonal interplay ensues (augmented by a round of truth-serum injections and other narcotics), while the bound Chris looks on in wide-eyed apprehension.

Well, all of this is very nicely filmed for such a low budget--there's even a special credit for the Steadicam operator--and pretty well acted, and some of it is genuinely funny. But MURDER PARTY is often boring and just a tad too tedious. The truth-serum sequence is fairly deadly, with the cast sitting around on the floor woozily mumbling various confessions that sound mostly improvised, and not very well at that. The constant bickering among the characters also gets rather grating after awhile.


At some point deep into the second half, things finally start to happen. There's a shocking discovery about Alexander, somebody tries to light a cigarette while wearing his mask and sets himself on fire, Zycho finally goes psycho, and everybody else goes psycho, too. There's gunfire, axe wielding, chainsaw swingin', and other violent activities that are about as graphic and realistic as that scene that was tacked on at the end of the movie SNUFF--meaning not all that realistic-looking at all, but sorta fun. Some boobage finally makes an appearance at the eleventh hour, albeit covered with body paint, and there's a frenetic chase when Chris finally makes his escape and runs for his life with two of the others in hot pursuit. One of them is wielding the chainsaw, but it's an electric chainsaw, so he has to keep finding places to plug it in whenever he runs out of cord.

Probably the funniest moment in the whole movie is when Chris locks himself in a closet and the others wait outside for him to come out. He frantically scans the surrounding items--a high-tension spring, a plastic jug, an extension cord, a pulley, a fire extinguisher, an exhaust hose--and just as we expect him to have a brilliant McGyver-type inspiration, he suddenly bursts from the closet with all that junk in his arms, throws it at his pursuers, does a lame fake-out move, and runs away.

Surprisingly, the closing credits for MURDER PARTY are five minutes long. For a minor movie like this, there were a heck of a lot of people working on it, and it looks as though most of them did their jobs pretty well. It's just too bad the collective result couldn't have been more worthwhile. MURDER PARTY isn't all that bad, though, and is sporadically entertaining--I give it two-and-a-half jack-o-lanterns for effort.



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Saturday, October 10, 2026

CAESAR AND OTTO / CAESAR AND OTTO'S SUMMER CAMP MASSACRE -- DVD Reviews by Porfle



Originally posted on 3/3/09



When I reviewed writer-director Dave Campfield's creepy low-budget thriller DARK CHAMBER a while back, I found an interesting Easter egg on the DVD. It was a promo for something called "The Caesar and Otto Show" and it was pretty darn funny for something that looked like a home video. Campfield played a twitchy, hot-headed, flamboyant (is he a closeted gay or does he just happen to fit the stereotype?) aspiring actor named Caesar, who lives with his big, dumb, terminally-unemployed slob of a half-brother named Otto (Paul Chomicki). Otto barges into Caesar's screen test one day to ask him how to operate the remote control for his TV, and Caesar throws such an entertainingly violent hissy fit that the producers casting the part decide to make a hidden-camera show about them. Thus, "The Caesar and Otto Show" is born.

In the feature film CAESAR AND OTTO (2007), we get to see three episodes of this fictitious reality show as the two morons go about their daily lives unaware that there are dozens of pinhole cameras recording their every dumb move. In the first segment, a theater director (Ken MacFarlane) offers the role of a tough mob boss to Caesar but ends up giving it to Otto after he helps them during a read-through. This prompts the enraged Caesar to stop at nothing to keep Otto out of the play, including trying to run him down "Baby Jane"-style. The second episode introduces their no-good dad Fred (Scott Aguilar), who moves into the boys' apartment after his latest wife kicks him out.

After this comes the season finale, which begins with the tragic death of Otto's goldfish. The drama continues with the return of Otto's ex-girlfriend, a ditzy psychic vibrating with ominous premonitions about their future, and an ill-fated grand scheme by the show's producers to construct a huge television theater connected to the boys' apartment building--without their knowledge--in which the big reveal is to take place before a live audience. When Caesar inadvertently discovers the truth and starts pouring on the histrionics for the hidden cameras, the entire project ends in disaster.


The low budget for this raucous comedy--exactly 707 dollars, we're told--is disguised not only by the hidden-camera premise, but also by the talent and ingenuity of the actors and filmmakers. Here's the rare case in which a project with such meager resources boasts a cast loaded with skilled comic actors and a truly funny script that's kept crackling along by snappy, cartoon-style editing and plenty of old-school slapstick. The DVD itself contains a brief "making-of" featurette, a look at the premiere at Cleveland's Indie Gathering film festival, and a fascinating half-hour interview with the charismatic and funny Joe Estevez (who appears in the sequel).

