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Friday, January 17, 2025

COLD PREY -- DVD Review by Porfle

 

Originally posted on 1/18/09

 

Another throwback to the old stalker-slasher tradition, the Norwegian thriller COLD PREY, aka FRITT VILT (2006) concentrates less on graphic violence and gore than simply trying to keep us on the edge of our seats. It's familiar stuff, and quite predictable, yet it still manages to be a fun and entertaining spookhouse ride.

The gang of young victims-to-be follows the same template as, among other films, both versions of THE TEXAS CHAIN SAW MASSACRE. There's the hero couple, Jannicke and Eirik, who are responsible and level-headed; the make-out couple, consisting of cute, immature dude Mikal and dumb-blonde babe Ingunn; and finally, the fifth-wheel loner Morten, who playfully admits to having an intense love affair with his own hand.

While everyone else is crowding into packed ski resorts, Eirik whisks the gang off to a remote mountain location for some snowboarding, despite recent news reports of a rash of skier disappearances in the area (like, around 110). It only takes Morten about a minute to break his leg, and, wouldn't you know it, nobody can get a signal on their cell phones. Jannicke, quickly asserting herself as the most useful member of the group, sets the broken bone herself and then spies an abandoned hotel in the distance where they can hole up for the night. All of this occurs within the first fifteen minutes, so it's clear that this movie is wasting no time moving things right along.

The secluded hotel itself is an awesome actual location that helps to give this familiar story its own unique feel. Made to look old and disused, it has plenty of long, dark hallways, creepy basements, and other cobwebby nooks and crannies that are just right for a mysterious killer to lurk around in. Director Roar Uthaug keeps the tension taut as one by one his hapless characters find themselves alone in various parts of the building, gradually realizing that they're being stalked. When all hell finally breaks loose, an exhilarating level of suspense is maintained to the very end, punctuated by some pretty effective jump scares. And since we don't really care all that much about most of these characters, it's generally a fun experience rather than a dark and disturbing one.

This good-looking film is slickly directed and photographed and has plenty of chilly, gloomy atmosphere but surprisingly little gore. The cast is capable, especially Ingrid Bolsø Berdal as Jannicke, whom I'd definitely want to have along if I were in a similar predicament. Her character is brave and resourceful--she coolly Super-Glues the gaping wound on Morten's leg shut--while at one point allowing herself a rather stunning act of cowardice that somehow makes her a bit more believable. As Ingunn, Viktoria Winge lends the film what little sex appeal it has as she runs around in her skimpies while avoiding the killer's pickaxe. Among the male leads, Rolf Kristian Larsen is the most noteworthy as Morten. The killer himself is pretty generic, and is most effective when off-camera.

The DVD image is 2.35:1 anamorphic widescreen, with Dolby Surround 5.1 for the Norwegian soundtrack and 2.0 for the English one. You'll probably want to listen to the Norwegian soundtrack with subtitles after getting a load of the bad English dubbing, which sounds kind of like the Disney version of a Miyazaki cartoon. Somehow I don't think Norwegian translates very well to English, or at least not in this case.

A generous helping of extras includes: an alternate ending with shots from the movie augmented by storyboards; a making-of featurette; brief looks at the visual FX, sound design, and other aspects of the production; the evolution of the opening car scene, from rehearsal to final editing; eight minutes of bloopers (some of which lose a little in translation); two short films; a music video; and trailers and TV spots.

COLD PREY doesn't really offer anything new to those of us who have seen our share of slasher movies, and, lacking any real emotional depth or memorable moments, is soon forgotten after the fadeout. But with its atmospheric setting, likable characters, and frantic pace, it holds up well as a crisply-executed and chillingly suspenseful thriller.

 


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Thursday, January 16, 2025

THE HORROR OF PARTY BEACH -- Blu-ray Review by Porfle



 Originally posted 8/20/2018

 

When actor-turned-filmmaker Del Tenney made a deal to direct some drive-in fodder for the teen crowd, one of the all-time trash classics he fooled around and came up with was the delirious THE HORROR OF PARTY BEACH (1964).

