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Thursday, March 26, 2026

Porfle's Trivia Quiz: "NIGHT OF THE LIVING DEAD" (1968) (video)




George Romero's ground-breaking horror epic...

...of reanimated corpses feasting on the flesh of the living...

...remains one of the most horrifying films ever made.

But how much do you remember about it?


Question: Barbara says the day the time changes should be the first day of...?

A. Spring
B. Summer
C. Autumn
D. Winter
E. August

Question: The first person Barbara encounters in the farmhouse is...?

A. Harry
B. Ben
C. Judy
D. Tom
E. Helen

Question: Tom fumbles their escape attempt by doing what?

A. Forgetting the rifle
B. Running over Ben
C. Shooting out a truck tire
D. Driving into a tree
E. Setting fire to the truck

Question: The police chief says of the ghouls, "Well, they're dead--they're... " What?

A. "Beyond our help"
B. "All messed up"
C. "Out to lunch"
D. "Good for nothing"
E. "Dumb as a doorknob"

Question: Who kills Helen Cooper?

A. Her husband
B. Her daughter
C. The cemetery ghoul
D. Johnny
E. Ben

Question: What happens to Ben?

A. Escapes to a rescue station
B. Survives the night, then joins posse
C. Survives the night, is then killed by posse
D. Killed trying to save Barbara
E. Shot by Harry Cooper


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Wednesday, March 25, 2026

CARNIVOROUS -- DVD Review by Porfle

 

Originally posted on 4/8/09

 

A little boy named Alan Cade steals a magic "Kulev" stick from an old Cajun witch doctor, pops a crayon in one end, and draws a picture of a giant alligator-headed snake monster killing his abusive stepdad. Voila--one giant alligator-headed snake monster comin' up, and before you know it, bad stepdad is toast.

CARNIVOROUS, aka "Lockjaw: Rise of the Kulev Serpent" (2008), then whisks us ahead several years to find grown-up Alan (Louis Herthum) blissfully married to his childhood sweetheart Becky. But when a truckload of pesky teenagers on their way to a secluded cabin for the weekend run over Alan's beloved without even looking back to see what that "thump" was, a heartbroken Alan whips out the old magic stick again and starts drawing. In no time, the teens start getting dragged one by one into the sugar cane field surrounding their cabin by a big, mean you-know-what.

I tend to lower my expectations when it comes to low-budget horror flicks, so I'm often pleasantly surprised when they turn out to be pretty good. Unfortunately, the only way to not be disappointed by this totally blah film is to expect not to be entertained in any way, shape, or form. Aside from Alan and Becky, the characters are doggedly uninteresting and painfully unlikable, which is only made worse by some really bad performances. 

Even standard good girl Sam (Lauren Fain) and standard sensitive guy Kelly (Wes Brown) are annoying stiffs whom we would dearly love to see get eaten alive. Their moronic party-hearty cohorts are even worse, although slutty blonde Ashley (Victoria Vodar) tends to strip down to her red satin undies a lot and has an endearing snort when she laughs.

The film looks kind of like an episode of "Friday the 13th: The Series" only not as good or anywhere near as exciting. Amir Valinia's bland direction and a groan-filled script don't help much. The kill scenes are few and far between, and generate zero suspense. A couple of them, however, are amusing--one guy gets skewered while mounting his horny girlfriend, with the tip of the creature's wiggling tail sticking out of his chest. He deserves it. 

Another character gets summarily decapitated by said tail at such an odd moment that it isn't scary or shocking, but just sorta unexpectedly funny. As for the creature itself, it's passable, and certainly isn't the worst CGI I've ever seen in a low-budget flick. With more imaginative direction the creature scenes might've been somewhat exciting, but as it is they have little effect at all.

