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Showing posts with label chainsaw. Show all posts
Showing posts with label chainsaw. Show all posts

Sunday, October 11, 2026

MURDER PARTY -- Movie Review by Porfle


Originally posted on 3/12/10

 

MURDER PARTY (2007) starts with a neat opening titles montage of Halloween images in an urban neighborhood--jack-o-lanterns on doorsteps, costumed kids running up and down the sidewalks, and a nerdy guy named Chris (Chris Sharp) renting some scary movies on his way home from his job as a parking ticket distributor for the NYPD. He notices a strange black envelope on the sidewalk and picks it up--it's an invitation to a Halloween party. Or, more specifically, a "murder party."

When he gets home to his cramped apartment, he pours a bowl of candy corn and pops in one of the cheapo flicks he's rented. But his cat, Sir Lancelot (Puff Snooty), won't get out of his favorite chair. So the painfully non-assertive Chris decides to skip the movie, don his totally crappy homemade cardboard-and-duct-tape medieval knight costume, and give the "murder party" a go. After all, the name has to be a joke, right? Right? WRONG, CHRIS! It's a REAL murder party!

After a scary trudge through the bad part of town, Chris ends up at an isolated warehouse. Inside, he discovers a small group of costumed goofballs hanging around in a dingy storeroom. There's Paul (Paul Goldblatt, who also did the film's special effects) in a bad Lestat-type vampire suit, Lexi (Stacy Rock), who looks like a poor-man's "Pris" from BLADE RUNNER, Macon (Macon Blair), who has on a werewolf mask but mainly looks like he's dressed as Kevin Smith, and Bill (William Lacey), done up like one of the "Baseball Furies" from THE WARRIORS. There's another girl named Sky (co-producer Skei Saulnier), but she doesn't last long because she's allergic to raisins, and Chris brought some pumpkin bread with raisins in it to the party, and when Sky eats some of it she keels over dead.


Just as Chris is beginning to realize he should've stayed home with his cat, they jump him and tie him to a chair. He soon finds out that they're all aspiring avant-garde artists who plan to murder him in an artistic way in order to impress Alexander (Sandy Barnett), a smug, pseudo-sophisticated art enthusiast, and get a grant from him for up to half a million dollars. Alexander arrives with his new best friend, the dangerous-looking Zycho the Psycho (Bill Tangradi), and announces that they will all stab Chris to death at the stroke of the witching hour. Till then, much interpersonal interplay ensues (augmented by a round of truth-serum injections and other narcotics), while the bound Chris looks on in wide-eyed apprehension.

Well, all of this is very nicely filmed for such a low budget--there's even a special credit for the Steadicam operator--and pretty well acted, and some of it is genuinely funny. But MURDER PARTY is often boring and just a tad too tedious. The truth-serum sequence is fairly deadly, with the cast sitting around on the floor woozily mumbling various confessions that sound mostly improvised, and not very well at that. The constant bickering among the characters also gets rather grating after awhile.


At some point deep into the second half, things finally start to happen. There's a shocking discovery about Alexander, somebody tries to light a cigarette while wearing his mask and sets himself on fire, Zycho finally goes psycho, and everybody else goes psycho, too. There's gunfire, axe wielding, chainsaw swingin', and other violent activities that are about as graphic and realistic as that scene that was tacked on at the end of the movie SNUFF--meaning not all that realistic-looking at all, but sorta fun. Some boobage finally makes an appearance at the eleventh hour, albeit covered with body paint, and there's a frenetic chase when Chris finally makes his escape and runs for his life with two of the others in hot pursuit. One of them is wielding the chainsaw, but it's an electric chainsaw, so he has to keep finding places to plug it in whenever he runs out of cord.

Probably the funniest moment in the whole movie is when Chris locks himself in a closet and the others wait outside for him to come out. He frantically scans the surrounding items--a high-tension spring, a plastic jug, an extension cord, a pulley, a fire extinguisher, an exhaust hose--and just as we expect him to have a brilliant McGyver-type inspiration, he suddenly bursts from the closet with all that junk in his arms, throws it at his pursuers, does a lame fake-out move, and runs away.