Though made in the 60s, it contains surefire elements from the biggest teen hits of the 50s--rock and roll, monsters, hot rods, teen angst, and bad comedy--and mixes them with then-current stuff like bikini beach scenes and even a good deal of H. G. Lewis-style gore a la "Blood Feast."

Done in an amateurish yet freewheeling, dumb-fun style that packs in as much of the above elements as it will hold and, unlike many grade-Z flicks, doesn't let up for a minute, the result is a movie that's often funny, creepy, and refreshingly entertaining in spite of itself.


The very first minute of the film features drag racing and motorcycles--courtesy of an actual local bike gang--along with the first of six goofy rock and roll songs by the Del-Aires (in what was billed as "the first horror monster musical.")

We see Hank (John Scott) arguing with his girlfriend Tina (Marilyn Clarke) as they pull into the parking lot of the local beach, where Tina is intent on living it up while Hank insists they begin to act their age. The beach party sequence is real "poor man's" Frankie and Annette stuff, filmed in dreary black and white on a beach in Connecticut and interspersed with some of the worst comedy dialogue exchanges ever.

Meanwhile, fast-chick Tina goes nuts, bumping and grinding to "The Zombie Stomp" with a greasy-haired biker amidst the bikini-clad onlookers and prompting Hank to release his violent side as a big poorly-choreographed fight breaks out.


When Tina runs off into the ocean to escape Hank's disdain, she's attacked and ripped to pieces (and splattered liberally with Bosco chocolate syrup) by a horrific amphibian creature that has recently been created when some radioactive waste carelessly dumped into the water got mixed up with the sodden bodies of recently-drowned sailors.

These monsters (they grow in number with every scene) are real lulus of bad creature design, looking like poor relations of the Black Lagoon creature with ping-pong-ball eyes and what appear to be big bundles of hot dogs sticking out of their mouths.  But just the fact that such relatively elaborate costumes were made for this low-budget flick is impressive.

The rest of THE HORROR OF PARTY BEACH becomes a series of monster attacks in the nearby small town with Dr. Gavin (Allan Laurel), his apprentice Hank, and his daughter Elaine (Alice Lyon), now Hank's prospective girlfriend after the untimely death of Tina, applying all their scientific skills to helping the local cops find a way to track down and destroy the creature menace.


This allows Tenney and company to stage a progression of delightful creature carnage sequences which include an all-girl slumber party massacre, three girls on their way to New York getting tragically sidetracked (the wisecracking blonde in this segment is actually quite funny), and a couple of drunks stumbling their way into the path of the monsters.  (One of the drunks is actor Wayne Tippit of "JFK" and "Nurse Betty", perhaps the only recognizable face in the film.) These scenes include not only lots of fake blood but some nicely-done gore makeup.

While all this is going on, we're treated to the high-jinx of Dr. Gavin's matronly black maid Eulabelle (Eulabelle Moore--yes, that was her real name) going around fretting "It's the voodoo, that's what it is!", and an increasingly ridiculous scientific investigation that results in the good guys hurling handfuls of sodium at the finny fiends.  (The resulting fish-fry pyrotechnics are pretty well done.)

The Severin Blu-ray itself is a 2k scan from the original negative and, needless to say, looks way, way better than I've ever seen it before. (And probably way more uncut, too.)


Severin, as usual, comes through with the bonus features as well, including archival footage of Del Tenney himself discussing his career in general and this film in particular.  "Return to Party Beach" is an informative retrospective documentary, while another featurette offers two of the Del-Aires with an interview and a live performance of "The Zombie Stomp."  In "Shock and Roll", filmaker Tim Sullivan discusses rock and roll horror movies.  The film's trailer is also included.

There are a lot of "so bad it's good" movies out there, with some of them being only passably entertaining with brief moments of fun amidst long stretches of boredom.  THE HORROR OF PARTY BEACH, on the other hand, has a kind of magically bad quality that makes it total, almost giddy fun from start to finish.  This one's got everything and lots of it, and watching it makes me feel like a kid at the drive-in again.