Rapper DMX, who's billed over the title, makes a halfhearted appearance toward the end. He's the grown-up son of the old Cajun from whom Alan stole the magic stick way back when, and now he's the only hope our heroes have of destroying the monster. I seem to remember DMX doing okay in EXIT WOUNDS alongside Steven Seagal, but here he barely registers. He's also one of the executive producers, which makes me wonder why he can't find something better than this to get involved with.

Bad horror flicks can be fun to watch if they aren't totally boring and you can laugh at them. It also helps if the filmmakers were obviously trying to make a good movie and failed in an entertaining way. Unfortunately, none of these conditions apply to CARNIVOROUS. In a word, it's simply--indigestible.

 


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Tuesday, March 24, 2026

My Favorite Small Moments From Various Movies (video)


 

Video by Porfle Popnecker. I neither own nor claim any rights to this material. Just having some fun with it. 

Thanks for watching! 


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Monday, March 23, 2026

BREAKER! BREAKER! -- Blu-ray Review by Porfle



Originally posted on 3/11/16

 

I wouldn't have been caught dead going to a redneck trucker flick in 1977.  Or even renting it or watching it on HBO in 1988.  Especially if it had anything to do with CB radios, which I regarded with utter disdain.  Not only did I not see movies like CONVOY back in the day, but the C.W. McCall song itself made my soul hurt.

But that was then.  Now, in retrospect, I can enjoy a low-rent indy truck opera like Chuck Norris' BREAKER! BREAKER! (1977) as I bask in its retro-retro charm.  In fact, this simple little tale of good guys vs. bad guys and righteousness against injustice is such utterly unassuming and straightforward fun that its purity is practically bracing.

In only his first starring role, Chuck is hardly the fabled Superman he would later become although he can already spin-kick his share of butt.  Here, with his youth and lack of facial hair making him look a bit unformed, he's an easygoing truck driver who'd rather mind his own business than have to prove how tough he is.

 
But prove it he must when his younger brother, Billy, gets detoured through the small town of Texas City, California during his very first trucker run and finds out its one of those places where everyone is dishonest, especially the scummy police and the man who runs everything as mayor, judge, and whatever else he wants to be at any particular time--namely, the loathesome Judge Joshua Trimmings. 

The Judge is played by familiar character actor George Murdock (EARTHQUAKE, ANY WHICH WAY YOU CAN), who was born to play a smalltown tyrant in a baggy off-white suit.  (Not to mention God in STAR TREK V: THE FINAL FRONTIER.)  He convicts our hapless Billy of various cooked up crimes and sentences him to pay up or go to jail. 

Billy balks, gets beaten up, and disappears.  Cue big brother Chuck coming to town to rescue him and you've pretty much got the rest of the plot figured out.


The big rig angle actually comes into play only at the very beginning of the film and again for its finale, with most of the running time consisting of Chuck dealing with the local yokels (this is one of those Southern-like towns that seems to have been plunked right down in the middle of California) who are all either shining him on or trying to kill him.

Chuck, needless to say, handles himself capably but does so with a minimum of fancy fight choreography, making do with a well-placed spin-kick here and there in addition to some good old-fashioned fisticuffs.

Even the big fight at the end is kept fairly simple, save for lots of slow-motion a la "The Six Million Dollar Man." The mayhem tends to be on the lighter side, too, with nary a fractured limb or geyser of blood spewing from someone's mouth after a crushing blow.


Murdock, naturally, takes home the acting honors, while ERASERHEAD's Jack Nance gets to overact as a manic redneck trucker.  As for Chuck, his skills are pretty basic here--in one scene, it looks as though director Don Hulette filmed closeups of him expressing various emotions so that he could simply insert them wherever needed.  Of course, it's not like we really watch Chuck Norris movies for the acting.

As Arlene, a local woman and single mother who sides with Chuck against the town's corruption and becomes his romantic interest, Terry O'Connor is an appealing presence.  Their romance is quick and virtually without dialogue, with a brief, sappy ballad and a montage of them strolling around in the woods for a minute sufficing to encapsulate their courtship. 