Surprisingly, the closing credits for MURDER PARTY are five minutes long. For a minor movie like this, there were a heck of a lot of people working on it, and it looks as though most of them did their jobs pretty well. It's just too bad the collective result couldn't have been more worthwhile. MURDER PARTY isn't all that bad, though, and is sporadically entertaining--I give it two-and-a-half jack-o-lanterns for effort.



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Wednesday, May 27, 2026

FATHER'S DAY -- Movie Review by Porfle




 

Originally posted on 2/24/12

 

I didn't know quite what to expect when I started watching FATHER'S DAY (2011), a condition which persisted throughout the entire movie.  Just when you think you've pretty much figured out what it is you're watching, it turns into something a whole lot weirder and several times nuttier.

Written, directed, and starred in by a group of Winnipeg filmmakers who call themselves Astron-6, it's an unashamedly stupid, gore-drenched grab bag of tongue-in-cheek tough-guy action-horror-comedy antics done in the fake-grindhouse style of PLANET TERROR, but with real grindhouse production values and attitude. 

Most nostalgic of all for me, it's presented as though home-taped sometime during the 80s off a late-night cable station called ASTR-TV, complete with promo bumpers, smarmy announcer, and a mid-movie faux trailer for something really, really cheesy called STAR RAIDERS.

The story begins in semi-sane fashion with corpulent "Father's Day Killer" Chris Fuchman (Mackenzie Murdock) raping and butchering dads, including that of gay street hustler Twink (Conor Sweeney).  This repellent character also killed the father of young Ahab and cut out his right eye in the bargain. 

Now grown up, Ahab (Adam Brooks) is a growly-voiced, eye-patched "Snake Plissken" type out for revenge along with his stripper sister Chelsea (Amy Groening), the addlebrained Twink, and a jittery young priest named Father John (Matthew Kennedy) whose blind, aging mentor also met a horrific Fuchman-related fate. 

What follows makes ARMY OF DARKNESS look like a Doris Day/Rock Hudson comedy as this simple revenge flick gets progressively more absurd.  Characters obsess "Monty Python"-style over simple figures of speech, as when Ahab tells Father John that it's time to harvest his maple syrup before it turns bitter and Father John wrongly interprets this as a metaphor for Ahab and his sister Chelsea, after which a confused Ahab spends five minutes trying to figure out why Father John just compared him to a tree.

Twink, meanwhile, begins the film as a deceptively serious character grieving over his dead dad (Billy Sadoo's acting while being murdered by Fuchman is strikingly realistic), making his descent into extreme goofiness even more pronounced.  Elsewhere, Father John's odyssey takes him from a meltdown in the pulpit worthy of Richard Burton on laughing gas (in a scene which may have been inspired by the opening to NIGHT OF THE IGUANA) to a hostage situation in Heaven with the desperate priest holding God (Troma head honcho Lloyd Kaufman) at gunpoint. 

While all this is going on, Fuchman continues his reign of terror complete with a cornucopia of wet 'n' wild gore effects including entrails, exploding heads, and one shocking moment that gives a whole new meaning to the phrase "eat me."  None of this, however, is quite as disturbing as the image of a full-on naked Mackenzie Murdock displaying his eye-watering genitalia and humping everyone in sight. 

Just when you think our heroes have defeated the bad guy and made everything right with the world again, FATHER'S DAY pulls out all the stops and goes totally off the deep end with Ahab, Twink, and Father John descending into Hell to rescue Chelsea, who's been kidnapped by Fuchman to be the bearer of his evil seed or whatever. 

While this may sound pretty horrible, it's all basically just an excuse to ramp up the bizarre off-the-wall comedy to even greater heights (or should I say depths) of calculated idiocy.  Along with even more squishy gore effects, of course.  Oh yeah, and I almost forgot to mention the extreme incest sequence and the buxom, chainsaw-wielding stripper played by my future wife, Zsuzsi. 

As nastily nostalgic as the more expensive, star-studded PLANET TERROR and packed with more grindhouse-verite' style than HOBO WITH A SHOTGUN, the gleefully horrendous FATHER'S DAY will be a riotous romp for some, a nauseating nightmare for others.  You probably know which camp you're in by now. 


Our coverage of the film's premiere

Official website


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