Dave Campfield is a riot as Caesar, who comes off as a human version of the manic, highly-strung chihuahua Ren from the "Ren and Stimpy" cartoons, with a little Tasmanian Devil thrown in. Caesar sees himself as a great actor even though he's absolutely horrible at it, and, like Bud Abbott and Oliver Hardy (and Ren) before him, thinks he's the brains of the duo even though he's an idiot. Paul Chomicki compliments him nicely as the Stimpy-like Otto, a well-meaning lug who's not much smarter than your average baked potato. (And speaking of "baked", it's nice to see this sort of comedy done without the main characters being perpetually stoned for a change.) As a live-action cartoon done dirt cheap, CAESAR AND OTTO overcomes its budgetary disadvantages with a spunky sense of sheer, kinetic hilarity.


Taking a giant leap from the 707 dollars it took to produce CAESAR AND OTTO, 2008's colorful sequel CAESAR AND OTTO'S SUMMER CAMP MASSACRE is a comparatively lavish (though still very low-budget) epic that places our comic heroes squarely in "slasher spoof" territory with a vengeance. Not only does it feature cool cameos by scream queen Brinke Stevens and Martin Sheen's funnier brother Joe Estevez, but it scores big with the presence of Felissa Rose of SLEEPAWAY CAMP (1983), making it a must-see for fans (like me) of that mind-boggling cult classic. Anyone who is still emotionally scarred by the last shot of that film, when Felissa's character "Angela" reveals her big secret, will know what I'm talking about.

The action shifts into high gear right from the start when a frantic Caesar flies off the handle during a road rage incident and beats up a much larger man, who turns out to be the mentally-challenged brother of the chief of police. "Do you have any idea what happens to people...who beat up the mentally-challenged brother...of the chief of police?" Caesar asks Otto as they pack their bags for a quick getaway. After a trip to the unemployment office (where they encounter Joe Estevez in a brief but funny scene), the two fugitives land an out-of-town job as summer camp counselors. Perfect, right? Wrong, because as we all know, every summer camp has its own serial killer, and this one is no exception.

Ken MacFarlane (the theater director from CAESAR AND OTTO) returns as head counselor Jerry Griffen, a sickly-sweet fruitcake whose assistant, Nurse Helen (Robin Ritter), will inexplicably fall for Otto. The other counselors are comprised of the usual kill-fodder, including a belligerent metalhead named Dick (Felissa Rose's husband Deron Miller, who was a SLEEPAWAY CAMP fan as a child), a narcissistic former swimming champ named Chip (Trai Byers), bubble-brained aspiring actresses Monique and Sylvia (Jen Nikolaus, Dawn Burdue), and the unflappably nice Drew (Avi K. Garg), who remains pleasantly upbeat even when the killer is dismembering him with a shovel. Summer Ferguson and Derek Crabbe are also funny as counselors Giselle and Larry. As a bonus, Scott Aguilar pops up again as Caesar and Otto's delightfully deadbeat dad Fred, who passes the time by rummaging through everyone's tents looking for stuff to steal while Caesar keeps them distracted.

Once again, Dave Campfield is a whirling dervish of cowardly, ill-tempered hilarity as "effete tough guy" Caesar, who often comes off like a cross between a crazed chihuahua and a chicken with its head cut off. Paul Chomicki's Otto is his perfect comedy foil, always enduring his half-brother's endless barrage of slapstick abuse with a dull-witted calm. DARK CHAMBER alumnus Felissa Rose, of course, gives the film a welcome hint of the old SLEEPAWAY CAMP vibe, even favoring us a time or two with her famously creepy "Angela" face. Is she the killer? As Bugs Bunny might say: "Ehhh...could be."


Between Caesar and Fred looting the counselors' tents and Otto scampering through a nauseating falling-in-love montage with Nurse Helen, there's enough bloody mayhem to qualify this as a bonafide summer camp killfest even as the gags fly fast and furious. Richard Calderon's thrifty gore effects are pretty good and include a beheading, a shovel to the chest ("My sweater!"), various dissections and body parts, and a comically harrowing sequence inside the killer's bloody charnel house, during which Caesar, Otto, and Fred come dangerously close to being turned into beef treats.

There are two commentary tracks on the DVD--one with Campfield and co-writer Brendan Smith, the other featuring Chomicki, Calderon, and various cast and crew, and both are entertaining. Along with the film's trailer, there's also a 14-minute featurette, "Behind the Massacre", which offers behind-the-scenes footage and interviews with the cast and crew (actually, much of the cast were also part of the crew), who have fond recollections of the 10-day shoot which took place mostly in California's Topenga Canyon.