Buy Blu-ray or DVD from Severin Films







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Wednesday, January 15, 2025

THE SHADE SHEPHERD -- Movie Review by Porfle




I just got played. Big time. By a movie. A movie that I didn't think was going to be all that great, so I underestimated it, and let my guard down. And now, all I can say is...bravo.

Jack Ables (co-writer Jordon Hodges, SAND CASTLES, THE DARK KNIGHT) is a respected doctor whose wife Stacey (Caroline Newton, A PLACE IN HELL) is about to have a baby. Their relationship isn't perfect, but maybe with time they'll work things out.

Trouble is, Jack doesn't have that time right now, because his ne'er-do-well big brother Pike (Randy Spence, "Halt and Catch Fire", "Turn: Washington's Spies"), a heroin addict who's always in and out of trouble with the law, just woke up with a murder charge hanging over his head. He doesn't remember what happened, but chances are that won't matter much to the police.


THE SHADE SHEPHERD (Indican Pictures, 2019) is about Jack's decision to risk everything--his reputation, his marriage, his freedom, maybe even his life--by helping the luckless and now hunted brother escape to Canada.

Director Chris Faulisi (A PROPER VIOLENCE, SHIFT), handles the lean, tautly-suspenseful, and emotionally harrowing script he co-wrote with Hodges with just the right touch at every turn.

He's lucky to have a wonderful cast to work with, especially Randy Spence who plays Pike to the hilt as a frantic heroin addict going cold turkey, freaking out over every noise and shadow and wracked with guilt for what he's doing to his straight-arrow brother. 


As Jack, Hodges reminds me of a young Joe Pantoliano and is every bit as intense, putting us right there in his place as we feel the desperation of a man who must venture onto the way, way wrong side of the law for the love of his brother while also having to put his survival skills to the ultimate test as they flee cross-country with nothing but Jack's archery skills to sustain them.

All this sounds good, just right for some passable entertainment if handled as well as it is here.  And indeed that was going to be the gist of my review--an okay movie that you won't mind devoting some time to, with what I assumed would be a fairly satisfying ending.


And then, that "fairly satisfying ending" turns out to be like one of those carnival rides where you spin around real fast inside a big wheel before the bottom suddenly falls out and you're stuck to the wall wondering what just happened.

That's all I'm going to say about THE SHADE SHEPHERD.  I'd love to talk more about it, but let's wait until you've seen it too. I don't know if the twist ending is as good as the one in THE SIXTH SENSE, but right now, for however long it lasts, it sorta feels like it.


Buy it from Indican Pictures

TECH SPECS

Runtime: 90 minutes
Format: 1:78 HD
Sound: Dolby Sr.
Country: USA
Language: English



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Tuesday, January 14, 2025

The Burning Orphanage Scene From "MIGHTY JOE YOUNG" (1949) (video)




(spoilers)

Jill Young (Terry Moore) and her friend Gregg (Ben Johnson) are fleeing from the law...

...after a judge orders that her beloved pet gorilla Joe be shot to death.

But a burning orphanage causes them to cut short their escape.

Excellent stop-motion animation by Willis O'Brien and Ray Harryhausen...

...make this is one of the most thrilling sequences ever filmed.


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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Monday, January 13, 2025

MORE Lesser Known Stop-Motion Animation Monsters (video)




The most famous stop-motion animators are Willis O'Brien (KING KONG)…

...and Ray Harryhausen (JASON AND THE ARGONAUTS).

But other animators have given us their own interesting creations throughout the years...

The Lost Continent (1951)
The Black Scorpion (Willis O'Brien, 1957)
The Giant Behemoth (Willis O'Brien, 1959)
Dinosaurus! (1960)
Planet of Dinosaurs (1978)
Caveman (1981)


I neither own nor claim any rights to this material.  Just having some fun with it.  Thanks for watching!



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