EXORCIST II: THE HERETIC -- Blu-ray Review by Porfle

 Originally posted on 9/20/2018

 

I have to agree with the Medveds that EXORCIST II: THE HERETIC (Scream Factory, 1977) is one of the dumbest horror films ever made.  And yet that's what makes it so watchable--the fact that it's so incredibly, entertainingly dumb.

It's also one of the worst-ever sequels to a classic film.  The nightmarish original from director William Friedkin (THE FRENCH CONNECTION, TO LIVE AND DIE IN L.A., THE BOYS IN THE BAND) was considered by many upon release as the most terrifying film of all time.  Even a lot of first-time viewers nowadays tend to agree.  But for its hapless follow-up, reactions are largely negative.

Linda Blair is back as "Regan", this time several years older than the little girl we first met.  Still suffering the after-effects of her previous ordeal, Regan is undergoing unorthodox treatments from super-shrink Louise Fletcher which are intended to isolate and solve her "mental" problems.  This involves a flashing mutual-hypnosis machine called a "synchonizer", which connects their minds and adds a sort of sci-fi element to the story.

Meanwhile, there's a new priest in town--the great Richard Burton as Father Lamont, a troubled holy man ordered by the Cardinal (Paul Henried) to investigate what happened to Father Merrin (Max Von Sydow) leading up to his strange death.  This eventually leads him to Regan, and then to Africa for an encounter with mysterious locust expert James Earl Jones.

What follows is a strange mishmash of conventional horror, sci-fi, African mysticism, and leftovers from the original story that alternates between either dull and meandering, and just plain fascinating as an ill-conceived screen artifact.

At times it feels sort of like one of those soupy 70s-era Dino De Laurentiis or Carlo Ponti productions.  (The overcooked score by Ennio Morricone doesn't help.) Hard to believe it was directed by John Boorman, the same man who gave us DELIVERANCE and EXCALIBUR but has none of William Friedkin's knack for pulling off this kind of horror.

To be fair, Friedkin had much better material to work with.  The weak script was rewritten multiple times, with tepid echoes from the first movie interlaced with such elements as locust attacks (an odd parallel to the evil invading our world) which can only be repelled by that rare someone with a special spiritual power.

This figures very importantly in the wildly bizarre finale as locusts descend on Regan's crumbling old Washington, D.C. townhouse like something out of an Irwin Allen disaster flick (sort of a cross between EARTHQUAKE and THE SWARM), while Father Lamont wrestles furiously in bed with Regan's evilly seductive doppelganger.

As for me, the sequel's undisputed highlight is the infamous tap-dancing scene.  Few examples of unintended hilarity are as sublimely funny as seeing Regan, stricken by the old evil spirit again during a school talent show, valiantly struggling to finish her tap-dancing routine (top hat, tails, cane--the whole works) to the tune of "Lullaby of Broadway" as her body is wracked with violent spasms.

Linda's fans will naturally enjoy seeing her again as an older Regan.  Unfortunately, this was made during that awkward teen phase when Linda wasn't all that convincing in anything beyond the likes of ROLLER BOOGIE or SAVAGE STREETS.  Her chirpy demeanor and weak line delivery constantly work against Boorman's attempts to build realistic tension.

Louise Fletcher (ONE FLEW OVER THE CUCKOO'S NEST, DEAD KIDS) and Richard Burton (THE KLANSMAN, THE WILD GEESE) both do what they can with the tepid material. Burton, one of film's greatest actors when given the chance, is especially watchable even though the last act mostly requires him to wander around in a trance.  Kitty Winn returns from the first film as Sharon.  Ned Beatty and a very young Dana Plato are also on hand.

The 2-disc Blu-ray from Scream Factory contains both the original 118-minute cut and the 102-minute reedited version, which was released after the film failed to meet audience expectations first time around.  Both are 2k scans from the original film elements.  Image and sound quality are very good.  English subtitles are available.

Each disc contains ample bonus material, including three commentary tracks (one with director John Boorman) and a revealing interview with Linda Blair.  Also included are trailers and still galleries, plus a reversible cover insert.

EXORCIST II: THE HERETIC is a somewhat exhilarating experience at times--not because it's good, but because it's so flamboyantly bad.  Once you've seen the full version, you'll want to watch the edited cut just to see what they did in the way of damage control.  Either way, it's one of 70s cinema's most interesting failures.


DISC ONE (118 Minute Cut Of The Film):

NEW 2K Scan From Original Film Elements
NEW Audio Commentary With Director John Boorman
NEW Audio Commentary With Project Consultant Scott Bosco
NEW What Does She Remember? – An Interview With Actress Linda Blair
NEW Interview With Editor Tom Priestley

DISC TWO (102 Minute Cut Of The Film):

NEW 2K Scan From Original Film Elements
NEW Audio Commentary With Mike White Of The Projection Booth Blog
Original Teaser Trailer
Original Theatrical Trailer
Still Galleries Including Rare Color And B&W Stills, Behind-The-Scenes, Deleted Scene Photos, Posters, And Lobby Cards

Buy it from Shout Factory

EXORCIST II: THE HERETIC -- Blu-ray Review by Porfle