It's one thing to be wowed by some 200-million-dollar epic, but to see bright and enthusiastic filmmakers take a relatively miniscule budget and turn it into a delightfully loopy comedy like this is a whole different area of film fun altogether. And thanks to some wonderfully zany performances, frenetic pacing, and screwball situations, CAESAR AND OTTO'S SUMMER CAMP MASSACRE turns out to be quite a bit of bloody good fun, indeed.

Watch the trailer


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Friday, October 9, 2026

Bela Lugosi Meets Killer Octopus in "Bride of the Monster" (1955) (video)




In Ed Wood's classic horror thriller "Bride of the Monster"...

...Bela (with stuntman Eddie Parker) runs afoul of Bela's own killer octopus.

(spoilers)


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!





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Thursday, October 8, 2026

CAESAR & OTTO MEET DRACULA'S LAWYER -- Short Film Review by Porfle

 


Originally posted on 2/9/11


If you've wondered what those two incredibly not-so-bright half brothers Caesar and Otto have been up to since I reviewed their previous features CAESAR AND OTTO and CAESAR AND OTTO'S SUMMER CAMP MASSACRE, here's an update: in their latest adventure, the dimwitted duo take on one of the world's most notorious bloodsuckers.  Dracula, you ask?  No, worse...his lawyer.

In the 16-minute short film CAESAR & OTTO MEET DRACULA'S LAWYER, slick shyster Jimmy Drainum (Francis Leik) drags our intrepid heroes before a judge to answer for the wrongful death of his client, Steven Dracula.  Steven is Count Dracula's lesser-known brother and is portrayed by Brian Dennehy's lesser-known brother, Ed Dennehy.  Since SUMMER CAMP MASSACRE featured a cameo by Martin Sheen's lesser-known brother Joe Estevez, might an encounter with Frank Stallone be in Caesar and Otto's future?  Or maybe even Don Swayze?



Things look bleak for our hapless heroes when Drainum presents faked evidence such as a video of Caesar and Otto brandishing guns and happily announcing "I just can't wait to kill Steve Dracula with this thing!"   It doesn't help that Judge Stoker Browning, played by Troma head honcho Lloyd Kaufman, is busy tweeting about how hungover he is and the defense lawyer is a ditzy blonde named F. "Bubbles" Cochran (Ashley Wren Collins). 

Dubious eyewitness testimony from Dr. Jekyll (Paul Ehlers) and the Wolf Man (Robert Lee Oliver) doesn't help matters, nor does the presence of Steve Dracula's estranged wife Deborah, played by SLEEPAWAY CAMP's legendary Aunt Martha herself, Desiree Gould.  (Debbie Rochon also appears as a TV news reporter.)  In the end, it looks like the only thing that can save the two innocent lads is an appearance by the deceased himself.


 

As usual, Paul Chomicki is like the human embodiment of Ren's canine pal Stimpy as the addlebrained but easygoing Otto.  Indy auteur Dave Campfield (who also gave us the nifty horror-suspense thriller DARK CHAMBER) is hilarious as ever playing effete tough guy Caesar, a Z-list actor whom we first see getting all excited over a TV news item about "green screen" technology ("Oh, this is good stuff!  Green screen!  Wow!" he effuses while scribbling in a note pad).  Which, coincidentally, is the technique used to put all of these separately-filmed actors together within a still-photo courtroom setting. 

With so many sight gags and one-liners flying all over the place, CAESAR & OTTO MEET DRACULA'S LAWYER is like a Mad Magazine parody come to life.  The pace is furious and the jokes, while hit-and-miss, are non-stop.  Done in black-and-white with a scratchy old-film effect, it's a fond homage to the classic Universal monster movies of the 30s and 40s.  While not yet available to the general public (although you can watch a clip here), it premiered last year at the Fright Night Film Festival and may be included as an extra whenever CAESAR & OTTO'S SUMMER CAMP MASSACRE finally comes out on DVD.  Keep watching that green screen!
 

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Wednesday, October 7, 2026

CRISWELL ONSCREEN: All His Ed Wood Movie Intros & Outros (video)




Famed fake psychic Criswell played host for three of Ed Wood's most notorious movies...

...appearing at the beginning and end of each.

(In "Orgy of the Dead" he also played a part within the film itself.)

Criswell wrote his own copy which he read from cue cards...

...delivering it with a blustery aplomb befitting the occasion.


(For an in-depth look at Criswell's role in "Orgy of the Dead", click here)


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!


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