The Blu-ray from Olive Films is in widescreen with Dolby 2.0 sound.  No subtitles.  The sole extra is the film's trailer.

With all of Chuck's trucker friends converging on the town for what might be called a "smashing" finale, BREAKER! BREAKER! finally breaks a sweat after pleasantly coasting along like a big rig on a downward grade for an hour-and-a-half.  It's hardly a blockbuster action thriller, but if you love the 70s, then movies like this are probably one of the reasons why.


Release date: March 22, 2016

Pictures shown are not taken from the Blu-ray




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Sunday, March 22, 2026

Porfle Admits: "I Was Christopher Walken's Personal Chef" (short story)


 

(I wrote this short story way back in 2008. While entirely fictional, I like to think that it could have happened, or perhaps even should have happened.)

 


Back when I was Christopher Walken's personal chef, I never knew what random horrors each day would bring. I remember one day in particular, in which Mr. Walken sat in his darkened study, lost in one of his strange, pensive moods. He summoned me just as the grandfather clock in the drafty hallway struck noon.




I stood there, awaiting his orders, for quite a long time. He sat in a large leather-bound chair, hands pressed together under his chin, as though pondering his options with grave consideration. Finally, in his familiar low, halting voice, he spoke.



"I would like...the Buggles," he said. "For lunch."



"The Buggles?" I repeated, not sure I'd understood. "You mean, the 80s 'new wave' musical duo?"



"Yes, exactly," he said, relieved that I was familiar with them. A slight smile played upon his lips as he nodded, relishing some mental image that I daren't even imagine.



I wasn't sure what to say. Where the hell had this idea come from? "The Buggles broke up a long time ago," I informed him. "They're, uh, not a duo anymore."



"Then..." he said thoughtfully, "you could get...the ingredients for the Buggles...and make some new ones."



I thought about this seemingly nonsensical request for a moment, when suddenly the horrifying truth dawned on me. By "ingredients", he meant that he wanted me to kidnap Trevor Horn and Geoffrey Downes, the original members of the Buggles, and cook them for lunch. His lunch.



"I can't do that," I said firmly. "I...I won't do that. They're human beings, not just 'ingredients' for some ghastly lunch for you." I cringed, waiting for him to explode in a fit of anger, or at least send me packing.



"Oh," he said softly, as though my words had actually made some kind of sense to him. "Okay. Well, then...I'm not sure what other...lunch options...are available to me. Let's go into the kitchen and...explore them. Shall we?" He rose from his chair and waited for me to lead him into the kitchen, since he had no idea where it was. So I did.



When we got there, he gazed around in silent wonder at all the utensils and appliances. Finally, he spoke. "Where do you keep...the people?" he asked, gesturing with his hands.



"The people? What people?" I inquired, baffled.



"The people that you cook," he explained. "Where...do you store them before preparing them...for my meals?" He asked this as though it were the most normal thing in the world.



Forcing back a retching wave of hot bile, I contained my revulsion long enough to respond. "I don't cook people!" I exclaimed. "I cook food! FOOD! Nobody cooks PEOPLE! That's HORRIBLE!"



He looked at me with a sort of serene puzzlement for a moment, then shrugged. He noticed something on the counter. "What is that?"



"That," I said, grateful for the change of subject, "is a sandwich that I made for my own lunch."



"Ah," he said, amazed. "A...sandwich. Could you make one of those...for me?"



"Sure," I said, relieved. "What kind of sandwich would you like?



"Are there...different kinds?"



"Oh, yes," I said. "You can put whatever you want in a sandwich. Any kind of meat, in addition to things like tomatoes, lettuce, cheese, pickles--"



"Make me," he said with growing excitement, "a Buggles sandwich."



