From Soundstage to Location In One Seamless Shot ("Frenzy", 1972) (video)

"Come into my parlor, said the spider to the fly."

The killer lures his victim.
Hitchcock wisely backs away, leaving the rest to our imaginations.
The effect is eerie.

The shot begins with a studio interior.
A passing figure hides the transition between studio interior and location exterior.

Just another one of Hitchcock's wonderful little cinematic sleight-of-hand tricks.


Suggested by Epsteinisms #

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