I slapped my forehead. "No...no, you don't understand," I said, exasperated. "You can't--"



"With some of that pickles and...er, cheese things that you indicated," he added. "And I...I really am hungry today, so...make me two of these Buggles sandwiches. Each of them containing half...of each separate Buggle. With cheese." He took a deep breath and stood back with his mouth open, eagerly waiting for me to confirm my understanding of his instructions.



"Look, Mr. Walken," I said, finally tiring of this charade and spelling it out for him, slowly and plainly. "I cannot and WILL not cook people for you to eat for lunch, or for any other meal. You're asking me to commit MURDER, for heaven's sake...so that YOU can indulge in cannibalism, one of the most utterly HEINOUS acts a person can commit. Why, the very notion of this fills me with an inutterable HORROR which I can scant express with mere words!" I leaned wearily against the counter, drained by my emotional turmoil.



He thought about this for a long time, then held up his index finger and began to speak. "Are you...trying to tell me..." he said slowly, a look of concern on his face, "that we...are out of cheese?"



"NO!" I screamed. "WE'RE OUT OF BUGGLES! YOU'LL HAVE TO EAT SOMETHING ELSE!"



"Ah," he nodded, appearing to understand me at last. I waited anxiously, fearfully, for his next words. He extended his arm so that his sleeve would retract and reveal his wristwatch. He looked at it, furrowing his brow. "It's five minutes after twelve," he announced. "Is my lunch ready yet?"



"No," I said. "You told me you wanted the Buggles for lunch, and I told you I could not and would not kidnap and cook them for you. Therefore, you have yet to present me with a viable alternative meal to prepare for you."



"I understand," he affirmed. "Well, then," he said breezily, "I'll just invite some friends over for lunch, and you can cook some of them." He pulled an address book out of his pocket, went over to the phone, and began calling people while I simply stared at him in disbelief. Thirty minutes later, the livingroom was filled with guests milling around drinking cocktails.



"There's Meryl Streep," he said to me in a low voice, pointing. "I'd like some spaghetti and Streep balls as an appetizer. And over there," he added, indicating a gentleman standing next to the Picasso, "is Dennis Hopper. As an entree, I'd like some thick, juicy Dennis Hopper steaks. Ribeyes, of course."



"Of course," I said wearily.



"And to snack on...umm, who's left...oh, just do something fun with Steven Spielberg. Maybe a sort of festive meatloaf. Or some jerky. But you'd better hurry, because he never stays long."



"So...I just slaughter them now?" I asked.



"Yes, yes, just slaughter them now," he urged. "I'm famished."



Steeling myself, I clutched the meat cleaver and began to inch forward. Suddenly a wave of hysteria swept through me and I screamed at the top of my lungs: "NO! NO! I WON'T DO IT! I WON'T SLAUGHTER AND COOK HOLLYWOOD'S ELITE FOR YOUR LUNCH!"



With that, I flung the meat cleaver aside and ran shrieking from the room. On my way out, I could hear Mr. Walken explain to his guests, "Well, you just can't get good help these days."



Later, he found me hiding in the kitchen, trembling. He noticed my sandwich sitting uneaten on the counter. "Are you...going to eat that?" he asked.



"No, you can have it," I said in a quavering voice. "I couldn't bear to eat anything right now."



He picked up half of the sandwich and took a bite. "Mmm, this is very good," he appraised. "Who is it?"



It was Underwood Chicken Spread, but I lied. "It's Tom Cruise. I got a good deal on the cast of TOP GUN at the meat market."



And so, for the next several weeks, I gave Christopher Walken chicken spread sandwiches for breakfast, lunch, and dinner, and told him that we were working our way through the entire cast of TOP GUN. When that was over, I switched to deviled ham and told him we were starting in on PULP FICTION. This eventually presented a problem, since I'd forgotten that he was in it. So one day, two weeks into PULP FICTION, he asked, "When do I get to eat me for lunch?" Thinking fast, I opened up a can of Spam and pointed at it. "This is you," I said. "Oh...I look good," he drooled.


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